This is the first volume dedicated to a direct exploration of Wittgenstein and Plato. It is a compilation of essays by thirteen authors of diverse geographical provenance, orientation and philosophical interest.
The volume offers the most complete and detailed view to date on Wittgenstein and Plato, without being tied to any unilateral guidelines from either a critical or philosophical perspective. The authors are scholars of Wittgenstein, but also of Plato and Greek philosophy. The book is a sort of game of mirrors: Plato in the mirror of Wittgenstein, and Wittgenstein in the mirror of Plato. All essays always seek to combine philosophical interest and philological attention, although, in some essays one interest prevails over the other.
Despite the preponderance of scholars of Wittgenstein, the volume seeks to be not only a book on Wittgenstein and Plato, but also, simultaneously, on Plato and Wittgenstein.

This book explores Wittgenstein's conception of ethics, religion and philosophy. It aims at providing us with the tools necessary for assessing to what extent the Austrian philosopher can be considered an anti-Enlightenment thinker. The articles collected in this volume explore the relationship between Wittgenstein's thought and that of several authors who were, in various ways, key to the counter-enlightenement, authors such as Hume, Schopenhauer, Nietzsche, Tolstoy, James and Pierce. One of the central issues examined here is Wittgenstein's opposition to the Cartesian method of doubt - a cornerstone of the enlightened movement against prejudice and superstition.

This impressive edited collection investigates the relationship between British Pop Art pioneer Eduardo Paolozzi and the philosopher Ludwig Wittgenstein. At this time, when Paolozzi's oeuvre is in the process of being rediscovered, his long-time fascination with Wittgenstein requires thorough exploration, as it discloses a deeper understanding of his artistic production, further helping to reassess the philosopher's actual impact on visual arts and its theory in the second half of the 20th century. With 13 diverse and comprehensive chapters, bringing together philosophers and art historians, this volume aims at retracing and pondering the influence of Wittgenstein on the idea of art in Paolozzi, thus giving an unprecedented insight into Wittgenstein's philosophy as employed by contemporary artists.

Wittgenstein was a faithful and passionate reader of Plato's Dialogues as confirmed by writings and witnesses. Here well-known scholars of Wittgenstein and Plato illuminate the relationship between the two philosophers both philologically and philosophically, and provide new interpretation keys of two of the leading figures of Western thought.