From one of America's preeminent literary voices comes a new story collection that proves once again why the writing of Luis Alberto Urrea has been called "wickedly good" (Kansas City Star), "cinematic and charged" (Cleveland Plain Dealer), and "studded with delights" (Chicago Tribune). Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice. Suffused with wanderlust, compassion, and no small amount of rock and roll, THE WATER MUSEUM is a collection that confirms Luis Alberto Urrea as an American master.

An Instant New York Times Bestseller This "powerful, uplifting, and deeply personal novel" (Kristin Hannah, #1 NYT bestselling author of The Four Winds), at once "a heart-wrenching wartime drama" (Christina Baker Kline, #1 NYT bestselling author of Orphan Train) and "a moving and graceful tribute to heroic women" (Publishers Weekly, starred review), asks the question: What if a friendship forged on the front lines of war defines a life forever? "Urrea's touch is sure, his exuberance carries you through . . . He is a generous writer, not just in his approach to his craft but in the broader sense of what he feels necessary to capture about life itself." -Financial Times In 1943, Irene Woodward abandons an abusive fiancé in New York to enlist with the Red Cross and head to Europe. She makes fast friends in training with Dorothy Dunford, a towering Midwesterner with a ferocious wit. Together they are part of an elite group of women, nicknamed Donut Dollies, who command military vehicles called Clubmobiles at the front line, providing camaraderie and a taste of home that may be the only solace before troops head into battle. After D-Day, these two intrepid friends join the Allied soldiers streaming into France. Their time in Europe will see them embroiled in danger, from the Battle of the Bulge to the liberation of Buchenwald. Through her friendship with Dorothy, and a love affair with a courageous American fighter pilot named Hans, Irene learns to trust again. Her most fervent hope, which becomes more precarious by the day, is for all three of them to survive the war intact. Taking as inspiration his mother's own Red Cross service, Luis Alberto Urrea has delivered an overlooked story of women's heroism in World War II. With its affecting and uplifting portrait of friendship and valour in harrowing circumstances, Good Night, Irene powerfully demonstrates yet again that Urrea's "gifts as a storyteller are prodigious" (NPR).

"All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death." In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home. The story of the de La Cruzes is the quintessential American story. This indelible portrait of a complex family reminds us of what it means to be the first generation and to live two lives across one border. It takes us into a world we have not known, while reflecting back the hopes and dreams of our own families. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank.

Nayeli es una chica de diecinueve anos que trabaja en una taqueria de tres Camarones, un poblado mexicano. Ve en suenos a su padre, que emigro al norte cuando era nina. Recientemente se ha dado cuenta de que su padre no es el unico hombre que se ha ido del pueblo, de hecho ya casi no quedan hombres, todos se han ido al otro lado, a los Estados Unidos. Un grupo de narcotraficantes tambien se ha percatado de ese hecho y ven la oportunidad para apoderarse. Pero una noche, durante la exhibicion de la pelicula "Los Siete Magnificos," Nayeli tiene una revelacion: Debe dirigirse al norte a reclutar sus propios Siete Magnificos, para que la protejan de los criminales y coadyuven a repoblar Tres Camarones. Ella y sus amigas viajan al norte y en el camino hacia esa extrana y fascinante tierra de sus suenos, ese mitico lugar donde su padre desaparecio, van sumando una coleccion de inusitados y sorprendentes aliados. La meta es un poblado del estado de Illinois, donde Nayeli espera encontrar a su padre y reclutar a sus guerreros. Con suerte, hara realidad tambien su destino. ""

A passionate advocate for preserving wilderness and fighting the bureaucratic and business forces that would destroy it, Edward Abbey (1927-1989) wrote fierce, polemical books such as Desert Solitaire and The Monkey Wrench Gang that continue to inspire environmental activists. In this eloquent memoir, his friend and fellow desert rat Charles Bowden reflects on Abbey the man and the writer, offering up thought-provoking, contrarian views of the writing life, literary reputations, and the perverse need of critics to sum up "what he really meant and whether any of it was truly up to snuff." The Red Caddy is the first literary biography of Abbey in a generation. Refusing to turn him into a desert guru, Bowden instead recalls the wild man in a red Cadillac convertible for whom liberty was life. He describes how Desert Solitaire paradoxically "launched thousands of maniacs into the empty ground" that Abbey wanted to protect, while sealing his literary reputation and overshadowing the novels that Abbey considered his best books. Bowden also skewers the cottage industry that has grown up around Abbey's writing, smoothing off its rougher (racist, sexist) edges while seeking "anecdotes, little intimacies . . . pieces of the True Beer Can or True Old Pickup Truck." Asserting that the real essence of Abbey will always remain unknown and unknowable, The Red Caddy still catches gleams of "the fire that from time to time causes a life to become a conflagration."

'Epic . . . Rambunctious . . . Highly entertaining' New York Times 'All we do, mija, is love. Love is the answer. Nothing stops it. Not borders. Not death.' In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly one hundred, dies, transforming the weekend into a farewell doubleheader. Among the guests is Big Angel's half brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighbourhood, the revellers mingle among the palm trees and cacti, celebrating the lives of Big Angel and his mother, and recounting the many inspiring tales that have passed into family lore, the acts both ordinary and heroic that brought these citizens to a fraught and sublime country and allowed them to flourish in the land they have come to call home. Teeming with brilliance and humor, authentic at every turn, The House of Broken Angels is Luis Alberto Urrea at his best, and cements his reputation as a storyteller of the first rank.

At turns heartbreaking, uplifting, fiercely romantic, and riotously funny, QUEEN OF AMERICA tells the unforgettable story of a young woman coming of age and finding her place in a new world. Beginning where Luis Alberto Urrea's bestselling "The Hummingbird's Daughter "left off, QUEEN OF AMERICA finds young Teresita Urrea, beloved healer and "Saint of Cabora," with her father in 1892 Arizona. But, besieged by pilgrims in desperate need of her healing powers, and pursued by assassins, she has no choice but to flee the borderlands and embark on an extraordinary journey into the heart of turn-of-the-century America.

Teresita's passage will take her to New York, San Francisco, and St. Louis, where she will encounter European royalty, Cuban poets, beauty queens, anxious immigrants and grand tycoons-and, among them, a man who will force Teresita to finally ask herself the ultimate question: is a saint allowed to fall in love?

It is 1889. Civil war is brewing in Mexico, and sixteen-year-old Teresita has just woken from the strangest dream - a dream that she has died. Only it was not a dream. This passionate and rebellious young woman has arisen from death with a power to heal - but it will take all her faith to endure the trials that await her and her family now that she has become the Saint of Cabora.

The Hummingbird's Daughter is the story of a girl and a country grappling with their destiny. Two decades in the writing, the result is an epic, dazzling novel of love and loss, joy and sacrifice.

Nineteen-year-old Nayeli works at a taco shop in her Mexican village and dreams about her father, who journeyed to the US to find work. Recently, it has dawned on her that he isn't the only man who has left town. In fact, there are almost no men in the village--they've all gone north. While watching "The Magnificent Seven, "Nayeli decides to go north herself and recruit seven men--her own "Siete Magnificos"--to repopulate her hometown and protect it from the bandidos who plan on taking it over.
Filled with unforgettable characters and prose as radiant as the Sinaloan sun, INTO THE BEAUTIFUL NORTH is the story of an irresistible young woman's quest to find herself on both sides of the fence."

The prizewinning writer Luis Alberto Urrea's long-awaited novel is an epic mystical drama of a young woman's sudden sainthood in late 19th-century Mexico.It is 1889, and civil war is brewing in Mexico. A 16-year-old girl, Teresita, illegitimate but beloved daughter of the wealthy and powerful rancher Don Tomas Urrea, wakes from the strangest dream--a dream that she has died. Only it was not a dream. This passionate and rebellious young woman has arisen from death with a power to heal--but it will take all her faith to endure the trials that await her and her family now that she has become the Saint of Cabora.THE HUMMINGBIRD?S DAUGHTER is a vast, hugely satisfying novel of love and loss, joy and pain. Two decades in the writing, this is the masterpiece that Luis Alberto Urrea has been building up to.

"Here's a story about a family that comes from Tijuana and settles into the 'hood, hoping for the American Dream.
. . . I'm not saying it's our story. I'm not saying it isn't. It might be yours." "How do you tell a story that cannot be told?" writes Luis Alberto Urrea in this potent memoir of a childhood divided. Born in Tijuana to a Mexican father and an Anglo mother from Staten Island, Urrea moved to San Diego when he was three. His childhood was a mix of opposites, a clash of cultures and languages. In prose that seethes with energy and crackles with dark humor, Urrea tells a story that is both troubling and wildly entertaining. Urrea endured violence and fear in the black and Mexican barrio of his youth. But the true battlefield was inside his home, where his parents waged daily war over their son's ethnicity. "You are "not" a Mexican!" his mother once screamed at him. "Why can't you be called "Louis" instead of "Luis"?" He suffers disease and abuse and he learns brutal lessons about machismo. But there are gentler moments as well: a simple interlude with his father, sitting on the back of a bakery truck; witnessing the ultimate gesture of tenderness between the godparents who taught him the magical power of love. "I am nobody's son. I am everybody's brother," writes Urrea. His story is unique, but it is not unlike thousands of other stories being played out across the United States, stories of other Americans who have waged war--both in the political arena and in their own homes--to claim their own personal and cultural identity. It is a story of what it means to belong to a nation that is sometimes painfully multicultural, where even the language both separates and unites us.Brutally honest and deeply moving, "Nobody's Son" is a testament to the borders that divide us all.

From one of America's preeminent literary voices comes a new story collection that proves once again why the writing of Luis Alberto Urrea has been called "wickedly good" (Kansas City Star), "cinematic and charged" (Cleveland Plain Dealer), and "studded with delights" (Chicago Tribune). Examining the borders between one nation and another, between one person and another, Urrea reveals his mastery of the short form. This collection includes the Edgar-award winning "Amapola" and his now-classic "Bid Farewell to Her Many Horses," which had the honor of being chosen for NPR's "Selected Shorts" not once but twice. Suffused with wanderlust, compassion, and no small amount of rock and roll, THE WATER MUSEUM is a collection that confirms Luis Alberto Urrea as an American master.

Los milagros y las pasiones abundan en esta novela fascinante que ha sido aclamada como obra maestra. Es la historia de una joven Mexicana cuyas facultades para curar a los aflijidos le prestan aura de santa. Ella llega a realizar su destino sorprendiente entre las llamas de una revolucion naciente...mientras el pueblo se levanta, gritando su nombre.