Stella, the first Haitian novel, combines descriptions of moving scenes with factual accounts of the 13 years of the Haitian revolution (1791-1804). Stella is an epic saga and chapter headings refer to major events in Haiti's history and the major historical figures are present - Toussaint. Petion, Christophe, Sonthonax, Leclerc - among many others. The allegorical figures are mainly episodic and are meant to hold the plot together. It is also an important document of Caribbean history and fictionalised history. Written while the author was exiled to St. Thomas, due to his alleged participation in an attempt to assassinate the black emperor Faustin I (Soulouque), the work can be read as the first foundational novel of Haiti. It is a mythical retelling of the establishment of the Haitian nation. This narrative presents not only the birth, through revolution, of Haiti as an independent nation but also the strife between political factions in Bergeaud's contemporary Haiti, including that between blacks and mulattoes in the struggle to control Haiti. Stella vividly introduces readers to the tale of revolt and revolution that eventually led to the creation of a free black nation.

Perspectives that shatter the stereotypes and expand understanding of a complex island nation Essays by Matthew Casey, Myriam J. A. Chancy, Bethany Aery Clerico, J. Michael Dash, Christopher Garland, Sibylle Fischer, Jeff Karem, David P. Kilroy, Nadeve Menard, and Lindsay Twa Haiti has long played an important role in global perception of the western hemisphere, but ideas about Haiti often appear paradoxical. Is it a land of tyranny and oppression or a beacon of freedom as site of the world's only successful slave revolution? A bastion of devilish practices or a devoutly religious island? Does its status as the second independent nation in the hemisphere give it special lessons to teach about postcolonialism, or is its main lesson one of failure? Haiti and the Americas brings together an interdisciplinary group of essays to examine the influence of Haiti throughout the hemisphere, to contextualize the ways that Haiti has been represented over time, and to look at Haiti's own cultural expressions in order to think about alternative ways of imagining its culture and history. Thinking about Haiti requires breaking through a thick layer of stereotypes. Haiti is often represented as the region's nadir of poverty, of political dysfunction, and of savagery. Contemporary media coverage fits very easily into the narrative of Haiti as a dependent nation, unable to govern or even fend for itself, a site of lawlessness that is in need of more powerful neighbors to take control. Essayists in Haiti and the Americas present a fuller picture, developing approaches that can account for the complexity of Haitian history and culture. Carla Calarge, Boca Raton, Florida, is assistant professor of French and Francophone studies at Florida Atlantic University. Her work has appeared in French Forum, French Review, and Presence Francophone, among others. Raphael Dalleo, Delray Beach, Florida, is associate professor of English at Florida Atlantic University. He is author of Caribbean Literature and the Public Sphere: From the Plantation to the Postcolonial and coauthor of The Latino/a Canon and the Emergence of Post-Sixties Literature. Luis Duno-Gottberg, Houston, Texas, is associate professor of Caribbean studies and film at Rice University. He is the author of Solventar las diferencias: La ideologia del mestizaje en Cuba and Albert Camus, Naturaleza: Patria y Exilio. Clevis Headley, Delray Beach, Florida, is associate professor of philosophy at Florida Atlantic University. He is the coeditor of Shifting the Geography of Reason: Gender, Science and Religion.

This book gathers the very best academic research to date on prison regimes in Latin America and the Caribbean. Grounded in solid ethnographic work, each chapter explores the informal dynamics of prisons in diverse territories and countries of the region - Venezuela, Brazil, Bolivia, Honduras, Nicaragua, Colombia, Puerto Rico, Dominican Republic - while theorizing how day-to-day life for the incarcerated has been forged in tandem between prison facilities and the outside world. The editors and contributors to this volume ask: how have fastest-rising incarceration rates in the world affected civilians' lives in different national contexts? How do groups of prisoners form broader and more integrated 'carceral communities' across day-to-day relations of exchange and reciprocity with guards, lawyers, family, associates, and assorted neighbors? What differences exist between carceral communities from one national context to another? Last but not least, how do carceral communities, contrary to popular opinion, necessarily become a productive force for the good and welfare of incarcerated subjects, in addition to being a potential source of troubling violence and insecurity? This edited collection represents the most rigorous scholarship to date on the prison regimes of Latin America and the Caribbean, exploring the methodological value of ethnographic reflexivity inside prisons and theorizing how daily life for the incarcerated challenges preconceptions of prisoner subjectivity, so-called prison gangs, and bio-political order. Sacha Darke is Senior Lecturer in Criminology at University of Westminster, UK, Visiting Lecturer in Law at University of Sao Paulo, Brazil, and Affiliate of King's Brazil Institute, King's College London, UK. Chris Garces is Research Professor of Anthropology at Universidad San Francisco de Quito, Ecuador, and Visiting Lecturer in Law at Universidad Andina Simon Bolivar, Ecuador. Luis Duno-Gottberg is Professor at Rice University, USA. He specializes in Caribbean culture, with emphasis on race and ethnicity, politics, violence, and visual culture. Andres Antillano is Professor in Criminology at Universidad Central de Venezuela, Venezuala.

This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies. Ripstein's films, often scripted by his long-time collaborator, Paz Alicia Garciadiego, represent an unprecedented achievement in Mexican and Latin American film. Unlike many of his contemporaries, Ripstein has successfully maintained a prolific output unmatched by any director in the region. Though several book-length studies have been published in Spanish, French, German, and Greek, to date no analogue exists in English. This volume provides a much-needed contribution to the field.

This book gathers the very best academic research to date on prison regimes in Latin America and the Caribbean. Grounded in solid ethnographic work, each chapter explores the informal dynamics of prisons in diverse territories and countries of the region - Venezuela, Brazil, Bolivia, Honduras, Nicaragua, Colombia, Puerto Rico, Dominican Republic - while theorizing how day-to-day life for the incarcerated has been forged in tandem between prison facilities and the outside world. The editors and contributors to this volume ask: how have fastest-rising incarceration rates in the world affected civilians' lives in different national contexts? How do groups of prisoners form broader and more integrated 'carceral communities' across day-to-day relations of exchange and reciprocity with guards, lawyers, family, associates, and assorted neighbors? What differences exist between carceral communities from one national context to another? Last but not least, how do carceral communities, contrary to popular opinion, necessarily become a productive force for the good and welfare of incarcerated subjects, in addition to being a potential source of troubling violence and insecurity? This edited collection represents the most rigorous scholarship to date on the prison regimes of Latin America and the Caribbean, exploring the methodological value of ethnographic reflexivity inside prisons and theorizing how daily life for the incarcerated challenges preconceptions of prisoner subjectivity, so-called prison gangs, and bio-political order. Sacha Darke is Senior Lecturer in Criminology at University of Westminster, UK, Visiting Lecturer in Law at University of Sao Paulo, Brazil, and Affiliate of King's Brazil Institute, King's College London, UK. Chris Garces is Research Professor of Anthropology at Universidad San Francisco de Quito, Ecuador, and Visiting Lecturer in Law at Universidad Andina Simon Bolivar, Ecuador. Luis Duno-Gottberg is Professor at Rice University, USA. He specializes in Caribbean culture, with emphasis on race and ethnicity, politics, violence, and visual culture. Andres Antillano is Professor in Criminology at Universidad Central de Venezuela, Venezuala.

This book gathers eleven scholarly contributions dedicated to the work of Mexican director Arturo Ripstein. The collection, the first of its kind, constitutes a sustained critical engagement with the twenty-nine films made by this highly acclaimed yet under-studied filmmaker. The eleven essays included come from scholars whose work stands at the intersection of the fields of Latin American and Mexican Film Studies, Gender and Queer Studies, Cultural Studies, History and Literary studies. Ripstein's films, often scripted by his long-time collaborator, Paz Alicia Garciadiego, represent an unprecedented achievement in Mexican and Latin American film. Unlike many of his contemporaries, Ripstein has successfully maintained a prolific output unmatched by any director in the region. Though several book-length studies have been published in Spanish, French, German, and Greek, to date no analogue exists in English. This volume provides a much-needed contribution to the field.

Stella, the first Haitian novel, combines descriptions of moving scenes with factual accounts of the 13 years of the Haitian revolution (1791-1804). Stella is an epic saga and chapter headings refer to major events in Haiti's history and the major historical figures are present - Toussaint. Petion, Christophe, Sonthonax, Leclerc - among many others. The allegorical figures are mainly episodic and are meant to hold the plot together. It is also an important document of Caribbean history and fictionalised history. Written while the author was exiled to St. Thomas, due to his alleged participation in an attempt to assassinate the black emperor Faustin I (Soulouque), the work can be read as the first foundational novel of Haiti. It is a mythical retelling of the establishment of the Haitian nation. This narrative presents not only the birth, through revolution, of Haiti as an independent nation but also the strife between political factions in Bergeaud's contemporary Haiti, including that between blacks and mulattoes in the struggle to control Haiti. Stella vividly introduces readers to the tale of revolt and revolution that eventually led to the creation of a free black nation.