This book is a magical collection of seven bedtime stories for 6 to 9 year olds -- one story for each night of the week, each featuring one of the seven colours of the rainbow. The stories are all new, yet have a timeless, dreamy quality to them, which is perfect for sleepy night-time reading. The seven stories form a harmonious circle: the first story features a small girl wearing a dress as white as the stars, who discovers a casket of jewels in a forest of blue trees. In the last story, a pink butterfly flutters from an old woman's garden to a hut in the woods, where a girl in a white dress sleeps. In between are a host of other wonderful characters, including a red bird whose song inspires dreams, a boy with a golden flower, an astrologer who paints stars from his purple tower, fish that transport raindrop-jewels to an underwater sea cave, and a mother and baby possum who discover a mysterious green sanctuary. Parents and children alike will delight in the vivid imagery in these enchanting tales, which lead the imagination from the clear outlines of the waking world into the elusive realm of dreams.

The Poet as Phenomenologist: Rilke and the New Poems opens up new perspectives on the relation between Rilke's poetry and phenomenological philosophy, illustrating the ways in which poetry can offer an exceptional response to the philosophical problem of dualism. Drawing on the work of Husserl, Heidegger and Merleau-Ponty, Luke Fischer makes a new contribution to the tradition of phenomenological poetics and expands the debate among Germanists concerning the phenomenological status of Rilke's poetry, which has been severely limited to comparisons of Rilke and Husserl. Fischer explicates an implicit phenomenology of perception in Rilke's writings from his middle period (1902-1910). He argues that Rilke cultivated an artistic perception that, in a philosophically significant manner, overcomes the opposition between the sensuous and the intelligible while simultaneously transcending the boundaries of philosophy. Fischer offers novel interpretations of central poems from Rilke's Neue Gedichte (1907) and Der neuen Gedichte anderer Teil (1908) and frames them as the ultimate articulation of Rilke's non-dualistic vision. He thus demonstrates the continuity between Rilke and phenomenology while arguing that poetry, in this case, provides the most adequate response to a philosophical problem.