A painful comedy about growing up and manning up. Tobes is young, free and having a ball. Off. He's successfully ignored his lump for two years but it's starting to get in the way - cramping his style and, worse, affecting his sex life. So now there are pants to be dropped, and decisions to be made... it's a real ball ache. Luke Norris's play Growth was first produced by Paines Plough in their pop-up theatre, Roundabout, at the 2016 Edinburgh Festival Fringe, where it won a Fringe First Award. It subsequently toured the UK. An earlier version of the play was seen at the Gate Theatre, London.

'I want you to remember something... You do what you want with your life. Alright? Break heads if you need to and hearts if you have to, but whatever you do don't do what I did. Don't waste yourself.' Frank has been married for forty five years. Three years ago he fell in love. Luke Norris's taut and tender debut play, Goodbye to All That, asks if it's ever too late to start again. It was first staged at the Royal Court Theatre, London, in 2012.

Drawing together the work of ten leading playwrights - a mixture of established and emerging writers - this National Theatre Connections anthology is published to coincide with the 2014 festival, which takes place across the UK and finishes up at the National Theatre in London. It offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department with the young performer in mind. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. As with previous anthologies, the volume will feature an introduction by Anthony Banks, Associate Director of the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises. The National Theatre Connections series has been running for nineteen years and the anthology that accompanies it, published for the last three years by Methuen Drama, is gaining a greater profile by the year. Some iconic plays have grown out of the Connections programme including Citizenship by Mark Ravenhill, Burn by Deborah Gearing, Chatroom by Enda Walsh, Baby Girl by Roy Williams, DNA by Dennis Kelly, and The Miracle by Lin Coghlan. The series has a recognisable brand and the anthologies continue to be an extremely useful resource, their value extending well beyond their year of publication. This year's anthology includes plays by Sabrina Mahfouz, Simon Vinnicombe, Catherine Johnson, Pauline McLynn, Dafydd James, Luke Norris and Sam Holcroft.