Winner of the 2020 Leipzig Book Fair Prize Longlisted for the 2022 Prix du Meilleur Livre Étranger Shortlisted for the 2022 Prix Femina étranger #1 on the Spiegel Bestseller List November 1989. The Berlin Wall has just fallen when the East German couple Inge und Walter, following a secret dream they've harboured all their lives, set out for life in the West. Carl, their son, refuses to keep watch over the family home and instead heads to Berlin, where he lives in his father's car until he is taken in by a group of squatters. Led by a shepherd and his goat, the pack of squatters sets up the first alternative bar in East Berlin and are involved in guerrilla occupations. And it's with them that Carl, trained as a bricklayer, finds himself an initiate of anarchy, of love, and above all of poetry. Winner of the prestigious Leipzig Book Fair Prize and a bestseller in German already with 150,000 copies sold, Star 111, musical and incantatory, tells of the search for authentic existence and also of a family exploded by political change which must find its way back together.

The fifth instalment of Prototype's annual anthology: a space for new work, open to all and free from formal guidelines or restrictions. Poetry, prose, visual work and experiments in between. With contributions by Alex Aspden, Ed Atkins & Steven Zultanski, Mau Baiocco, Claire Carroll, Hal Coase, James M. Creed, Iulia David, Nia Davies, Fiona Glen, Olivia Heal, Emma Hellyer, Hannah Hutchings-Georgiou, Rowe Irvin, Sasja Janssen (trans. Michele Hutchison), Bhanu Kapil, Sharon Kivland, Jeff Ko, Prerana Kumar, Grace Connolly Linden, Dasha Loyko, Nasim Luczaj, Ian Macartney, So Mayer, Catrin Morgan, Ghazal Mosadeq, Kashif Sharma-Patel, Helen Quah, Dipanjali Roy, Leonie Rushforth, Stanley Schtinter, Lutz Seiler (trans. Stefan Tobler), Madeleine Stack, Malin Stahl, Corin Sworn, Olly Todd, Yasmin Vardi, Kate Wakeling, Nathan Walker, Ahren Warner, Stephen Watts & Rojbin Arjen Yigit

In Case of Loss gathers the best of Lutz Seiler's non-fiction from last twenty-five years, revealing his essays to be different to, but on a par with, his fiction and poetry. Seiler's beautifully anecdotal and associative pieces throw fascinating light on literature and his background, not least the environmental and human catastrophe of the Soviet-era mining in the community he grew up in, 'the tired villages . . . beneath which lay the ore, uranium.' Other essays focus on poetry, including his discovery of poetry during his military service and pieces on German poets, including Ernst Meister, Jurgen Becker and Peter Huchel, whose former house, outside Berlin, is now home to Lutz Seiler, after he broke and entered it with Huchel's widow's blessing. Meanwhile, the title essay - a fascinating insight into creative process - describes Huchel's notebook, a kind of dictionary of poetic images organised by mood and location. Providing a perfect welcome in to his work as a whole, In Case of Loss sees one of Europe's most original writers speak with openness and clarity in essays full of insight, humanity and a poet's attention to the importance of often overlooked objects and lives.

On its original publication in 2000, Pitch & Glint was widely hailed as a landmark in German poetry. Rooted in Seiler's childhood home, an East German village brutally undermined by Soviet Russian uranium extraction, these propulsive poems are highly personal, porous, twisting, cadenced, cryptic and earthy, traversing the rural sidelines of European history with undeniable evocative force. The frailty of bodies, a nearness to materials and manual work, the unknowability of our parents' suffering, and ultimately the loss of childhood innocence, all loom large in poems where sound comes first. As Seiler says in an essay, ‘You recognise the song by its sound. The sound forms in the instrument we ourselves have become over time. Before every poem comes the story that we have lived. The poem catches the sound of it. Rather than narrating the story, it narrates its sound.’

Winner of the German Book Prize. It is 1989, and a young literature student named Ed travels to the Baltic island of Hiddensee, a notorious destination for hippies, idealists, and those at odds with the East German state. On Hiddensee, Ed joins the community of seasonal workers, led by the charismatic, enigmatic Kruso. At night, they secretly help the refugees who have come to the island seeking passage to the West. But Kruso is preoccupied by another kind of freedom - freedom of the mind. As the wave of history washes over the German Democratic Republic, the friends' grip on reality loosens and life on the island will never be the same.

Lutz Seiler grew up in the former East Germany and has lived most of his life outside Berlin. His poems, not surprisingly, are works of the border, the in-between, and the provincial, marked by whispers, weather, time's relentless passing, the dead and their ghosts. It is a contemporary poetry of landscape, fully aware of its literary and non-literary forebears, a walker's view of the place Seiler lives, anchored by close, unhurried attention to particulars. With his precise, memorable language--rendered here in compelling English--Seiler has pulled off a difficult feat: recontextualizing and radically personalizing the long tradition of German nature writing for the twenty-first century.

The lyrical, bestselling 2014 German Book Prize winner. It is 1989, and a young literature student named Ed, fleeing unspeakable tragedy, travels to the Baltic island of Hiddensee. Long shrouded in myth, the island is a notorious destination for hippies, idealists, and those at odds with the East German state. On the island, Ed stumbles upon the Klausner, Hiddensee's most popular restaurant, and ends up washing dishes there, despite his lack of papers. Although he is keen to remain on the sidelines, Ed feels drawn towards the charismatic Kruso, unofficial leader of the seasonal workers. Everyone dances to Kruso's tune. He is on a mission - but to what end, and at what cost? Ed finds himself drawn ever deeper into the island's rituals, and ever more in need of Kruso's acceptance and affection. As the wave of history washes over the German Democratic Republic, the friends' grip on reality loosens and life on the island will never be the same. PRAISE FOR LUTZ SEILER 'An enigmatic Bildungsroman, adapting the literary trope of the island refuge to the dying days of East German socialism ... English readers can delight in this prizewinning translation from Tess Lewis, which renders Seiler's vision in prose of startling clarity.' The Saturday Age 'Kruso [is] the first worthy successor to Thomas Mann's Magic Mountain to appear in contemporary German literature.' Der Spiegel