In this compact and illuminating history, Georges Minois examines how a culture's attitudes about suicide reflect its larger beliefs and values--attitudes toward life and death, duty and honor, pain and pleasure. Minois begins his survey with classical Greece and Rome, where suicide was acceptable--even heroic--under some circumstances. With the rise of Christianity, however, suicide was unequivocally condemned as "self-murder" and an insult to God. With the Renaissance and its renewed interest in classical culture, suicide reemerged as a philosophical issue. Minois finds examples of changing attitudes in key Renaissance texts by Bacon, Montaigne, Sidney, Donne, and Shakespeare.

By 1700, the term "suicide" had replaced "self-murder" and the subject began to interest the emerging scientific disciplines. Minois follows the ongoing evaluation of suicide through the Enlightenment and the Romantic periods, and he examines attitudes that emerge in nineteenth- and twentieth-century science, law, philosophy, and literature. Minois concludes with comments on the most recent turn in this long and complex history--the emotional debate over euthanasia, assisted suicide, and the right to die.

"Enlightenment Portraits" permits us to see direct actors in history, people who took an active part in the collective adventures that put the human being at the center of Western civilizations vision of the world: nobles, priests, functionaries, men of letters, artists, and explorers, also soldiers and women.
The Enlightenment's leading figures cast their light in an irregular and unequal way: areas and environments in which new ideas penetrated and took effect alternated with shadowy patches. The fundamental structures of society may have remained stable, but new ways of producing, of being, and of appearing made sometimes abrupt headway. Attitudes toward life, birth, love, marriage and sexuality, and death had begun to change.
The twilight of the Enlightenment came at the end of the eighteenth century, part of a sequence of events of which the French Revolutions was simply the paroxysm.
A subtle and complex study of the Enlightenment, this book allows contemporary readers to reflect on how nineteenth- and twentieth-century scholars have constructed their views on eighteenth-century man.

"A rich historical pastiche of 17th- and 18th-century philosophy, science, and religion."--G. Y. Craig, "New Scientist "
"This book, by a distinguished Italian historian of philosophy, is a worthy successor to the author's important works on Francis Bacon and on technology and the arts. First published in Italian (in 1979), it now makes available to English readers some subtly wrought arguments about the ways in which geology and anthropology challenged biblical chronology and forced changes in the philosophy of history in the early modern era. . . . [Rossi] shows that the search for new answers about human origins spanned many disciplines and involved many fascinating intellects--Bacon, Bayle, Buffon, Burnet, Descartes, Hobbes, Holbach, Hooke, Hume, Hutton, Leibniz, de Maillet, Newton, Pufendorf, Spinoza, Toland, and, most especially, Vico, whose works are impressively and freshly reevaluated here."--Nina Gelbart, " American Scientist
"

It is impossible to understand the late Middle Ages without grasping the importance of "The Golden Legend," the most popular medieval collection of saints' lives. Assembled for clerical use in the thirteenth century by Genoese archbishop Jacobus de Voragine, the book became the medieval equivalent of a best seller. By 1500, there were more copies of it in circulation than there were of the Bible itself. Priests drew on "The Golden Legend" for their sermons, the faithful used it for devotion and piety, and artists and writers mined it endlessly in their works. "In Search of Sacred Time" is the first comprehensive history and interpretation of this crucial book. Jacques Le Goff, one of the world's most renowned medievalists, provides a lucid, compelling, and unparalleled account of why and how "The Golden Legend" exerted such a profound influence on medieval life.

"In Search of Sacred Time" explains how "The Golden Legend"--an encyclopedic work that followed the course of the liturgical calendar and recounted the life of the saint for each feast day--worked its way into the fabric of medieval life. Le Goff describes how this ambitious book was carefully crafted to give sense and shape to the Christian year, underscoring its meaning and drama through the stories of saints, miracles, and martyrdoms. Ultimately, Le Goff argues, "The Golden Legend" influenced how medieval Christians perceived the passage of time, Christianizing time itself and reconciling human and divine temporality.

Authoritative, eloquent, and original, "In Search of Sacred Time" is a major reinterpretation of a book that is central to comprehending the medieval imagination.

The importance of history has been powerfully reaffirmed in recent years by the appearance of major new authors, pathbreaking works, and fresh interpretations of historical events, trends, and methods. Responding to these developments, Roger Chartier engages several of the most influential writers of cultural history whose works have spread far beyond academic audiences to become part of contemporary cultural argument. Challenging the assertion that history is no more than a "fiction-making operation" Chartier examines the relationships between history and fiction and proposes new foundations for establishing history as a specific kind of knowledge.

Michel de Certeau's description of Michel Foucault's writings as "on the edge of the cliff," provides Chartier with an image he finds appropriate not only for Foucault but for many other recent historians--including de Certeau. Exploring the relationships between discursive practices and nondiscursive practices, Chartier examines the "heterology" of de Certeau pursues the "chimera of origin" and the causes of the French Revolution in Foucault's work; and raises four pertinent questions for the metahistory of Hayden White. He follows the work of Louis Marin into the distinctions between interpreting a painting and interpreting a text. And a trio of essays treats the historical sociology of Norbert Elias and his work on power and civility. Throughout, Chartier keeps his focus on historians who have stressed the relations between the products of discourse and social practices.

Perhaps more than in any other city, Venice has been shaped by its environment. The lagoon on which it was built isolated the city's inhabitants from mainland Europe, forcing them to look seaward for their survival and to establish a maritime empire that generated incalculable wealth, making Venice the envy of Renaissance Europe. In Venice Triumphant, Elisabeth Crouzet-Pavan provides a rich, multilayered history of Venice from Roman times to the sixteenth century. Instead of employing a rigidly chronological framework, she looks at the history of Venice thematically, focusing on the relationship between the city and its unique physical milieu in a way that emphasizes complexity and continuity.

Central to Crouzet-Pavan's discussion is her concept of l'imaginaire, literally translated as "the imaginary" and here meaning the many symbolic terms Venetians created to describe and understand the peculiar space they inhabited and, by extension, themselves. One key example of l'imaginaire is Venetians' use of the term "the continent" to refer, somewhat dismissively, to Italy, Germany, and other lands beyond the lagoon in order to emphasize their own distinctive maritime identity. As Crouzet-Pavan shows, this sense of exceptionalism impacts every aspect of Venetian history: its art and architecture; its involvement with mainland politics; its commercial, civic, and political institutions; and the shape of daily life in its homes, alleys, and courtyards. Elegantly translated by Lydia G. Cochrane, Venice Triumphant offers a bold new perspective on the world's most beautiful -- and remarkable -- city.

The first book-length presentation of Roger Chartier's work in English, this volume provides a vivid example of the new directions of cultural history in France. These essays probe the impact of printing on all social classes of the ancien regime and reveal the surprising range of ways in which texts and pictures were used by audiences with different levels of literacy. Professor Chartier demonstrates that those who attempted to regulate behavior and thought on behalf of church or state, for example, were well aware of the wide influence of the printed word. He finds fascinating evidence of fundamental processes of social control in texts such as the guides to a good death or the treatises on norms of civility, rules that originated at court but that were eventually appropriated in various forms by society as a whole. Essays on the evolution on the fete, on the cahiers de doleances of 1789, and on the early paperback genre known as the Bibliotheque bleue complete the picture of what people read and why and of what was published and what influenced the publishers. These essays offer a critical reappraisal of the complex connections between the new culture of print and the oral and ritual-oriented forms of traditional culture. The reader will discover essential patterns of the cultural evolution of France from the sixteenth to the eighteenth centuries. Roger Chartier is Director of Studies, Ecole des Hautes Etudes en Sciences Sociales in Paris. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Anyone interested in the entire sweep of political thought over the last hundred years will find in Norberto Bobbio's Ideological Profile of Twentieth-Century Italy a masterful, thought-provoking guide. Home to the largest communist party in a democratic society, Italy has been a unique place politically, one where Christian democrats, liberals, fascists, socialists, communists, and others have co-existed in sizable numbers. In this book, Bobbio, who himself played an outstanding role in the development of Italian civic culture, follows each of the major ideologies, explaining how they developed, describing the key actors, and considering the legacies they left to political culture. He wrote Ideological Profile in 1968 to explain from a personal perspective the history behind that decade's tumultuous politics. Bobbio's defense of democracy and critique of capitalism are among the themes that will particularly interest American readers of this updated edition, the first to appear in English. Beginning in the late nineteenth century with positivism and Marxism, Bobbio next presents the ideological currents that developed before the outbreak of the First World War: Catholic, socialist, irrational and anti-democratic thought, the reaction against positivism, and the thinking of Benedetto Croce. After discussing the impact of the war, the author turns to the revolutionary-reactionary polarization of the postwar period and the ideology of fascism. The final chapters consider Croce's opposition to fascism and the ideals of the resistance and conclude with the post-Second World War "Years of Involvement." Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

In "The Axe and the Oath," one of the world's leading medieval historians presents a compelling picture of daily life in the Middle Ages as it was experienced by ordinary people. Writing for general readers, Robert Fossier vividly describes how these vulnerable people confronted life, from birth to death, including childhood, marriage, work, sex, food, illness, religion, and the natural world. While most histories of the period focus on the ideas and actions of the few who wielded power and stress how different medieval people were from us, Fossier concentrates on the other nine-tenths of humanity in the period and concludes that "medieval man is us."

Drawing on a broad range of evidence, Fossier describes how medieval men and women encountered, coped with, and understood the basic material facts of their lives. We learn how people related to agriculture, animals, the weather, the forest, and the sea; how they used alcohol and drugs; and how they buried their dead. But "The Axe and the Oath" is about much more than simply the material demands of life. We also learn how ordinary people experienced the social, cultural, intellectual, and spiritual aspects of medieval life, from memory and imagination to writing and the Church. The result is a sweeping new vision of the Middle Ages that will entertain and enlighten readers.

How The Golden Legend shaped the medieval imagination It is impossible to understand the Middle Ages without grasping the importance of The Golden Legend, the most popular medieval collection of saints' lives. Assembled in the thirteenth century by Genoese archbishop Jacobus de Voragine, the book became the medieval equivalent of a bestseller. In Search of Sacred Time is the first comprehensive history and interpretation of this crucial book. Jacques Le Goff, who was one of the world's most renowned medievalists, provides a lucid and compelling account that shows how The Golden Legend Christianized time itself, reconciling human and divine temporality. Authoritative, eloquent, and original, In Search of Sacred Time is a major reinterpretation of a book that is central to comprehending the medieval imagination.

The leading historians who are the authors of this work offer a highly original account of one of the most important transformations in Western culture: the change brought about by the discovery and development of printing in Europe. Focusing primarily on printed matter other than books, The Culture of Print emphasizes the specific and local contexts in which printed materials, such as broadsheets, flysheets, and posters, were used in modern Europe. The authors show that festive, ritual, cultic, civic, and pedagogic uses of print were social activities that involved deciphering texts in a collective way, with those who knew how to read leading those who did not. Only gradually did these collective forms of appropriation give way to a practice of reading--privately, silently, using the eyes alone--that has become common today. This wide-ranging work opens up new historical and methodological perspectives and will become a focal point of debate for historians and sociologists interested in the cultural transformations that accompanied the rise of modern societies.

Originally published in 1989.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The first book-length presentation of Roger Chartier's work in English, this volume provides a vivid example of the new directions of cultural history in France. These essays probe the impact of printing on all social classes of the ancien regime and reveal the surprising range of ways in which texts and pictures were used by audiences with different levels of literacy. Professor Chartier demonstrates that those who attempted to regulate behavior and thought on behalf of church or state, for example, were well aware of the wide influence of the printed word. He finds fascinating evidence of fundamental processes of social control in texts such as the guides to a good death or the treatises on norms of civility, rules that originated at court but that were eventually appropriated in various forms by society as a whole. Essays on the evolution on the fete, on the cahiers de doleances of 1789, and on the early paperback genre known as the Bibliotheque bleue complete the picture of what people read and why and of what was published and what influenced the publishers. These essays offer a critical reappraisal of the complex connections between the new culture of print and the oral and ritual-oriented forms of traditional culture. The reader will discover essential patterns of the cultural evolution of France from the sixteenth to the eighteenth centuries. Roger Chartier is Director of Studies, Ecole des Hautes Etudes en Sciences Sociales in Paris. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

This is a broad history of the western European legal tradition. From the modern age the author looks back to a time when Europe had a common law that transcended national and legal boundaries. This common law, which Bellomo calls the ""ius commune"", had developed in the 12th century from the fusion of Roman, canon and feudal law. Existing within the framework of the ""ius commune"" were the local laws or ""iura propria"" - the myriad laws of everyday life, the laws particular to the various kingdoms, principalities, cities, guilds and secular and ecclesiastical corporations. Bellomo illustrates how for centuries the ""ius commune"" permeated every aspect of the ""iura propria"", marking European law indelibly with its stamp. Because the ""iura propria"" emerged from the unifying norms and principles of the ""ius commune"", one can not properly understand local European systems of law without first understanding the ""ius commune"" and its influence on the legal concepts, institutions, procedures, documents, and doctrines of the ""iura propria"". Linking his history to modern day concerns, Bellomo argues that the codification that occurred in European countries during the 18th and 19th centuries has introduced ambiguity, rigidity and uncertainty into legal systems. A new common law for the whole of Europe, he asserts, would provide a much better vehicle for legal change and development in a time when the economic barriers between European nations are crumbling. Bellomo then describes the beginnings of the ""ius commune"" in the schools of the 12th century, discusses the development of Italian, French and German ""iura propria"", and incorporates into the text sketches of the great jurists who gave common law its intellectual vigour. He concludes with an account of the humanist jurists of the 15th, 16th and early 17th centuries.

In "The Axe and the Oath," one of the world's leading medieval historians presents a compelling picture of daily life in the Middle Ages as it was experienced by ordinary people. Writing for general readers, Robert Fossier vividly describes how these vulnerable people confronted life, from birth to death, including childhood, marriage, work, sex, food, illness, religion, and the natural world. While most histories of the period focus on the ideas and actions of the few who wielded power and stress how different medieval people were from us, Fossier concentrates on the other nine-tenths of humanity in the period and concludes that "medieval man is us."

Drawing on a broad range of evidence, Fossier describes how medieval men and women encountered, coped with, and understood the basic material facts of their lives. We learn how people related to agriculture, animals, the weather, the forest, and the sea; how they used alcohol and drugs; and how they buried their dead. But "The Axe and the Oath" is about much more than simply the material demands of life. We also learn how ordinary people experienced the social, cultural, intellectual, and spiritual aspects of medieval life, from memory and imagination to writing and the Church. The result is a sweeping new vision of the Middle Ages that will entertain and enlighten readers.

Anyone interested in the entire sweep of political thought over the last hundred years will find in Norberto Bobbio's "Ideological Profile of Twentieth-Century Italy" a masterful, thought-provoking guide. Home to the largest communist party in a democratic society, Italy has been a unique place politically, one where Christian democrats, liberals, fascists, socialists, communists, and others have co-existed in sizable numbers. In this book, Bobbio, who himself played an outstanding role in the development of Italian civic culture, follows each of the major ideologies, explaining how they developed, describing the key actors, and considering the legacies they left to political culture. He wrote "Ideological Profile" in 1968 to explain from a personal perspective the history behind that decade's tumultuous politics. Bobbio's defense of democracy and critique of capitalism are among the themes that will particularly interest American readers of this updated edition, the first to appear in English.

Beginning in the late nineteenth century with positivism and Marxism, Bobbio next presents the ideological currents that developed before the outbreak of the First World War: Catholic, socialist, irrational and anti-democratic thought, the reaction against positivism, and the thinking of Benedetto Croce. After discussing the impact of the war, the author turns to the revolutionary-reactionary polarization of the postwar period and the ideology of fascism. The final chapters consider Croce's opposition to fascism and the ideals of the resistance and conclude with the post-Second World War "Years of Involvement."

Originally published in 1995.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Christiane Klapisch-Zuber, a brilliant historian of the Annales school, skillfully uncovers the lives of ordinary Italians of the fourteenth and fifteenth centuries, Tuscans in particular, young and old, rich, middle-class, and poor. From the extraordinarily detailed records kept by Florentine tax collectors and the equally precise "ricordanze" (household accounts with notations of events great and small), Klapisch-Zuber draws a living picture of the Tuscan household. We learn, for example, how children were named, how wet nurses were engaged, how marriages were negotiated and celebrated. A wealth of other sources are tapped--including city statutes, private letters, philosophical works on marriage, paintings--to determine the social status of women. Klapisch-Zuber reveals how women, in their roles as daughters, wives, sisters, and mothers, were largely subject to a family system that needed them but valued them little.

In the midst of the religious ferment, foreign invasions, and internal political strife that beset Italy before the full effects of the Counter-Reformation, the powerful and humble alike turned to popular prophecy for guidance and solace. Ottavia Niccoli examines here the forms of these prophecies--including interpretations of natural disasters, abnormal births, floods, and planetary conjunctions--and gives examples of how they were transmitted from the lower classes to the elite through street singers, apocalyptic preachers, astrologers, and printers. By tracing the ongoing revision of the prophecies, Niccoli reveals them as an indication of how various levels of society viewed events of the time, as a form of propaganda for such causes as anti-Lutheranism, and as a reflection of the interaction between "high" and "low" culture.

Based on popular leaflets, diaries, civic chronicles, and iconographic sources, this book explores the expression of a culture in which nature, religion, and politics formed a unified system with a uniform code of interpretation. It connects the decline of prophecy in Italy with the end of the Italian wars and the beginning of the Counter-Reformation, when popular preaching was banned and charismatic religion discouraged.

What is ethics? Is it a system of transcendent moral imperatives or can it be produced by ordinary people in everyday life? Do the daily rules of interaction constitute a code of ethics? In "The Culture of Ethics," renowned anthropologists Franco La Cecla and Piero Zanini address these questions in a series of thought-provoking reflections that draw their inspiration from diverse sources, ranging from fieldwork in Papua New Guinea to cinematic depictions of the Ten Commandments.
An engaging and accessible contribution to the emerging area of interest in "ordinary ethics," "The Culture of Ethics" explores what anthropology has to offer on the question of how we ought to live.

Reknowned historian Roger Chartier, one of the most brilliant and productive of the younger generation of French writers and scholars now at work refashioning the Annales tradition, attempts in this book to analyze the causes of the French revolution not simply by investigating its "cultural origins" but by pinpointing the conditions that "made is possible because conceivable." Chartier has set himself two important tasks. First, while acknowledging the seminal contribution of Daniel Mornet's Les origens intellectuelles de la Revolution francaise (1935), he synthesizes the half-century of scholarship that has created a sociology of culture for Revolutionary France, from education reform through widely circulated printed literature to popular expectations of government and society. Chartier goes beyond Mornet's work, not be revising that classic text but by raising questions that would not have occurred to its author. Chartier's second contribution is to reexamine the conventional wisdom that there is a necessary link between the profound cultural transformation of the eighteenth century (generally characterized as the Enlightenment) and the abrupt Revolutionary rupture of 1789. The Cultural Origins of the French Revolution is a major work by one of the leading scholars in the field and is likely to set the intellectual agenda for future work on the subject.

The Baroque, which stretched from the end of the sixteenth to the second half of the seventeenth century, is one of the most enigmatic eras in history. In this book, thirteen distinguished scholars develop a portrait of institutions, ideologies, intellectual themes, and social structures as they are reflected in Baroque personae, or characteristic social roles.
Studying the statesman, soldier, financier, secretary, rebel, preacher, missionary, nun, witch, scientist, artist, and bourgeois, the essays depart dramatically from traditional accounts of this era. The statesman, for example, is seen here as the exact opposite of a benevolent man working for the common good; and the soldier is depicted as part of an institution that could be savage and destructive but that also, by the end of the Baroque age, helped shape a more rational relationship with the military and civil society.
The contributors are Rosario Villari, Henry Kamen, Geoffrey Parker, Daniel Dessert, Salvatore S. Nigro, Manuel Moran, Jose Andres-Gallego, Adriano Prosperi, Mario Rosa, Brian P. Levack, Paolo Rossi, Giovanni Careri, and James S. Amelang.

Has inquiry into the meaning of life become outmoded in a universe where the other-worldiness of religion no longer speaks to us as it once did, or, as Nietzsche proposed, where we are now the creators of our own value? Has the ancient question of the "good life" disappeared, another victim of the technological world? For Luc Ferry, the answer to both questions is a resounding no.
In "What Is the Good Life? "Ferry argues that the question of the meaning of life, on which much philosophical debate throughout the centuries has rested, has not vanished, but at the very least the question is posed differently today. Ferry points out the pressures in our secularized world that tend to reduce the idea of a successful life or "good life" to one of wealth, career satisfaction, and prestige. Without deserting the secular presuppositions of our world, he shows that we can give ourselves a richer sense of life's possibilities. The "good life" consists of harmonizing life's different forces in a way that enables one to achieve a sense of personal satisfaction in the realization of one's creative abilities.

This study investigates the entire Italian operatic tradition, approaching opera not only as a distinctive musical genre but also as a form of extravagant theatre and as a complex social phenomenon. The text traces the social, economic and artistic history of the production of opera from its origins around 1600 to contemporary stagings. Although it has always been a deficit-producing enterprise, opera has maintained unchallenged pre-eminence in the culture of all Italians for centuries. The first half of the book explores the central role of theatre impresarios in putting on these complex productions and in increasing the output of librettos and scores. The second half considers the roles of the three key figures in the creation of any opera: the librettist, the composer and the singer.