In this "comic masterpiece" (Salon), honeymooners Deb and Chip-our opinionated, skeptical narrator and her cheerful jock husband-befriend a marine biologist who discovers mermaids in a coral reef. As a resort chain swoops in to exploit the shy creatures, the newlyweds unite with other adventurous vacationers to stop the company from turning the reef into a theme park. Mermaids in Paradise is Lydia Millet's most fun book yet, tempering the sharp satire of her early career with the empathy and subtlety of her more recent novels and short stories.

Lydia Millet's previous work has been shortlisted for the Pulitzer Prize, the National Book Critics Circle Award, and the Los Angeles Times Book Prize. Likewise greeted with rapturous praise, Sweet Lamb of Heaven is a first-person account of a young mother, Anna, fleeing her cold and unfaithful husband, a businessman who's just launched his first campaign for political office. When Ned chases Anna and their six-year-old daughter from Alaska to Maine, the two go into hiding in a run-down motel on the coast. But the longer they stay, the less the guests in the dingy motel look like typical tourists-and the less Ned resembles a typical candidate. As his pursuit of Anna and their child moves from threatening to criminal, Ned begins to alter his wife's world in ways she never could have imagined. A double-edged and satisfying story with a strong female protagonist, a thrilling plot, and a creeping sense of the apocalyptic, Sweet Lamb of Heaven builds to a shattering ending with profound implications for its characters-and for all of us.

Pulitzer Prize finalist Lydia Millet's sublime new novel-her first since the National Book Award-longlisted Sweet Lamb of Heaven- follows a group of eerily mature children on a forced vacation with their parents at a lakeside mansion. Contemptuous of their elders, who pass their days in a hedonistic stupor, the children are driven out into a chaotic landscape after a great storm descends. The story's narrator, Eve, devotes herself to the safety of her beloved little brother as events around them begin to mimic scenes from his cherished picture Bible. Millet, praised as "unnervingly talented" (San Francisco Chronicle), has produced a heartbreaking story of the legacy of climate change denial. Her parable of the coming generational divide offers a lucid vision of what awaits us on the other side of Revelation.

Acclaimed novelist Lydia Millet’s first work of nonfiction, We Loved It All, is a genre-defying tour de force that makes an impassioned argument for people to see their emotional and spiritual lives as infinitely dependent on the lives of nonhuman beings. Drawing on a quarter-century of experience as an advocate for endangered species at the Center for Biological Diversity, Millet offers intimate portraits of what she calls “the others�—the extraordinary animals with whom we still share the world, along with those already lost. Humans, too, fill this book, as Millet touches on the lives of her world-traveling parents, fascinating partners and friends, and colorful relatives, from diplomats to nut farmers—all figures in the complex tapestry each of us weaves with the surrounding world. Written in the tradition of Annie Dillard or Robert Macfarlane, We Loved It All is an incantatory work that will appeal to anyone concerned about the future of life on earth—including our own.

Over twelve novels and two collections Lydia Millet has emerged as a major American novelist. Hailed as "a writer without limits" (Karen Russell) and "a stone-cold genius" (Jenny Offill), Millet makes fiction that vividly evokes the ties between people and other animals and the crisis of extinction. Her exquisite new novel is the story of a man named Gil who walks from New York to Arizona to recover from a failed love. After he arrives, new neighbours move into the glass-walled house next door and his life begins to mesh with theirs. In this warmly textured, drily funny and philosophical account of Gil’s unexpected devotion to the family, Millet explores the uncanny territory where the self ends and community begins—what one person can do in a world beset by emergencies. Dinosaurs is both sharp-edged and tender, an emotionally moving, intellectually resonant novel that asks: In the shadow of existential threat, where does hope live?

Over twelve novels and two collections Lydia Millet has emerged as a major American novelist, writing vividly about the ties between people and other animals and the crisis of extinction. Her exquisite new novel, the first since A Children's Bible (ISBN 978 0 393 86738 1) ("a blistering little classic"-Ron Charles, Washington Post), tells the story of an Arizona man's relationship with the family next door, whose house has one wall made entirely out of glass. The story delivers attraction and love, friendship and grief. But Millet also evokes the uncanny. Through close observation of human and animal life in the desert, she captures the daunting scale of human society without losing sight of the real difference one person can make in the world. Written with humour and benevolence, Dinosaurs asks big questions. Can a person be good? Can a man be good? Compellingly told, emotionally moving, intellectually rich, Dinosaurs may be Millet's finest novel yet.

Pulitzer Prize finalist Lydia Millet's sublime new novel-her first since the National Book Award-longlisted Sweet Lamb of Heaven- follows a group of eerily mature children on a forced vacation with their parents at a lakeside mansion. Contemptuous of their elders, who pass their days in a hedonistic stupor, the children are driven out into a chaotic landscape after a great storm descends. The story's narrator, Eve, devotes herself to the safety of her beloved little brother as events around them begin to mimic scenes from his cherished picture Bible. Millet, praised as "unnervingly talented" (San Francisco Chronicle), has produced a heartbreaking story of the legacy of climate change denial. Her parable of the coming generational divide offers a lucid vision of what awaits us on the other side of Revelation.

In a claustrophobic, surreal California house, teenager Estee Kraft lives with her domineering father, whose obsession with insect taxonomy bleeds into sadism. As his schemes multiply, Estee's bedridden mother, entranced by the glow of the shopping channel, remains oblivious to the escalating chaos. Estee manages to escape her childhood home only to find new horrors awaiting her in marriage and motherhood. In a climactic twist, her traumas take form in flesh and blood-a legacy of the voracious male appetites that have haunted her life. With acerbic wit, philosophical depth, and enthralling lyricism, Omnivores cuts to the core of America's hypocrisies and anxieties, and introduced Lydia Millet as one of the wildest satirists of our time.

As a wealthy, young real-estate developer in Los Angeles, T. lives an isolated life. He has always kept his distance from people -- from his doting mother to his crass fraternity brothers -- but remains unaware of his loneliness until one night, while driving to Las Vegas, he hits a coyote on the highway. The experience unnerves him and inspires a transformation that leads T. to question his business pursuits for the first time in his life, to take a chance at falling in love, and finally to begin breaking into zoos across the country, where he finds solace in the presence of animals on the brink of extinction. A beautiful, heart-wrenching tale, How the Dead Dream is also a riveting commentary on inidividualism and community in the modern social landscape and how the lives of people and animals are deeply entwined. Judged by many-- including the Los Angeles Times and The Washington Post Book World-- to be Millet's best work to date, it is, as Time Out New York perfectly states: This beautiful writer's most ambitious novel yet, a captivating balancing act between full-bodied satire and bighearted insight.

"Oppenheimer's first full day at the motel was devoted to television. He located the remote on the bedside table, where it sat beside the enigmatic telephone with its sheet of intricate numeric instructions, and eventually by pressing the button marked power discovered its function." -from OH PURE AND RADIANT HEART
In Oh Pure and Radiant Heart, the three dead geniuses who invented the atomic bomb-Robert Oppenheimer, Leo Szilard, and Enrico Fermi-mysteriously appear in Sante Fe, New Mexico, in 2003, nearly sixty years after they watched history's first mushroom cloud rise over the New Mexico desert in 1945. One by one, they are discovered by a shy librarian, who takes them in and devotes herself to them.
Faced with the evidence of their nuclear legacy, the scientists embark on a global disarmament campaign that takes them from Hiroshima to Nevada to the United Nations. Along the way, they acquire a billionaire pothead benefactor and a growing convoy of RVs carrying groupies, drifters, activists, former Deadheads, New Age freeloaders, and religious fanatics.
In this heroically mischievous, sweeping tour de force, Lydia Millet brings us an apocalyptic fable that marries the personal to the political, confronts the longing for immortality with the desire for redemption, and evokes both the beauty and the tragedy of the nuclear sublime.

"Some women like muscle. Brute strength, or the illusion of it. Their idea of an attractive man is a craggy meatpacker with a squirrel brain, who likes to crush vermin with his bare fist. I call these women Reaganites....Personally, I've always preferred the underdog."
Rosemary is an ex-con with no viable career prospects, a boyfriend old enough to be her grandfather, and a major obsession with our nation's forty-first president, whom she fondly refers to as "G.B." Unexpectedly smitten during his inaugural address, Rosemary is soon anticipating G.B.'s public appearances with the enthusiasm she once reserved for all-you-can-eat breakfast buffets. As her ardor and determination to gain G.B.'s affection grow, Rosemary embarks on an increasingly outrageous campaign that escalates from personal letters to paid advertising, until at last she reaches the White House.
What happens next is nothing like how Rosemary imagined it would be.
Written with razor-sharp satiric wit and packed with wry observations of our times, our presidents, and our electorate, "George Bush, Dark Prince of Love" is a hilarious antidote to the hype and hypocrisy of America's most hallowed institutions.