This book is about the "public realm," defined as a particular kind of social territory that is found almost exclusively in large settlements. This particular form of social-psychological space comes into being whenever a piece of actual physical space is dominated by relationships between and among persons who are strangers to one another, as often occurs in urban bars, buses, plazas, parks, coffee houses, streets, and so forth. More specifically, the book is about the social life that occurs in such social-psychological spaces (the normative patterns and principles that shape it, the relationships that characterize it, the aesthetic and interactional pleasures that enliven it) and the forces (anti-urbanism, privatism, post-war planning and architecture) that threaten it. The data upon which the book's analysis is based are diverse: direct observation; interviews; contemporary photographs, historic etchings, prints and photographs, and historical maps; histories of specific urban public spaces or spatial types; and the relevant scholarly literature from sociology, environmental psychology, geography, history, anthropology, and architecture and urban planning and design. Its central argument is that while the existing body of accomplished work in the social sciences can be reinterpreted to make it relevant to an understanding of the public realm, this quintessential feature of city life deserves much more u it deserves to be the object of direct scholarly interest in its own right. "Choice" noted that: "The author's writing style is unusually accessible, and the often fascinating narrative is generously supported by well-chosen photos." "Lyn H. Lofland" is professor and chair, Department of Sociology, University of California, Davis. She is the author of many works, including "A World of Strangers: Order and Action in Urban Public Space."

Volume 1 of Research in Community Sociology focuses on "Community of the Streets".

This book is about the "public realm," defined as a particular kind of social territory that is found almost exclusively in large settlements. This particular form of social-psychological space comes into being whenever a piece of actual physical space is dominated by relationships between and among persons who are strangers to one another, as often occurs in urban bars, buses, plazas, parks, coffee houses, streets, and so forth. More specifically, the book is about the social life that occurs in such social-psychological spaces (the normative patterns and principles that shape it, the relationships that characterize it, the aesthetic and interactional pleasures that enliven it) and the forces (anti-urbanism, privatism, post-war planning and architecture) that threaten it. The data upon which the book's analysis is based are diverse: direct observation; interviews; contemporary photographs, historic etchings, prints and photographs, and historical maps; histories of specific urban public spaces or spatial types; and the relevant scholarly literature from sociology, environmental psychology, geography, history, anthropology, and architecture and urban planning and design. Its central argument is that while the existing body of accomplished work in the social sciences can be reinterpreted to make it relevant to an understanding of the public realm, this quintessential feature of city life deserves much more u it deserves to be the object of direct scholarly interest in its own right. "Choice" noted that: "The author's writing style is unusually accessible, and the often fascinating narrative is generously supported by well-chosen photos." "Lyn H. Lofland" is professor and chair, Department of Sociology, University of California, Davis. She is the author of many works, including "A World of Strangers: Order and Action in Urban Public Space."

The fortieth-anniversary edition of a classic and prescient work on death and dying. Much of today's literature on end-of-life issues overlooks the importance of 1970s social movements in shaping our understanding of death, dying, and the dead body. This anniversary edition of Lyn Lofland's The Craft of Dying begins to repair this omission. Lofland identifies, critiques, and theorizes 1970s death movements, including the Death Acceptance Movement, the Death with Dignity Movement, and the Natural Death movement. All these groups attempted to transform death into a "positive experience," anticipating much of today's death and dying activism. Lofland turns a sociologist's eye on the era's increased interest in death, considering, among other things, the components of the modern "face of death" and the "craft of dying," the construction of a dying role or identity by those who are dying, and the constraints on their freedom to do this. Lofland wrote just before the AIDS epidemic transformed the landscape of death and dying in the West; many of the trends she identified became the building blocks of AIDS activism in the 1980s and 1990s. The Craft of Dying will help readers understand contemporary death social movements' historical relationships to questions of race, class, gender, and sexuality and is a book that everyone interested in end-of-life politics should read.

"I wish the Handbook of Ethnography had been available to me as a fledgling ethnographer. I would recommend it for any graduate student who contemplates a career in the field. Likewise for experienced ethnographers who would like the equivalent of a world atlas to help pinpoint their own locations in the field." - Journal of Contemporary Ethnography "No self-respecting qualitative researcher should be without Paul Atkinson's handbook on ethnography. This really is encyclopaedic in concept and scope. Many "big names" in the field have contributed so this has to be the starting point for anyone looking to understand the field in substantive topic, theoretical tradition and methodology." - SRA News Ethnography is one of the chief research methods in sociology, anthropology and other cognate disciplines in the social sciences. This Handbook provides an unparalleled, critical guide to its principles and practice. The volume is organized into three sections. The first systematically locates ethnography firmly in its relevant historical and intellectual contexts. The roots of ethnography are pinpointed and the pattern of its development is demonstrated. The second section examines the contribution of ethnography to major fields of substantive research. The impact and strengths and weaknesses of ethnographic method are dealt with authoritatively and accessibly. The third section moves on to examine key debates and issues in ethnography, from the conduct of research through to contemporary arguments. The result is a landmark work in the field, which draws on the expertise of an internationally renowned group of interdisicplinary scholars. The Handbook of Ethnography provides readers with a one-stop critical guide to the past, present and future of ethnography. It will quickly establish itself as the ethnographer's bible.

Cities play an important role in contemporary American culture as sites of commerce, trade, entertainment, and the arts. We can learn a lot about what Americans believe and how they act upon those beliefs by looking at the ways our cultural dramas are continually played out on the city's stage. The complexity and sheer variety of urban experiences can be overwhelming. In clear prose, the essays in this volume decipher some of these experiences and offer fresh analytical insights. Without relying on one theoretical, disciplinary, or ideological framework, the contributors collectively explore the city as an identity marker, an artist's muse, a cultural hybrid, and a place many call home. Issues related to gender, race, ethnicity, religion, and power are present in American cities and are therefore present within this collection. Most importantly, these essays acknowledge the hard work required to keep something as large and complex as a city running. The authors show how people practice culture and the ways that culture is expressed through myths, rituals, images, and places.

Cities play an important role in contemporary American culture as sites of commerce, trade, entertainment, and the arts. We can learn a lot about what Americans believe and how they act upon those beliefs by looking at the ways our cultural dramas are continually played out on the city's stage. The complexity and sheer variety of urban experiences can be overwhelming. In clear prose, the essays in this volume decipher some of these experiences and offer fresh analytical insights. Without relying on one theoretical, disciplinary, or ideological framework, the contributors collectively explore the city as an identity marker, an artist's muse, a cultural hybrid, and a place many call home. Issues related to gender, race, ethnicity, religion, and power are present in American cities and are therefore present within this collection. Most importantly, these essays acknowledge the hard work required to keep something as large and complex as a city running. The authors show how people practice culture and the ways that culture is expressed through myths, rituals, images, and places.