Lyn Hejinian is among the most prominent of contemporary American poets. Her poem My Life has garnered accolades and fans inside and outside academia. First published in 1980, and revised in 1987 and 2002, My Life is now firmly established in the postmodern canon. This Wesleyan edition includes the 45-part prose poem sequence along with a closely related ten-part work titled My Life in the Nineties. An experimental intervention into the autobiographical genre, My Life explores the many ways in which language--the things people say and the ways they say them--shapes not only their identity, but also the very world around them.

The three works of poetry that constitute Tribunal were written in the current context of seemingly ubiquitous warfare and the specter of unabashed neo-fascism, ethno-nationalism, and--especially in the United States--reassertions of white supremacy. As renowned poet Lyn Hejinian recounts, the inspiration for Tribunal gradually took shape over the course of almost a decade in the collaborative work she has done to fight neoliberal policies that dismantle the public sphere through actions that include privatizing the commons, busting unions, and imposing a corporate, profiteering model on a range of institutions including public higher education. Hejinian explores a broad range of responses to our deeply troubling historical period in Tribunal's three collections. These poems express an emotional scope that includes fury, sadness, and even, at times, something very close to pity for our humanity, perpetually unable to avoid its own penchant for cruelty. Hejinian is the rare poet who can bring to the page a rich, complex rendering of how mutually exclusive emotions can exist simultaneously. We lose safety and surety, but we gain a wider lens on contemporary crises from her sometimes lacerating, sometimes intensely beautiful lyric verse. It's only in such an artistic and emotional landscape that readers, thinkers, artists, workers, and all comrades against injustice can manage to keep inventing, imagining, and hoping. Throughout these crises, the poet returns to language as a meaningful space in which to grapple with a seemingly endless cycle of conflict. While the works can be read as expressions of protest or dissent, they powerfully convey an argument for artmaking itself--and a turn to its affirmation of life.

Considers allegory as a catalyst of transformative thinking Allegorical Moments is a set of essays dedicated to rethinking allegory and arguing for its significance as a creative and critical response to sociopolitical, environmental, and existential turmoil affecting the contemporary world. Traditionally, allegorical interpretation was intended to express an orthodoxy and support an ideology. Hejinian attempts to liberate allegory from its dogmatic usages. Presenting modern and contemporary materials ranging from the novel to poetry to painting and cinema to activist poetry of the Occupy movement, each essay in the book "begins again" with different materials and from different perspectives. Hejinian's generative scholarship looks back to experimental modernism and forward into a future for a vital, wayward poetry resistant to the crushing global effects of neoliberalism.

"Hejinian's essays are a keystone of postwar North American poetics. They are also a great pleasure to read, for Hejinian is an extraordinarily resonant stylist whose work combines the lushness of her poetry with an engaging aesthetic and philosophical inventiveness. This is writing that avoids closure in the pursuit of unfolding, multifaceted, restive thought. "The Language of Inquiry's meditations on the possibilities of poetry create an experience in which each reader is at the center. To engage with this work is to be put in touch with oneself as if anew."--Charles Bernstein, author of "My Way: Speeches and Poems

"From 1975, when she wrote 'A Thought Is the Bride of What Thinking' -- the first 'essay' in this collection -- Lyn Hejinian has always regarded poetry and poetics as intimately interwoven: her poetry has sometimes been highly theoretical even as her theoretical and critical peices are nothing if not poetic. "The Language of Inquiry, the first collection of Hejinian's essays, lectures, introductions, and meditations, constitutes, in the words of Gertrude Stein, about whom she has written so brilliantly, Hejinian's own 'composition as explanation, ' culminating in her new long Steinian poem, aptly called 'Happily.' This is an exciting and deeply moving book."--Marjorie Perloff, author of "Wittgenstein's Ladder

"'Intelligence is romantic.' These essays, prefaces, lectures, aphorisms, portraits, and meditations, by one of America's most innovative poets, passionately explore, as did the critical writings of Gertrude Stein, Marianne Moore, and Wallace Stevens, the philosophical foundations of contemporary American culture. [For Hejinian, the process of 'theorizing is . .. a manner of vulnerable, inquisitive, worldly living . . . very closely bound to the poetic process.'] "The Language of Inquiry brilliantly demonstrates the myriad, paradoxical ways in which philosophy and poetry are indivisible and distinct." --Susan Howe

"The Best American Poetry 2004" celebrates the vitality and richness of poetry in the United States and Canada today. Guest editor Lyn Hejinian, acclaimed for her own innovative writing, has chosen seventy-five important new poems and contributed a provocative introductory essay. Through her selections, Hejinian has created an essential nexus -- a meeting place for readers to encounter an extraordinary range of poets. With illuminating comments from the writers, and series editor David Lehman's insightful foreword evaluating the current state of the art, "The Best American Poetry 2004" is an indispensable addition to a series that has established itself as the first word on what's new and noteworthy in the poetry of our times.

Considers allegory as a catalyst of transformative thinking Allegorical Moments is a set of essays dedicated to rethinking allegory and arguing for its significance as a creative and critical response to sociopolitical, environmental, and existential turmoil affecting the contemporary world. Traditionally, allegorical interpretation was intended to express an orthodoxy and support an ideology. Hejinian attempts to liberate allegory from its dogmatic usages. Presenting modern and contemporary materials ranging from the novel to poetry to painting and cinema to activist poetry of the Occupy movement, each essay in the book "begins again" with different materials and from different perspectives. Hejinian's generative scholarship looks back to experimental modernism and forward into a future for a vital, wayward poetry resistant to the crushing global effects of neoliberalism.

Poetry. Written over the course of two decades, THE BOOK OF A THOUSAND EYES was begun as an homage to Scheherazade, the heroine of The Arabian Nights who, through her nightly tale-telling, saved her culture and her own life by teaching a powerful and murderous ruler to abandon cruelty in favor of wisdom and benevolence. Hejinian's book is a compendium of "night works"--lullabies, bedtime stories, insomniac lyrics, nonsensical mumblings, fairy tales, attempts to understand at day's end some of the day's events, dream narratives, erotic or occasionally bawdy ditties, etc. The poems explore and play with languages of diverse stages of consciousness and realms of imagination. Though they may not be redemptive in effect, the diverse works that comprise THE BOOK OF A THOUSAND EYES argue for the possibilities of a merry, pained, celebratory, mournful, stubborn commitment to life.