Following on from the phenomenally successful Shakespeare, The Movie, this volume brings together an invaluable new collection of essays on cinematic Shakespeares in the 1990s and beyond. Shakespeare, The Movie, II:
*focuses for the first time on the impact of post-colonialism, globalization and digital film on recent adaptations of Shakespeare;
*takes in not only American and British films but also adaptations of Shakespeare in Europe and in the Asian diapora;
*explores a wide range of film, television, video and DVD adaptations from Almereyda's Hamlet to animated tales, via Baz Luhrmann, Kenneth Branagh, and 1990s' Macbeths, to name but a few;
*offers fresh insight into the issues surrounding Shakespeare on film, such as the interplay between originals and adaptations, the appropriations of popular culture, the question of spectatorship, and the impact of popularization on the canonical status of "the Bard."
Combining three key essays from the earlier collection with exciting new work from leading contributors, Shakespeare, The Movie, II offers sixteen fascinating essays. It is quite simply a must-read for any student of Shakespeare, film, media or cultural studies.

Shakespeare, The Movie brings together an impressive line-up of contributors to consider how Shakespeare has been adapted on film, TV, and video, and explores the impact of this popularization on the canonical status of Shakespeare.
Taking a fresh look at the Bard an his place in the movies, Shakespeare, The Movie includes a selection of what is presently available in filmic format to the Shakespeare student or scholar, ranging across BBC television productions, filmed theatre productions, and full screen adaptations by Kenneth Branagh and Franco Zeffirelli. Films discussed include:
* Amy Heckerling's Clueless
* Gus van Sant's My Own Private Idaho
* Branagh's Henry V
* Baz Luhrman's William Shakespeare's Romeo and Juliet
* John McTiernan's Last Action Hero
* Peter Greenaway's Prospero's Books
* Zeffirelli's Hamlet.

Among the contributors, Lynda Boose explores the structural implications of Western culture's central daughter-father kinship exchange stories; Leah S. Marcus examines the politics of daughter-father relations in a historical study of Mary I and Elizabeth I as daughters of Henry VIII; and Diane F. Sadoff treats "good girl" novelists George Eliot, Elizabeth Gaskell, and Anne Bronte. Hortense J. Spillers focuses on the incest theme in works by Ralph Ellison and Alice Walker, while David Willbern examines Sigmund Freud's strange alteration of testimonies by women describing seduction by their fathers.

Representing a wide range of fields, the authors give special emphasis to daughter-father relationships in British and Americna literature. They discuss the lives and works of such authors as Richardson, Hawthorne, Christina Rossetti, Dickinson, Thackeray, Yeats, Woolf, and Plath. In an afterword, Carolyn G. Heilbrun widens the scope of discussion to suggest that questioning conventional parent-child relationships "may lead to quite other concepts of the family, moving further and further from the oedipal or nuclear family and the system that family-construct inevitably produces."