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Can we conceive of a citizenship that could, in principle, be relevant to a variety of types of political framework? This book, available at last in paperback, offers a coherent and innovative conception of citizenship that is independent of any specific form of political organisation, and discusses topical issues of European Union - democracy and authority, political community and identity, the supranational constitution - in the light of it. Bringing political theory together with debates in international relations and in citizenship studies, the author argues that citizenship should no longer be understood as a status of privilege and belonging. Instead, it is an institutional role, through which persons might exercise their political agency - their capacities to shape the contexts of their lives and promote the freedom and well-being of themselves and others. In advancing this conception of citizenship, Dobson draws on and develops ideas found in the work of the philosopher Alan Gewirth. Supranational citizenship will be principally of interest to researchers in the fields of European integration, international normative theory, political and moral philosophy, and citizenship.
Various Authors One of Manhattan's most established play festivals, the Samuel French Off Off Broadway Short Play Festival fosters the work of emerging writers, giving them the exposure of publication and representation. The festival resulting in this collection was held July 13th-18th, 2010 at Theatre Row on 42nd Street in New York City. From the initial pool of over 850 submissions, the Final Forty plays were chosen to be performed over a period of one week. A panel of judges comprised of celebrity playwrights, theatrical agents and artistic directors nominated one or more of each evening's plays as finalists. The final round was then held on the last day of the festival. Out of these plays, six winners listed below were chosen by Samuel French, Inc. to receive publication and licensing contracts. Winning plays and playwrights for this collection include: Skin Deep by Mary Lynn DobsonThe Pigskin by Gabriel Jason DeanWhite Embers by Saviana StanescuThe Bear (A Tragedy) by EJC CalvertDance Lessons by Josh Koenigsberg The Mud is Thicker in Mississippi by Dennis A. Allen II
In June 2003, the Convention on the Future of Europe released what may become the Constitution of the European Union. This timely volume provides one of the first critical assessments of the draft Constitution from the vantage point of political theory. The work combines detailed institutional analysis with normative political theory, bringing theoretical analysis to bear on the pressing issues of institutional design answered - or bypassed - by the draft Constitution. It addresses several themes that play out differently in federal arrangements than in unitary political orders: European values, especially the legitimate role of alleged common values; liberty and powers - How does the draft Constitution address competing normative preferences? the European interest: the noble words regarding common European objectives and values that are often muddled or conflated, different actors intending quite different things. Several chapters contribute to clarifying the different senses of these terms.
In June 2003, the Convention on the Future of Europe released what
may become the Constitution of the European Union. This timely
volume provides one of the first critical assessments of the draft
Constitution from the vantage point of political theory.
Welcome to another stellar season at the Neighborhood Actors Summerfun Repertory Theatre. a friendly little playhouse where, due to a lack of wing space, the company spends their downtime in the parking lot around an aging hippie/now turned techie's van. Those looking for refuge at the asphalt oasis include: a stressed-out artistic director grappling for funding, a wanna-be diva who's realizing her ingenue expiration date has just about passed, a board member's nephew vying to direct the musicals with a Tarrentino spin and the "I'm no chorus boy" chorus boy who thinks every show should have a kick line - including Glass Menagerie. These are just some of the egos and obstacles that fall into the lap of Mike, a nice-guy director who ends up with far more than he bargained for. Anyone who's ever seen a show may know these people. Anyone who's ever done a show may be these people. In the end, Two on the Aisle, Three in a Van continues to prove the old adage that somehow, some way, the show must go on. And it does...just not always as planned. Winner! Talkin' Broadway 2009 Summer Theatre Citation, Outstanding New Play Critic's Pick! Backstage Magazine Four Stars! Time Out New York
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