A joyful love letter to Black girls everywhere. “Black girl, Black girl, SHINE” In this upbeat and lyrical ode, Dominique Furukawa and Erika Lynne Jones celebrate Black and brown girls in all their beauty, diversity and joy. Every page in this book will uplift girls of every shade, size, and walk of life, reminding them that they are perfectly designed.

A joyful love letter to every Black girl everywhere. In an upbeat and rhythmic ode, Dominique Furukawa and Erika Lynne Jones celebrate Black girls in all their beauty and joy. Black Girls uplifts girls of every shade, size, and walk of life, reminding them that they are perfectly designed. Whimsical, earnest, charming, full, bright, and beautiful, this picture book anthem deftly explores the diversity of Black girlhood. Black girls, Black girls, rising still. Shouting loud and proud and free, that being a Black girl, Black girl is a wondrous thing to be.

The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr's work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of 'center' and 'periphery', expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr's career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.

The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr's work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of 'center' and 'periphery', expanding and enriching the discourse of manuscript production, icons and their copies, and the dissemination of style and meaning. Her body of work is impressive in its chronological scope and geographical extent, as is her ability to tie together aspects of patronage, production and influence across the medieval Mediterranean. The volume opens with an overview of Carr's career at Southern Methodist University, by Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton contribute chapters in which they examine workshops, subgroups and influences in manuscript production and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic offer explorations of intent and reception, focusing on imperial patronage, relics and reliquaries. Cypriot studies are represented by Michele Bacci and Maria Vassilaki, who examine aspects of form and style in architecture and icons. The final chapters, by Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are linked by their focus on the nature of copies, and tease out the ways in which meaning is retained or altered, and the role that is played by intent and reception.

What is it like to run away from bombing, lose your family, and work out how to take care of yourself in a foreign country when you are seven years old? What do you do when the woman who promised you a good job in Europe turns out to have sold you into prostitution? How do you escape from torture and detention in Libya? What is it like to almost drown in the Mediterranean and then be confined in a garbage and rat-filled settlement on a Greek island for years? In this book, Lynne Jones answers these questions by combining direct testimony from children with a blazingly frank eyewitness account of providing mental health support on the front line of the migrant crisis across Europe and Central America in the past five years. Her diaries document how a compassionate welcome shifted to indifference and hostility toward those seeking refuge from war, disaster, and poverty in the richest countries in the world. They shine light on what it is like to be caught up on the front lines of the migrant crises in Europe and Central America, either as a person in flight or as a volunteer trying to help. They show how people who have fled war, poverty, and disaster-trapped in degrading, humiliating living conditions-have responded with resourcefulness and creativity. In the absence of most large professional humanitarian agencies, migrants and volunteers together have created a new form of humanitarianism that challenges old ways of working. Today there are 79 million forcibly displaced people in the world today, 1 percent of the world's population. Understanding the perspectives of people on the move has never been more important. The Author's profits from this book will be donated to the charity: CHOOSE LOVE/HELP REFUGEES

What is it like to run away from bombing, lose your family, and work out how to take care of yourself in a foreign country when you are seven years old? What do you do when the woman who promised you a good job in Europe turns out to have sold you into prostitution? How do you escape from torture and detention in Libya? What is it like to almost drown in the Mediterranean and then be confined in a garbage and rat-filled settlement on a Greek island for years? In this book, Lynne Jones answers these questions by combining direct testimony from children with a blazingly frank eyewitness account of providing mental health support on the front line of the migrant crisis across Europe and Central America in the past five years. Her diaries document how a compassionate welcome shifted to indifference and hostility toward those seeking refuge from war, disaster, and poverty in the richest countries in the world. They shine light on what it is like to be caught up on the front lines of the migrant crises in Europe and Central America, either as a person in flight or as a volunteer trying to help. They show how people who have fled war, poverty, and disaster-trapped in degrading, humiliating living conditions-have responded with resourcefulness and creativity. In the absence of most large professional humanitarian agencies, migrants and volunteers together have created a new form of humanitarianism that challenges old ways of working. Today there are 79 million forcibly displaced people in the world today, 1 percent of the world's population. Understanding the perspectives of people on the move has never been more important. The Author's profits from this book will be donated to the charity: CHOOSE LOVE/HELP REFUGEES

Between Islam and Byzantium provides the first complete analysis of the development of the visual expression of medieval Armenian rulership during the years 884-1045 CE. During this period, the Armenian rulers had loosened the ties that subjected them to the Arab caliphate, but by its end the Byzantine empire had instead become dominant in the region. The influences exerted by these external, opposing powers are a major theme in this book. Lynn Jones re-contextualizes the existing royal art and architecture by integrating analyses of contemporary accounts of ceremonial and royal deeds with fresh examinations of the surviving monuments, of which the church at Aght`amar, with its famous carvings, is the prime example. Setting the art and architecture of the period more clearly in its original context, the author reveals the messages these buildings, sculptures and manuscripts were intended to convey by those who created and viewed them. This study provides a new perspective on the complex interactions between a broad range of nationalities, ethnicities and religions, shedding fresh light on the nature of medieval identity. It adds to a growing literature on the eastern neighbours of Byzantium, and opens up new issues on the relationship between the Byzantine empire and the Islamic caliphate in the medieval period.

Outside the Asylum is Lynne Jones's personal exploration of the evolution of humanitarian psychiatry and the changing world of international relief. Her memoir graphically describes her experiences as a practising psychiatrist in war zones and disasters around the world, from the Balkans and 'mission-accomplished' Iraq, to tsunami-affected Indonesia, post-earthquake Haiti and 'the Jungle' in Calais. The book poses and attempts to address awkward questions. What happens if the psychiatric hospital in which you have lived for ten years is bombed and all the staff run away? What is it like to see all your family killed in front of you when you are 12 years old? Is it true that almost everyone caught up in a disaster is likely to suffer from post-traumatic stress disorder? What can mental health professionals do to help? How does one stay neutral and impartial in the face of genocide? Why would a doctor support military intervention? From her training in one of Britain's last asylums, to treating traumatised soldiers in Gorazde after the Bosnian war, and learning from traditional healers in Sierra Leone, Lynne has worked with extraordinary people in extraordinary situations. But this book is not only about psychiatry. It also shines a light on humanitarian aid and all its glories and problems. She shows how ill-thought-out interventions do more harm than good and that mental well-being is deeply connected to human rights and the social and political worlds in which people live. It also reveals the courage and resilience of people who have to survive and endure some of the most frightening situations in the world.