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This edited collection explores a wide range of communication
elements and themes, representing a variety of topics and
methodologies. It focuses broadly on the role and function of
communication within the context of the 2016 United States
presidential election, with chapters devoted to topics including an
overview of the election from a communication perspective, the
nominations, strategies of campaign visits, the impact of gender in
the campaign, the impact of WikiLeaks, front page election
coverage, messaging and performance of third-party candidates,
Trump's campaign announcement address, and Clinton's concession
speech. This is an eclectic collection that makes a significant
contribution to current understandings of the various roles of
communication in the historic presidential election of 2016.
Lyombe Eko carries out an historical and cultural survey of the
regulation of visual depictions of explicit human sexual conduct
from their earliest appearance on the clay tablets of the valley of
the Tigris and Euphrates rivers in ancient Mesopotamia, to the
tablet computers of Silicon Valley. The Regulation of Sex-Themed
Visual Imagery analyzes the contemporary problem of the
applicability of the human right of freedom of expression to
explicit imagery in the face of societal interests in the
regulation of representations of human sexuality. This book will be
of interest to scholars, students, and broad audiences interested
in comparative studies in pornography regulation, the history of
pornography, the law of pornography and obscenity, and visual
culture and history alike.
The Charlie Hebdo terrorist attack of January 7, 2015 shook French
journalism to the core and reverberated around the world,
triggering a cascade of responses from journalists, media outlets,
cartoonists and caricaturists from diverse geographies of freedom
of expression and journalistic cultures. This book is a
multifaceted case study that describes and explains sameness and
difference in diverse journalistic conceptualizations of the
Charlie Hebdo affair from a comparative, international perspective.
It explores how different journalistic traditions, cultures,
worldviews and styles conceptualized and reacted to the clash
between freedom of expression and respect for religious sentiments
in the context of terrorism, where those sentiments are imposed on
the media and secular societies through intimidation, coercion and
violence. The book analyzes the political and cultural clashes
between the core human right of freedom of expression, and rite of
respect for religious sentiments, which is situated on the outer
periphery of the human right of freedom of religion. It also
examines how media outlets, editors, and cartoonists from different
politico-cultural contexts and journalistic cultures in Africa,
Asia, Europe, the Middle East, and North and South America,
addressed the delicate issue of Mohammed cartoons in general, and
the problem of (re)publication of the controversial Charlie Hebdo
Je Suis Charlie Mohammed cartoon, in particular.
The Charlie Hebdo terrorist attack of January 7, 2015 shook French
journalism to the core and reverberated around the world,
triggering a cascade of responses from journalists, media outlets,
cartoonists and caricaturists from diverse geographies of freedom
of expression and journalistic cultures. This book is a
multifaceted case study that describes and explains sameness and
difference in diverse journalistic conceptualizations of the
Charlie Hebdo affair from a comparative, international perspective.
It explores how different journalistic traditions, cultures,
worldviews and styles conceptualized and reacted to the clash
between freedom of expression and respect for religious sentiments
in the context of terrorism, where those sentiments are imposed on
the media and secular societies through intimidation, coercion and
violence. The book analyzes the political and cultural clashes
between the core human right of freedom of expression, and rite of
respect for religious sentiments, which is situated on the outer
periphery of the human right of freedom of religion. It also
examines how media outlets, editors, and cartoonists from different
politico-cultural contexts and journalistic cultures in Africa,
Asia, Europe, the Middle East, and North and South America,
addressed the delicate issue of Mohammed cartoons in general, and
the problem of (re)publication of the controversial Charlie Hebdo
Je Suis Charlie Mohammed cartoon, in particular.
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