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This volume is the first to offer a comprehensive critical examination of the intersections between contemporary ethical thought and post-1989 British playwriting. Its coverage of a large number of plays and playwrights, international range of contributors and original argumentation make it a key point of reference for students and researchers.
This exciting book uniquely combines interviews with scholars and
practitioners in theatre studies to look at what most people feel
is a pivotal moment of British theatre--the 1990s. Featuring
interviews with key names in the field (including Max
Stafford-Clark, Mark Ravenhill, Michael Billington, Dan Rebellato
and Aleks Sierz), and with a particular focus on "in-yer-face
theatre," this volume will be essential reading for all students
and scholars of contemporary British theatre, as well as
theatregoers and practitioners.
This volume is the first to offer a comprehensive critical examination of the intersections between contemporary ethical thought and post-1989 British playwriting. Its coverage of a large number of plays and playwrights, international range of contributors and original argumentation make it a key point of reference for students and researchers.
This exciting book uniquely combines interviews with scholars and practitioners in theatre studies to look at what most people feel is a pivotal moment of British theatre - the 1990s. With a particular focus on 'in-yer-face theatre', this volume will be essential reading for all students and scholars of contemporary British theatre.
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