Characterising spatial and temporal variation in environmental properties, generatingmapsfromsparse samples,and quantifyinguncertaintiesin the maps,are key concerns across the environmental sciences. The body of tools known as g- statistics offers a powerful means of addressing these and related questions. This volume presents recent research in methodological developments in geostatistics and in a variety of speci?c environmental application areas including soil science, climatology, pollution, health, wildlife mapping, ?sheries and remote sensing, amongst others. This book contains selected contributions from geoENV VII, the 7th Int- national Conference on Geostatistics for Environmental Applications, held in Southampton, UK, in September 2008. Like previous conferences in the series, the meeting attracted a diversity of researchers from across Europe and further a?eld. A total of 82 abstracts were submitted to the conference and from these the organisation committee selected 46 papers for oral presentation and 30 for poster presentation. The chapters contained in the book represent the state-of-the-art in geostatistics for the environmental sciences. The book includes 35 chapters arranged according to their main focus, whether methodological, or in a particular application. All of the chapters included were accepted after review by members of the scienti?c c- mittee and each chapter was also subject to checks by the editors.

The Critical Nexus confronts an important and vexing enigma of early writings on music: why chant, which was understood to be divinely inspired, needed to be altered in order to work within the then-operative modal system. To unravel this mystery, Charles Atkinson creates a broad framework that moves from Greek harmonic theory to the various stages in the transmission of Roman chant, citing numerous music treatises from the sixth to the twelfth century. Out of this examination emerges the central point behind the problem: the tone-system advocated by writers coming from the Greek harmonic tradition was not suited to the notation of chant and that this basic incompatibility led to the creation of new theoretical constructs. By tracing the path of subsequent adaptation at the nexus of tone-system, mode, and notation, Atkinson promises new and far-reaching insights into what mode meant to the medieval musician and how the system responded to its inherent limitations.
Through a detailed examination of the major musical treatises from the sixth through the twelfth centuries, this text establishes a central dichotomy between classical harmonic theory and the practices of the Christian church. Atkinson builds the foundation for a broad and original reinterpretation of the modal system and how it relates to melody, grammar, and notation. This book will be of interest to all musicologists, music theorists working on mode, early music specialists, chant scholars, and medievalists interested in music.

The influence of Rome on medieval plainsong and liturgy explored in depth. Containing substantial new studies in music, liturgy, history, art history, and palaeography from established and emerging scholars, this volume takes a cross-disciplinary approach to one of the most celebrated and vexing questions about plainsong and liturgy in the Middle Ages: how to understand the influence of Rome? Some essays address this question directly, examining Roman sources, Roman liturgy, or Roman practice, whilst others consider the sway ofRome more indirectly, by looking later sources, received practices, or emerging traditions that owe a foundational debt to Rome. Daniel J. DiCenso is Assistant Professor of Music at the College of the Holy Cross; Rebecca Maloy is Professor of Musicology at the University of Colorado Boulder. Contributors: Charles M. Atkinson, Rebecca A. Baltzer, James Borders, Susan Boynton, Catherine Carver, Daniel J. DiCenso, David Ganz, Barbara Haggh-Huglo, David Hiley, Emma Hornby, Thomas Forrest Kelly, William Mahrt, Charles B. McClendon, Luisa Nardini, Edward Nowacki , Christopher Page, Susan Rankin, John F. Romano, Mary E. Wolinski

One of Manhattan's most established play festivals, the Samuel French Off Off Broadway Short Play Festival fosters the work of emerging writers, giving them the exposure of publication and representation. From the initial pool of over 860 submissions, the Final Thirty plays were chosen to be performed over a period of one week. A panel of judges comprised of celebrity playwrights, theatrical agents and artistic directors nominated one or more of each evening's plays as finalists. The final roun

First published in 1984. Routledge is an imprint of Taylor & Francis, an informa company.

Molecular self-assembly is a widespread phenomenon in both chemistry and biochemistry. Yet it was not until the rise of supramolecular chemistry that attention has increasingly been given to the designed self-assembly of a variety of synthetic molecules and ions. To a large extent, success in this area has reflected knowledge gained from nature. However, an increased awareness of the latent steric and electronic information implanted in individual molecular components has also contributed to this success. Whilst not yet approaching the sophistication of biological assemblies, synthetic systems of increasing subtlety and considerable aesthetic appeal have been created. Self-Assembly in Supramolecular Systems surveys highlights of the progress made in the creation of discrete synthetic assemblies and provides a foundation for new workers in the area, as well as background reading for experienced supramolecular chemists.

Max Atkinson presents a neat blend of applied political psychology and communications theory that is bound to be read closely in the corridors of power. His study of the art of effective political persuasion will revolutionize - for the better - political communications in Britain.' - "Robert Worcester. Chairman, MORI (Market and Opinion Research International Ltd)"

Complete guidance for mastering the tools and techniques of the digital revolution

With the digital revolution opening up tremendous opportunities in many fields, there is a growing need for skilled professionals who can develop data-intensive systems and extract information and knowledge from them. This book frames for the first time a new systematic approach for tackling the challenges of data-intensive computing, providing decision makers and technical experts alike with practical tools for dealing with our exploding data collections.

Emphasizing data-intensive thinking and interdisciplinary collaboration, "The Data Bonanza: Improving Knowledge Discovery in Science, Engineering, and Business "examines the essential components of knowledge discovery, surveys many of the current research efforts worldwide, and points to new areas for innovation. Complete with a wealth of examples and DISPEL-based methods demonstrating how to gain more from data in real-world systems, the book: Outlines the concepts and rationale for implementing data-intensive computing in organizationsCovers from the ground up problem-solving strategies for data analysis in a data-rich worldIntroduces techniques for data-intensive engineering using the Data-Intensive Systems Process Engineering Language DISPELFeatures in-depth case studies in customer relations, environmental hazards, seismology, and moreShowcases successful applications in areas ranging from astronomy and the humanities to transport engineeringIncludes sample program snippets throughout the text as well as additional materials on a companion website

"The Data Bonanza" is a must-have guide for information strategists, data analysts, and engineers in business, research, and government, and for anyone wishing to be on the cutting edge of data mining, machine learning, databases, distributed systems, or large-scale computing.

Characterising spatial and temporal variation in environmental properties, generatingmapsfromsparse samples,and quantifyinguncertaintiesin the maps,are key concerns across the environmental sciences. The body of tools known as g- statistics offers a powerful means of addressing these and related questions. This volume presents recent research in methodological developments in geostatistics and in a variety of speci?c environmental application areas including soil science, climatology, pollution, health, wildlife mapping, ?sheries and remote sensing, amongst others. This book contains selected contributions from geoENV VII, the 7th Int- national Conference on Geostatistics for Environmental Applications, held in Southampton, UK, in September 2008. Like previous conferences in the series, the meeting attracted a diversity of researchers from across Europe and further a?eld. A total of 82 abstracts were submitted to the conference and from these the organisation committee selected 46 papers for oral presentation and 30 for poster presentation. The chapters contained in the book represent the state-of-the-art in geostatistics for the environmental sciences. The book includes 35 chapters arranged according to their main focus, whether methodological, or in a particular application. All of the chapters included were accepted after review by members of the scienti?c c- mittee and each chapter was also subject to checks by the editors.

Comparative studies of medieval chant traditions in western Europe, Byzantium and the Slavic nations illuminate music, literacy and culture. Gregorian chant was the dominant liturgical music of the medieval period, from the time it was adopted by Charlemagne's court in the eighth century; but for centuries afterwards it competed with other musical traditions, local repertories from the great centres of Rome, Milan, Ravenna, Benevento, Toledo, Constantinople, Jerusalem, and Kievan Rus, and comparative study of these chant traditions can tell us much about music, liturgy, literacy and culture a thousand years ago. This is the first book-length work to look at the issues in a global, comprehensive way, in the manner of the work of Kenneth Levy, the leading exponent of comparative chant studies. It covers the four most fruitful approaches for investigators: the creation and transmission of chant texts, based on the psalms and other sources, and their assemblage into liturgical books; the analysis and comparison of musical modes and scales; the usesof neumatic notation for writing down melodies, and the differences wrought by developmental changes and notational reforms over the centuries; and the use of case studies, in which the many variations in a specific text or melodyare traced over time and geographical distance. The book is therefore of profound importance for historians of medieval music or religion - Western, Byzantine, or Slavonic - and for anyone interested in issues of orality and writing in the transmission of culture. PETER JEFFERY is Professor of Music History, Princeton University. Contributors: JAMES W. McKINNON, MARGOT FASSLER, MICHEL HUGLO, NICOLAS SCHIDLOVSKY, KEITH FALCONER, PETER JEFFERY, DAVID G.HUGHES, SYSSE GUDRUN ENGBERG, CHARLES M. ATKINSON, MILOS VELIMIROVIC, JORGEN RAASTED+, RUTH STEINER, DIMITRIJE STEFANOVIC, ALEJANDRO PLANCHART.

The Critical Nexus confronts an important and vexing enigma of early writings on music: why chant, which was understood to be divinely inspired, needed to be altered in order to work within the then-operative modal system. To unravel this mystery, Charles Atkinson creates a broad framework that moves from Greek harmonic theory to the various stages in the transmission of Roman chant, citing numerous music treatises from the sixth to the twelfth century. Out of this examination emerges the central point behind the problem: the tone-system advocated by writers coming from the Greek harmonic tradition was not suited to the notation of chant and that this basic incompatibility led to the creation of new theoretical constructs. By tracing the path of subsequent adaptation at the nexus of tone-system, mode, and notation, Atkinson promises new and far-reaching insights into what mode meant to the medieval musician and how the system responded to its inherent limitations. Through a detailed examination of the major musical treatises from the sixth through the twelfth centuries, this text establishes a central dichotomy between classical harmonic theory and the practices of the Christian church. Atkinson builds the foundation for a broad and original reinterpretation of the modal system and how it relates to melody, grammar, and notation. This book will be of interest to all musicologists, music theorists working on mode, early music specialists, chant scholars, and medievalists interested in music.