This volume contains a comprehensive treatment of X-ray spectroscopy, as applied in astrophysics. It is presented in the form of extensive notes of lectures given by seven distinguished scientists at the Tenth Summer School of the European Astrophysics Doctoral Network. The subjects covered are: basic line and continuum radiation processes in X-ray and gamma-ray astronomy; atomic physics of collision- and radiation-dominated plasmas; X-ray spectroscopic observations with ASCA and BeppoSAX; future X-ray spectroscopy missions; X-ray optics, and X-ray spectroscopy instrumentation. The book, which will appeal to both researchers and graduate students, is timely in view of the scheduled launches of the big X-ray observatories AXAF and XMM in 1999.

Visuality in the theater is as yet rarely a subject of theoretical investigation. This book presents an exploration of this under-explored terrain, demonstrating the use of new theoretical insights into vision and visuality for the analysis of theater and performance - and simultaneously shows theater and performance to be an excellent 'theoretical object' for exploring the cultural, historical and embodied character of visuality.

This volume contains a comprehensive treatment of X-ray spectroscopy, as applied in astrophysics. It is presented in the form of extensive notes of lectures given by seven distinguished scientists at the Tenth Summer School of the European Astrophysics Doctoral Network. The subjects covered are: basic line and continuum radiation processes in X-ray and gamma-ray astronomy; atomic physics of collision- and radiation-dominated plasmas; X-ray spectroscopic observations with ASCA and BeppoSAX; future X-ray spectroscopy missions; X-ray optics, and X-ray spectroscopy instrumentation. The book, which will appeal to both researchers and graduate students, is timely in view of the scheduled launches of the big X-ray observatories AXAF and XMM in 1999.

"Visuality in the Theatre," now in paperback for the first time, proposes a new theoretical approach to the dynamics of looking engendered in the theatre. Visuality, this book argues, is not something we look at but something that we create by looking. Visuality is an embodied experience involving more than just the optical senses. The relationship between someone looking and something seen is fundamental to the experiences theatre and performance can evoke, while at the same time this relationship remains, to a large extent, invisible in the act of seeing. Bleeker offers a 'dissection of visuality', pointing to the close relationship between the mediations of the theatre and performance and apparatuses of vision (in both the dramatic theatre and its deconstruction on the contemporary stage).