'Their icy blasts are refreshing and restorative. They tell you the worst. And having heard the worst, you feel less bad' Blake Morrison

Written in Greek by the only Roman emperor who was also a philosopher, without any intention of publication, the Meditations of Marcus Aurelius offer a remarkable series of challenging spiritual reflections and exercises developed as the emperor struggled to understand himself and make sense of the universe. While the Meditations were composed to provide personal consolation and encouragement, Marcus Aurelius also created one of the greatest of all works of philosophy: a timeless collection that has been consulted and admired by statesmen, thinkers and readers throughout the centuries.

Translated with notes by MARTIN HAMMOND with an Introduction by DISKIN CLAY

This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and for the way history itself is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War continues to fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s.

The twelve essays in this book explore in depth for the first time the publishing and reading practices which were formed and changed by the First World War. Ranging from an exploration of British and Australian trench journals and the reading practices of Indian soldiers to the impact of war on the literary figures of the home front in Britain, these essays provide crucial new historical information about the production, circulation and reception of reading matter during a period of international crisis.

This volume focuses on the publisher's series as a cultural formation - a material artifact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.

Despite the significant presence of Cuban immigrants in the US, current research on Cuban Spanish linguistics remains underexplored, most crucially its ramifications to areas such as language contact and change. New analyses are desperately called for given the increasing interest in this area of research. The present volume covers these existing lacunae on Cuban Spanish dialectology by providing a state-of-the-art collection of articles from different theoretical perspectives and linguistic areas, including phonological and phonetic variation, morphosyntactic approaches, sociolinguistic perspectives, and the acquisition of Cuban Spanish as a heritage language. The book is highly valuable to students and scholars interested in Hispanic linguistics and Cuban Spanish dialectology.

Despite the significant presence of Cuban immigrants in the US, current research on Cuban Spanish linguistics remains underexplored, most crucially its ramifications to areas such as language contact and change. New analyses are desperately called for given the increasing interest in this area of research. The present volume covers these existing lacunae on Cuban Spanish dialectology by providing a state-of-the-art collection of articles from different theoretical perspectives and linguistic areas, including phonological and phonetic variation, morphosyntactic approaches, sociolinguistic perspectives, and the acquisition of Cuban Spanish as a heritage language. The book is highly valuable to students and scholars interested in Hispanic linguistics and Cuban Spanish dialectology.

The scholar-editors and eight accomplished colleagues together offer views of phonological research on American Spanish.

The editors and fourteen other research linguists discuss -- in English and in Spanish -- the African influence on Caribbean phonology, dominant sociolinguistic attitudes in Puerto Rico, and historico-legal aspects of bilingualism in colonial Hispanic America.

This innovative book presents for the first time detailed histories of the impact of the Great War on British cinema in the silent period, from actual war footage to fiction filmmaking. In doing so it explores how cinema helped to shape the public memory of the war during the 1920s.

This volume focuses on the publisher's series as a cultural formation - a material artifact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.

This book explores the publishing and reading practices formed and changed by the First World War. From an exploration of British and Australian trench journals to the impact of war on the literary figures of the home front, the essays provide new information about the production, circulation and reception of reading matter during this time.

‘There stood up in the assembly the hero son of Atreus, wide-ruling Agamemnon, in deep anger: fury filled his dark heart full’

The Iliad is the greatest literary achievement of Greek civilization. The story centres on the critical events in four days of the tenth and final year of the war between the Greek and Trojans. It describes how the quarrel of Agamemnon and Achilleus sets in motion a tragic sequence of events, which leads to Achilleus’ killing of Hektor and determines the ultimate fate of Troy. But Homer’s theme is not simply war or heroism. With compassion and humanity he presents a universal and tragic view of the world, of human life lived under the shadow of suffering and death, set against a vast and largely unpitying divine background. The Iliad is the first of the world’s great tragedies.

Martin Hammond’s acclaimed translation is accompanied by a full introduction and a comprehensive index.