This book presents a unique insight into an extraordinary period of European history that had far-reaching significance for British cinema and for the way history itself is represented. The work collected in this volume draws from the best knowledge, enthusiasm and critical insight of leading scholars, archivists and historians specialising in British cinema. The editors are experts in the field of British silent cinema; in particular, its complex relationship to the Great War and its afterimage in popular culture. As the Great War continues to fade from living memory, it is a significant task to look back at how the cinema industry responded to that conflict as it unfolded, and how it shaped the war's memory through the 1910s and 1920s.

The twelve essays in this book explore in depth for the first time the publishing and reading practices which were formed and changed by the First World War. Ranging from an exploration of British and Australian trench journals and the reading practices of Indian soldiers to the impact of war on the literary figures of the home front in Britain, these essays provide crucial new historical information about the production, circulation and reception of reading matter during a period of international crisis.

This volume focuses on the publisher's series as a cultural formation - a material artifact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.

'Their icy blasts are refreshing and restorative. They tell you the worst. And having heard the worst, you feel less bad' Blake Morrison

Written in Greek by the only Roman emperor who was also a philosopher, without any intention of publication, the Meditations of Marcus Aurelius offer a remarkable series of challenging spiritual reflections and exercises developed as the emperor struggled to understand himself and make sense of the universe. While the Meditations were composed to provide personal consolation and encouragement, Marcus Aurelius also created one of the greatest of all works of philosophy: a timeless collection that has been consulted and admired by statesmen, thinkers and readers throughout the centuries.

Translated with notes by MARTIN HAMMOND with an Introduction by DISKIN CLAY

Despite the significant presence of Cuban immigrants in the US, current research on Cuban Spanish linguistics remains underexplored, most crucially its ramifications to areas such as language contact and change. New analyses are desperately called for given the increasing interest in this area of research. The present volume covers these existing lacunae on Cuban Spanish dialectology by providing a state-of-the-art collection of articles from different theoretical perspectives and linguistic areas, including phonological and phonetic variation, morphosyntactic approaches, sociolinguistic perspectives, and the acquisition of Cuban Spanish as a heritage language. The book is highly valuable to students and scholars interested in Hispanic linguistics and Cuban Spanish dialectology.

The scholar-editors and eight accomplished colleagues together offer views of phonological research on American Spanish.

‘There stood up in the assembly the hero son of Atreus, wide-ruling Agamemnon, in deep anger: fury filled his dark heart full’

The Iliad is the greatest literary achievement of Greek civilization. The story centres on the critical events in four days of the tenth and final year of the war between the Greek and Trojans. It describes how the quarrel of Agamemnon and Achilleus sets in motion a tragic sequence of events, which leads to Achilleus’ killing of Hektor and determines the ultimate fate of Troy. But Homer’s theme is not simply war or heroism. With compassion and humanity he presents a universal and tragic view of the world, of human life lived under the shadow of suffering and death, set against a vast and largely unpitying divine background. The Iliad is the first of the world’s great tragedies.

Martin Hammond’s acclaimed translation is accompanied by a full introduction and a comprehensive index.

This innovative book presents for the first time detailed histories of the impact of the Great War on British cinema in the silent period, from actual war footage to fiction filmmaking. In doing so it explores how cinema helped to shape the public memory of the war during the 1920s.

This volume focuses on the publisher's series as a cultural formation - a material artifact and component of cultural hierarchies. Contributors engage with archival research, cultural theory, literary and bibliometric analysis (amongst a range of other approaches) to contextualize the publisher's series in terms of its cultural and economic work.

This book explores the publishing and reading practices formed and changed by the First World War. From an exploration of British and Australian trench journals to the impact of war on the literary figures of the home front, the essays provide new information about the production, circulation and reception of reading matter during this time.

From Harvard University, one of the world s preeminent institutions of

liberal education, comes a collection of essays sampling topics at the forefront of academia in the twenty-first century. Written by faculty members at the cutting edge of their fields, including such luminaries as Steven Pinker, Laurel Thatcher Ulrich, and Harry R. Lewis, these essays offer a clear and accessible overview of disciplines that are shaping the culture, and even the world.

The authors, among the most respected members of Harvard s faculty, invite readers to explore subjects as diverse as religious literacy and Islam, liberty and security in cyberspace, medical science and epidemiology, energy resources, evolution, morality, human rights, global history, the dark side of the American Revolution, American literature and the environment, interracial literature, and the human mind. They summarize key developments in their fields in ways that will both entertain and edify those who seek an education beyond the confines of the classroom.

It is sometimes said that youth is wasted on the young. It could also be said that college, too often, is wasted on college students that only after graduating does a former student come to appreciate learning. To those wishing to revisit the college classroom as well as to those who never had the opportunity in the first place this book gives a taste of the modern course at Harvard. The essays are stimulating and informative, and the annotated bibliographies accompanying each chapter provide invaluable guidance to the life-long learner who wants to pursue these fascinating topics in depth.

For many Americans during the Vietnam era, the war on the home front seemed nearly as wrenching and hardfought as the one in Southeast Asia. Its primary battlefield was the news media, its primary casualty the truth. But as William Hammond reveals, animosity between government and media wasn't always the rule; what happened between the two during the Vietnam War was symptomatic of the nation's experiences in general. As the "light at the end of the tunnel" dimmed, relations between them grew ever darker.

"Reporting Vietnam" is an abridgment and updating of Hammond's massive two-volume work issued by the Government Printing Office. Based on classified and recently declassified government documents--including Nixon's national security files--as well as on extensive interviews and surveys of press war coverage, it tells how government and media first shared a common vision of American involvement in Vietnam. It then reveals how, as the war dragged on, upbeat government press releases were consistently challenged by journalists' reports from the field and finally how, as public sentiment shifted against the war, Presidents Johnson and Nixon each tried to manage the news media, sparking a heated exchange of recriminations.

Hammond strongly challenges the assertions of many military leaders that the media lost the war by swaying public opinion. He takes readers through the twists and turns of official public affairs policy as it tries to respond to a worsening domestic political environment and recurring adverse "media episodes." Along the way, he makes important observations about the penchant of American officials for placing appearance ahead of substance and about policy making in general.

Although Richard Nixon once said of the Vietnam war, "Our worst enemy seems to be the press," Hammond clearly shows that his real enemies were the contradictions and flawed assumptions that he and LBJ had created. Reporting Vietnam brings a critical study to a wider audience and is both a major contribution to an ongoing debate and a cautionary guide for future conflicts.