The texts and notes collected in this volume offer unique insight into the development of Heidegger's thinking on language and art from the late 1930s to the early 1950s - a tumultuous period both for Heidegger personally and for Germany as a whole. Following Germany's defeat in World War II, Heidegger was banned from teaching at Freiburg University, where he had been a professor since 1928, and his thinking underwent significant changes as he began to cultivate different modes of silence and non-saying in his philosophy of language. This volume illuminates these shifts and charts the evolution of key terms in Heidegger's philosophy of language during this key period in the development of his thought. The central theme of Heidegger's reflections on language in this volume is his repeated engagement with the character of the word, silence and the unsaid, and his rejection of the instrumental conception of language, where he instead prioritized conversation as the "homeland of language." Alongside references to Hoelderlin and von Hofmannsthal and shrewd scrutiny of aural phenomena such as silent thought and speechlessness, speech is demonstrated to be intimately connected to the human essence. In a later section, Heidegger examines the place of art, in particular the plastic arts, and the role of the artist in conjunction with the new industrial landscape and architecture of his time, and in juxtaposition with ancient Greek attitudes to space and the polis. This key work by Heidegger, now available in English for the first time, will be of great interest to students and scholars of philosophy and to anyone interested in Heidegger's thought.

A knowledge of Heidegger's Sein und Zeit is essential for anyone who wishes to understand a great deal of recent continental work in theology as well as philosophy. Yet until this translation first appeared in 1962, this fundamental work of one of the most influential European thinkers of the century remained inaccessible to English readers. In fact the difficulty of Heidegger's thought was considered to be almost insuperable in the medium of a foreign language, especially English. That this view was unduly pessimistic is proved by the impressive work of John Macquarrie and Edward Robinson who have succeeded in clothing Heidegger's thought in English without sacrificing the richness and poetic subtlety of the original.

The two treatises The Overcoming of Metaphysics (1938/39) and The Essence of Nihilism (1946-1948) do not belong together temporally or formally, but they are brought together in this volume because they both treat a common thesis from the standpoint of different questions - namely, that nihilism is the essence of metaphysics in relation to the history of being. The overcoming of metaphysics is, for Heidegger, the decisive historical moment in which metaphysics is experienced as the history of the abandonment by being and overcome at the same time. The abandonment of beings by being reveals itself in the final and most extreme intensification of metaphysics as the "unconditioned predominance of manipulation." Manipulation means here the all-dominating producibility of beings. The Essence of Nihilism is linked to the idea of overcoming. This text deals with the attempt to elucidate the essence of nihilism through Nietzsche's words "God is dead." The killing of God springs from the will to power as the most extreme form of manipulation. The being of beings is grasped here as the positing of values emanating from the will to power. In this positing of being as value, it becomes clear that being itself remained unthought in metaphysics. Therefore, metaphysics as such is nihilism proper. These key works by Heidegger, now available in English for the first time, will be of great interest to students and scholars of philosophy and to anyone interested in Heidegger's thought.

'There is something absolute about the letters between you & me; ...The letter is a form of communion of the soul-spirit - ...one that is faded & yet unimpeded, complete', wrote Martin Heidegger to his fiancee Elfride Petri shortly before their wedding. In the course of a marriage that lasted almost sixty years Martin and Elfride were often apart, and the letter thus remained a vital means of communication right through to the final years. The letters he sent her are snapshots of the ups and downs, the crises and everyday minutiae from Heidegger's life: their engagement, the building of the Cabin at Todtnauberg, the part he played in the two world wars, the difficulties of his early professional career, their financial problems, his dealings with women, and his constant concern with expounding his ideas. Apart from three letters now in the hands of the German Literature Archive in Marbach, Elfride Heidegger kept all of the countless letters and cards from her husband locked away in a wooden chest. After reading them one final time, in 1977 she gave the key to this chest to her granddaughter Gertrud Heidegger on condition that she should not open it until after Elfride's death. After years spent deciphering, transcribing and ordering the letters with the help of her father and her uncle, Gertrud Heidegger has here made a selection of them available to the public and added a commentary that provides relevant background material. This selection from the many letters written by Martin Heidegger to his wife provides an invaluable insight into their life together, their friendships and relationships, and sheds fresh light on the ideas and beliefs of one of the twentieth century's greatest philosophers.

'There is something absolute about the letters between you & me; ...The letter is a form of communion of the soul-spirit - ...one that is faded & yet unimpeded, complete', wrote Martin Heidegger to his fiancee Elfride Petri shortly before their wedding. In the course of a marriage that lasted almost sixty years Martin and Elfride were often apart, and the letter thus remained a vital means of communication right through to the final years. The letters he sent her are snapshots of the ups and downs, the crises and everyday minutiae from Heidegger's life: their engagement, the building of the Cabin at Todtnauberg, the part he played in the two world wars, the difficulties of his early professional career, their financial problems, his dealings with women, and his constant concern with expounding his ideas. Apart from three letters now in the hands of the German Literature Archive in Marbach, Elfride Heidegger kept all of the countless letters and cards from her husband locked away in a wooden chest. After reading them one final time, in 1977 she gave the key to this chest to her granddaughter Gertrud Heidegger on condition that she should not open it until after Elfride's death. After years spent deciphering, transcribing and ordering the letters with the help of her father and her uncle, Gertrud Heidegger has here made a selection of them available to the public and added a commentary that provides relevant background material. This selection from the many letters written by Martin Heidegger to his wife provides an invaluable insight into their life together, their friendships and relationships, and sheds fresh light on the ideas and beliefs of one of the twentieth century's greatest philosophers.

"The Concept of Time" presents the reconstructed text of a lecture delivered by Martin Heidegger to the Marburg Theological Society in 1924. It offers a fascinating insight into the developmental years leading up to the publication, in 1927, of his magnum opus "Being and Time", itself one of the most influential philosophical works this century.In "The Concept of Time" Heidegger introduces many of the central themes of his analyses of human existence which were subsequently incorporated into "Being and Time", themes such as Dasein, Being-in-the-world, everydayness, disposition, care, authenticity, death, uncanniness, temporality and historicity. Starting out by asking: What is time?, Heidegger proceeds to radicalise the concept of time and our relation to it, ending with the question: Are we ourselves time? Am I time? William NcNeill is currently British Academy Postdoctoral Research Fellow at the University of Warwick England. He has published several articles on Heidegger and is at present co-translating Heidegger's 1929/30 course The Fundamental Concepts of Metaphysics: World - Finitude - Solitude.