1. R.C. Mehrotra, Jaipur, India Present Status and Future Potential of the Sol-Gel Process 2. J. Fricke, A. Emmerling, Wuerzburg, FRG Aerogels - Preparation, Properties, Applications 3. S. Sakka, T. Yoko, Kyoto, Japan Sol-Gel-Derived Coating Films and Applications 4. H. Schmidt, Saarbruecken, FRG Thin Films, the Chemical Processing up to Gelation 5. M. Henry, J.P. Jolivet, J. Livage, Paris, France Aqueous Chemistry of Metal Cations: Hydrolysis, Condensation and Complexation 6. R. Reisfeld, Jerusalem, Israel, C.K. Joergensen, Geneva, Switzerland Optical Properties of Colorants or Luminescent Species in Sol-Gel Glasses

How is The Simpsons a satirical artwork engaged with important social, political, and cultural issues? Matthew A. Henry offers the first comprehensive understanding of the show as a satire and explores the ways in which The Simpsons participates in the so-called "culture war" debates taking place in American society. Situating The Simpsons within the framework of satirical humor in American media, the tradition of the nuclear family sitcom, and the history of the Fox Television network, this book explores American culture thematically, examining how the show satirically engages with issues of race and ethnicity, national identity, gender and sexuality, social and economic class, and religion.

When the Soviet people will enjoy the [God) wQl com11Ul1ld a ble',ing on u, In ble,"ngr of Communism, new hundred, all our way" '0 that we ,hall,ee much more of Hi, wisdom, power, goodnell8, of mOlion, of people on earth will BIly: and truth than we have formerly known. 'We are for CommuniBml' It i, not We ,haH find that the God of I8TIlei is through war with other countries, but by , among U', and ten of us shall be able to the example of a more perfect organiza- tion of society, by rapid progress in rellist a thouBIlnd of our enemie,. The Lord will make our name a prai,e and developing the productive force, the creation of all conditions for the happi- glory, '0 that men 'hall BIlY of succeed- ing plantation,: 'The Lord make it like ness and well-being of man, that the that of New England'. For we must con- ideaB of Communism win the mind, and sider that we Ilhall be like a city upon a hearts of the masses. Hill; the eye, of all people are on u,. The force of Bocial progress will in- evitably grow in aU countries, and this John Winthrop to early Puritan will assist the builden of CommuniBm in settlers in America, 1630 the Soviet Union. Programme of the C. P. S. U.

Provides simple explanations of the important concepts in population and community ecology.

Provides R code throughout, to illustrate model development and analysis, as well as appendix introducing the R language.

Interweaves ecological content and code so that either stands alone.

Supplemental web site for additional code.

When the Soviet people will enjoy the [God) wQl com11Ul1ld a ble',ing on u, In ble,"ngr of Communism, new hundred, all our way" '0 that we ,hall,ee much more of Hi, wisdom, power, goodnell8, of mOlion, of people on earth will BIly: and truth than we have formerly known. 'We are for CommuniBml' It i, not We ,haH find that the God of I8TIlei is through war with other countries, but by , among U', and ten of us shall be able to the example of a more perfect organiza- tion of society, by rapid progress in rellist a thouBIlnd of our enemie,. The Lord will make our name a prai,e and developing the productive force, the creation of all conditions for the happi- glory, '0 that men 'hall BIlY of succeed- ing plantation,: 'The Lord make it like ness and well-being of man, that the that of New England'. For we must con- ideaB of Communism win the mind, and sider that we Ilhall be like a city upon a hearts of the masses. Hill; the eye, of all people are on u,. The force of Bocial progress will in- evitably grow in aU countries, and this John Winthrop to early Puritan will assist the builden of CommuniBm in settlers in America, 1630 the Soviet Union. Programme of the C. P. S. U.

THE SEEMING CONTINGENCY OF THE QUESTION CONCERNING THE BODY AND THE NECESSITY FOR AN ONTOLOGICAL ANALYSIS OF THE BODY When we disclose and bring forth, within ontological investigations aimed at making possible the elaboration of a phenomenology of the ego, a prob lematic concerning the body, we may well seem, with respect to the general direction of our analysis, to elaborate only a contingent and accidental specification of such an analysis and to forget its true goal.! Up to the present, we pursued the clarification of the being of the ego [2] on the level of absolute subjectivity and in the form of an ontological analysis. Is it not possible that the reasons which motivated the project of conducting the investigations relative to the problem of the ego within a sphere of abso lute immanence may cease to be valid because we might be led to believe that the body also constitutes the object of these investigations and belongs to a first reality whose study is the task of fundamental ontology? Actually, does not the body present itself to us as a transcendent being, as an inhabi tant of this world of ours wherein subjectivity does not reside? If, con sequently, the body must constitute the theme of our philosophical reflec tion, is it not on condition that the latter submit to a radical modification and cease to be turned toward subjectivity in order to be a reflection on

This book was born of a refusal, the refusal of the very philosophy from which it has sprung. After the war, when it had become apparent that the classical tradition, and particularly neo-Kantianism, was breathing its last, French thought looked to Germany for its inspiration and renewal. Jean Hyppolite and Kojeve reintroduced Hegel and the "existentialists" and phenomenologists drew the attention of a curious public to the fundamental investigations of Husserl and Heidegger. If only by being understood as a phenomenological ontology, this books speaks eloquently enough of the debt it owes to these thinkers of genius. The conceptual material which it uses, particn1arly in chapters 1 to 44, outlines the Husserlian and Heideggerian horizon of the investigations. However, it is precisely this horizon which is questioned. In spite of its profundity and achievements, I wanted to show that contemporary ontology pushes to the absolute the presuppositions and the limits of the philosophy of consciousness since Descartes and even of all Western philosophy since the Greeks. An 'External' critique, viz. the opposing of one thesis to another, wonld have no sense whatever. Rather, it is interior to these presuppositions whose insufficiency had to be shown that we placed ourselves; the very concepts which were rejected were also the ones which guided the problem initially.

How is The Simpsons a satirical artwork engaged with important social, political, and cultural issues? In time for the twenty-fifth anniversary, Henry offers the first comprehensive understanding of the show as a satire and explores the ways in which The Simpsons participates in the so-called "culture war" debates taking place in American society.

The increasing significance of the OECD in the development of national education policies has received much attention in recent years. Although it is recognised that certain international agencies such as the OECD as key "globalizing agencies," have acquired the capacity to "persuade" nation states towards certain policy priorities, little attention has been paid to making clear how these processes of persuasion may work. This volume investigates such processes, drawing on a study of the relationship between the OECD and educational policy directions in Australia. It investigates the link between three elements of education policy, the nation state, the OECD and globalization. These links are explored through case studies in higher education and vocational education and training policy developments, drawing on the Australian experience. The book also generates questions about educational purposes and decision making in the contemporary contexts which have wider applicability.

How is The Simpsons a satirical artwork engaged with important social, political, and cultural issues? In time for the twenty-fifth anniversary, Henry offers the first comprehensive understanding of the show as a satire and explores the ways in which The Simpsons participates in the so-called "culture war" debates taking place in American society.