This open access book is the result of collaborations between international researchers who have focused on diverse processes of democratic participation-and exclusion-that are intimately involved with ritual acts and complexes. The main question integrating the collection concerns the ways in which the performative qualities of ritual resources achieve their potential as forms of personal and political empowerment in our changing world. The authors seek to define the key terms "ritual" and "democracy" with reference to fieldwork-informed case studies from selected communities. They critically address democracy as a concept in a time of climate crisis, nationalism, religious re-traditionalizing, fake news and aspirational fascism. Furthermore, they discuss ways in which ritualized practices such as memorial gatherings, festivals, protest actions, pilgrimages and worship services give rise to modes of feeling, processes of representation, and patterns of interaction in which democratic explorations are given pride of place. The eBook editions of this book are available open access under a CC BY-NC-ND license on www.bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

This transdisciplinary and theoretically innovative edited volume contains seven original, research-led chapters that explore complex intersections of ritual and democracy in a wide range of contemporary, cultural and geographic contexts. The volume emerged out of a workshop held at the Open University in London, organized as part of the international research project, 'Reassembling Democracy: Ritual as Cultural Resource' (REDO) funded by the Norwegian Research Council and led by Jone Salomonsen. The chapters document entanglements of the religious and the secular in political assembly and iconoclastic protest, of affect and belonging in pilgrimage and church ritual and politics and identity in performances of self and culture. Across the essays emerges a conception of ritual less as scripts for generating stability than as improvisational spaces and as catalysts for change.

This book takes an ecrocritical approach to analytical readings of animated feature films, short subjects and television shows. Beginning with the ""simply subversive"" environmental messages in the Felix the Cat cartoons of the 1920s, the author examines ""green"" themes in such popular animated film efforts as Bambi (1942), The Simpsons Movie (2007), Wall-E (2008) and Happy Feet (2008), as well as James Cameron's live action/animation blockbuster Avatar (2009). The discussion extends beyond American films to include the works of Japanese animator Hayao Miyazaki, including the Oscar-winning Spirited Away (2002). Also evaluated for their pro-ecological content are the television cartoon series South Park and Futurama. The appendix provides a list of film and television titles honored with the Environmental Media Award for Animation.

For the Wild explores the ways in which the commitments of radical environmental and animal-rights activists develop through powerful experiences with the more-than-human world during childhood and young adulthood. The book addresses the question of how and why activists come to value nonhuman animals and the natural world as worthy of protection. Emotions and memories of wonder, love, compassion, anger, and grief shape activists' protest practices and help us understand their deep-rooted commitments to the planet and its creatures. Drawing on analyses of activist art, music, and writings, as well as interviews and participant-observation in activist communities, Sarah M. Pike delves into the sacred duties of these often misunderstood and marginalized groups with openness and sensitivity.

This transdisciplinary and theoretically innovative edited volume contains seven original, research-led chapters that explore complex intersections of ritual and democracy in a wide range of contemporary, cultural and geographic contexts. The volume emerged out of a workshop held at the Open University in London, organized as part of the international research project, 'Reassembling Democracy: Ritual as Cultural Resource' (REDO) funded by the Norwegian Research Council and led by Jone Salomonsen. The chapters document entanglements of the religious and the secular in political assembly and iconoclastic protest, of affect and belonging in pilgrimage and church ritual and politics and identity in performances of self and culture. Across the essays emerges a conception of ritual less as scripts for generating stability than as improvisational spaces and as catalysts for change.

Microscale Organic Chemistry: With Multistep and Multiscale Syntheses offers a modern approach to the laboratory experience within the organic division. Notable features include inquiry-driven experimentation, validation of the purification process, and the implementation of greener processes (including microwave use) to perform traditional experimentation. In addition to offering alternative methods to perform microscale experiments, this text offers strong pedagogy to promote student success through empowerment and encouragement.

Covering the range of pediatric spinal cord disease, its clinical assessment, appropriate investigation, its medical and neurosurgical management and neuro-rehabilitation. Spinal cord disorders have tended to be approached as adjuncts to disorders of the paediatric brain or peripheral nervous system. This is partly a function of numbers - specifically spinal pathologies being less frequent than those of the brain and the peripheral neuromuscular system, partly a function of the relatively limited investigation techniques available before the advent of MRI and, at least to some degree, it is because the clinical evaluation of the spinal cord in young children is difficult and may be overshadowed by the manifestations of accompanying brain and peripheral neuromuscular symptomatology. It is likely that the role of the cord, in conditions ranging from neonatal neurological injury to shaken impact syndrome and in inflammatory and neurometabolic disorders and beyond, will continue to become more evident over coming years. Readership: Pediatric neurologists; Pediatric neurosurgeons; Pediatric oncologists; Pediatric neuroradiologists and neurophysiologists; Rehabilitation physicians and therapists.

This open access book is the result of collaborations between international researchers who have focused on diverse processes of democratic participation-and exclusion-that are intimately involved with ritual acts and complexes. The main question integrating the collection concerns the ways in which the performative qualities of ritual resources achieve their potential as forms of personal and political empowerment in our changing world. The authors seek to define the key terms "ritual" and "democracy" with reference to fieldwork-informed case studies from selected communities. They critically address democracy as a concept in a time of climate crisis, nationalism, religious re-traditionalizing, fake news and aspirational fascism. Furthermore, they discuss ways in which ritualized practices such as memorial gatherings, festivals, protest actions, pilgrimages and worship services give rise to modes of feeling, processes of representation, and patterns of interaction in which democratic explorations are given pride of place. The eBook editions of this book are available open access under a CC BY-NC-ND license on www.bloomsburycollections.com. Open access was funded by Knowledge Unlatched.

For the Wild explores the ways in which the commitments of radical environmental and animal-rights activists develop through powerful experiences with the more-than-human world during childhood and young adulthood. The book addresses the question of how and why activists come to value nonhuman animals and the natural world as worthy of protection. Emotions and memories of wonder, love, compassion, anger, and grief shape activists' protest practices and help us understand their deep-rooted commitments to the planet and its creatures. Drawing on analyses of activist art, music, and writings, as well as interviews and participant-observation in activist communities, Sarah M. Pike delves into the sacred duties of these often misunderstood and marginalized groups with openness and sensitivity.

On opening the door there was seen standing at the entrance a man rather poorly clad in the white garments worn by nearly all the people of Korea. But upon his head, instead of the ordinary cone-shaped hat worn by the men of the country, was a very peculiar structure. It was made of straw and was about four feet in circumference. Its rim nearly concealed the man's face, which was further hidden by a piece of coarse white linen cloth stretched upon two sticks and made fast just below the eyes.