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By reading key Carter texts alongside their Decadent intertexts,
Tonkin interrogates the claim that Carter was in thrall to a
fetishistic aesthetic antithetical to her feminism. Through
historical contextualization of the woman-as-doll, muse and femme
fatale, Tonkin tests Carter's own description of her fiction as a
form of literary criticism.
By reading key Carter texts alongside their Decadent intertexts,
Tonkin interrogates the claim that Carter was in thrall to a
fetishistic aesthetic antithetical to her feminism. Through
historical contextualization of the woman-as-doll, muse and femme
fatale, Tonkin tests Carter's own description of her fiction as a
form of literary criticism.
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