The Study of Travelling Interplanetary Phenomena (STIP) was formally established by the International Council of Scientific Unions' Special Committee on Solar-Terrestrial Physics (SCOSTEP) in August 1973 with M. Dryer as Convenor and M. A. Shea as Secretary. The scientific objec tives of STIP are the study and search for understanding of quiet (i.e. normal or background) and active periods in the interplanetary medium. The concepts of informal, extemporaneous interdisciplinary research is continuo sly emphasised, and these concepts have proved to be extremely successful in conducting the very productive studies undertaken by the members. About 200 scientists are actively participating in STIP, their interests ranging from solar physics (insofar as it concerns the initi ation of phenomena which move out from the Sun) to the observation and study of comets and planetary magneto spheres and ionospheres. Solar wind plasma and fields, solar and galactic cosmic rays, interstellar interactions, solar radio astronomy and interplanetary scintillations of discrete radio sources are among the topics of interest."

The Study of Travelling Interplanetary Phenomena (STIP) was formally established by the International Council of Scientific Unions' Special Committee on Solar-Terrestrial Physics (SCOSTEP) in August 1973 with M. Dryer as Convenor and M. A. Shea as Secretary. The scientific objec tives of STIP are the study and search for understanding of quiet (i.e. normal or background) and active periods in the interplanetary medium. The concepts of informal, extemporaneous interdisciplinary research is continuo sly emphasised, and these concepts have proved to be extremely successful in conducting the very productive studies undertaken by the members. About 200 scientists are actively participating in STIP, their interests ranging from solar physics (insofar as it concerns the initi ation of phenomena which move out from the Sun) to the observation and study of comets and planetary magneto spheres and ionospheres. Solar wind plasma and fields, solar and galactic cosmic rays, interstellar interactions, solar radio astronomy and interplanetary scintillations of discrete radio sources are among the topics of interest."

The prices of recording equipment continue to drop dramatically, giving musicians and sound engineers increasing opportunities to make quality-level recordings. The Ultimate Guide to Music Recording takes a unique approach to this growing market, giving readers two books in one: a concise, tutorial audio engineering text in Part One, and then a 'cut to the chase', how to record any instrument fast guide in Part Two. By carefully cross-referencing these sections, industry vet Shea has created the ultimate recording resource: a textbook where you can see immediately how basic principles are utilized in the studio, and a "how-to" guide that comes complete with all the background technical material one could need -- particularly when things don't turn out as planned. Covering the basics of studio recording technology, recording techniques for every major class of instrument, and a masterclass on mixing, this is the most complete guide to music recording ever written.