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This edition contains the thirty-three letters which survive from
those exchanged between Cicero and his correspondents between the
beginning of January and the end of April, 43 B.C. This was a key
period of Roman history, when the forces of the Senate, supported
by the precocious young Octavian, faced Mark Antony in north Italy,
leading to the battle of Mutina (Modena) in April, and the defeat
of Antony. The period has the dramatic quality of a tragedy,
especially considering the events of the following months. Cicero,
now aged sixty-three, is deeply involved in all the political
actions, and in touch with most of the protagonists in the confused
scenario. Cicero's Letters are normally read, if at all, in
selection. Continuous reading of all that survives from a given
period is far more interesting, and puts the reader in close
contact with the feelings and experiences of those who were living
at the time. Latin text with facing-page English translation,
introduction and commentary.
This text provides a line-by-line commentary on Books XIII-XXIV of
Homer's epic poem, 'The Iliad'.
First published in the outstanding and long-running 'red Macmillan'
series in 1948 and revised in 1958 and 1962 (with, for example, a
new section on Mycenaean Greek in relation to Homer), This second
volume on the Odyssey has remained the standard edition used by
upper school and university students to guide their early reading
of the epic. The introduction covers many of the questions that lie
behind the poem, and includes a useful summary of Homeric grammar;
the text is elucidated with full annotations, indexes and
bibliography. Also available: Odyssey I-XII
Plautus' Casina is a lively and well composed farce. The plot,
which concerns the competition of a father and his son for the same
girl and the various scurrilous tricks employed in the process,
gives full scope to Plautus' inventiveness and richly comic
language. The editors' aim is to establish the play as one of the
liveliest of ancient comedies, and in their introduction and notes
to make the reader continually aware of the conditions of an actual
stage performance. They discuss the background and conventions of
Roman comedy and by offering a complete metrical analysis they help
the reader to appreciate the original musical structure of the
play. The edition is intended primarily for use by students at
school and university but will be of value to anyone interested in
reading the play in the original.
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