From "Brown v. Board of Education" to "Roe v. Wade" to "Bush v. Gore," the Supreme Court has, over the past fifty years, assumed an increasingly controversial place in American national political life. As the recurring struggles over nominations to the Court illustrate, few questions today divide our political community more profoundly than those concerning the Court's proper role as protector of liberties and guardian of the Constitution. If the nation is today in the midst of a "culture war," the contest over the Supreme Court is certainly one of its principal battlefields.In this volume, distinguished constitutional scholars aim to move debate beyond the sound bites that divide the opposing parties to more fundamental discussions about the nature of constitutionalism. Toward this end, the volume includes chapters on the philosophical and historical origins of the idea of constitutionalism; on theories of constitutionalism in American history in particular; on the practices of constitutionalism around the globe; and on the parallel emergence of--and the persistent tensions between--constitutionalism and democracy throughout the modern world.In democracies, the primary point of having a constitution is to place some matters beyond politics and partisan contest. And yet it seems equally clear that constitutionalism of this kind results in a struggle over the meaning or proper interpretation of the constitution, a struggle that is itself deeply political. Although the volume represents a variety of viewpoints and approaches, this struggle, which is the central paradox of constitutionalism, is the ultimate theme of all the essays.

Politics has taken a cultural turn in America, and the arts are at the center of today's culture wars. In this book, some of our most prominent cultural critics explore the relationships between culture and politics as played out in the world of novels, television, museums, and even fashion. The authors -- John Simon, Greil Marcus, Arthur C. Danto, and other well-known commentators from across the political spectrum -- examine the arts in their relation to democracy and consider whether and how they serve one another.

The authors consider such topics as high and popular culture in democratic America; the relation of democracy to classical, jazz, and folk music; and the artistic potential of the most democratic of all arts, the movies. All of the essays are as entertaining as they are thoughtful.

With its roots in popular sentiment, democracy will forever be entwined with art, a force that powerfully molds popular taste. Democracy and the Arts speaks elegantly to that relationship and reminds readers of its enduring importance.

Multiculturalism: is it the face of twenty-first century America or merely a passing intellectual fad? With its celebration of ethnic diversity and strong advocacy of tolerance, this contemporary movement provides philosophical justification for many who seek to correct social inequities. But while its proponents see it as a means of promoting self-esteem among marginalized groups, its critics see it as a dangerous form of relativism that culminates, paradoxically, in a new form of intolerance.

The fourteen essays in this volume address the pros and cons of multiculturalism and explore its relationship with liberal democracy. A team of stellar contributors--C. Vann Woodward, Linda Chavez, Stanley Fish, and others--offers viewpoints on multiculturalism from the perspectives of political theory, history, philosophy, and fiction.

The editors first help explain multiculturalism by contrasting it with the Sixties counterculture. How is it, they ask, that yesterday's radicals, so concerned with economic justice, have given way to the multiculturalist preoccupation with identity politics? The contributors then explore different facets of the multiculturalism issue: they present disparate views of the stakes involved as older notions of pluralism and assimilation give way to multiculturalism; examine it in its relation to the principles of liberal democracy; and assess its place in public education. In a final section, the role of the arts in the multiculturalism debate is addressed by celebrated novelists J. M. Coetzee and Mario Vargas Llosa.

Because multiculturalism is a movement without a leader or guiding document, its tenets remain difficult to define. This book not only tells what the controversy is about but also clarifies the concerns it should raise for thoughtful citizens. The points of view expressed here will prove helpful to those who are trying to frame their own opinions about multiculturalism--and they are guaranteed to spark new debate among those who have already chosen sides.