The ancient Egyptians were firmly convinced of the importance of magic, which was both a source of supernatural wisdom and a means of affecting one's own fate. The gods themselves used it for creating the world, granting mankind magical powers as an aid to the struggle for existence. Magic formed a link between human beings, gods, and the dead. Magicians were the indispensable guardians of the god-given cosmic order, learned scholars who were always searching for the Magic Book of Thoth, which could explain the wonders of nature. Egyptian Magic, illustrated with wonderful and mysterious objects from European museum collections, describes how Egyptian sorcerers used their craft to protect the weakest members of society, to support the gods in their fight against evil, and to imbue the dead with immortality, and explores the arcane systems and traditions of the occult that governed this well-organized universe of ancient Egypt.

This enchanted tour of Egyptian art by one of its early explorers is one of the most beautiful modern works on ancient Egyptian art. Prisse d'Avennes's monumental work, first published in Paris over a ten-year period between 1868 and 1878, includes the only surviving record of many lost artifacts. This classic work is now available for the first time in paperback.

Jan Herman Insinger was a well-known character in the history of Egyptology, mainly because his name has been linked forever with a famous demotic wisdom papyrus now in Leiden. Although he is mentioned by many of his contemporaries, biographical notes on Insinger rarely surpass a few lines and can be quite inaccurate. However, a lot of information can be gathered from the Archives of the National Museum of Antiquities in Leiden and other sources, both published and unpublished ones. These documents enable us to sketch a brief biography of this fascinating figure. Former studies by the present author dealt with Insinger's activities as a photographer and a traveller. The present volume focuses on Insinger's activities as an art collector. Insinger can be regarded as a maecenas of the Leiden Museum. Thus, a study of this aspect of his manifold interests is mainly relevant for the information it provides on the growth of the Egyptian treasures in Leiden.

The two tombs dealt with in this book were discovered in 2007 and 2010 by the Leiden Expedition in the New Kingdom necropolis of Saqqara. Both date to the transition period between the reign of the heretic Pharaoh Akhenaten and the return to orthodoxy under his successor Tutankhamun. They are valuable additions to the growing corpus of funerary architecture from the Memphite cemeteries, yet they are quite different. Ptahemwia was a royal butler, presumably in the Memphite palace. The wall-reliefs and inscriptions of his tomb illustrate aspects of his professional life. Yet the career of the tomb-owner preserves some mysteries, such as the assumed change of his name, his potential foreign origins, and the reason why his tomb could not be finished according to plan. Sethnakht is an even more elusive person. This simple scribe of the temple of Ptah can hardly have been the main owner of the tomb next to Ptahemwia's, which was started in the same lavish style and then remained undecorated. There are reasons to assume that Sethnakht was just one of the relatives of the owner, who - like Ptahemwia - seems to have suffered from the political vicissitudes of the period. This publication presents the results of the recent excavations, with an introduction on the biographical data of the tomb owners followed by detailed discussions of the tomb architecture and wall decorations, as well as the objects, pottery, and skeletal material found in the area. Thus it is aimed at an audience of professional readers with an interest in funerary archaeology.

The two tombs dealt with in this book were discovered in 2007 and 2010 by the Leiden Expedition in the New Kingdom necropolis of Saqqara. Both date to the transition period between the reign of the heretic Pharaoh Akhenaten and the return to orthodoxy under his successor Tutankhamun. They are valuable additions to the growing corpus of funerary architecture from the Memphite cemeteries, yet they are quite different. Ptahemwia was a royal butler, presumably in the Memphite palace. The wall-reliefs and inscriptions of his tomb illustrate aspects of his professional life. Yet the career of the tomb-owner preserves some mysteries, such as the assumed change of his name, his potential foreign origins, and the reason why his tomb could not be finished according to plan. Sethnakht is an even more elusive person. This simple scribe of the temple of Ptah can hardly have been the main owner of the tomb next to Ptahemwia’s, which was started in the same lavish style and then remained undecorated. There are reasons to assume that Sethnakht was just one of the relatives of the owner, who – like Ptahemwia – seems to have suffered from the political vicissitudes of the period. This publication presents the results of the recent excavations, with an introduction on the biographical data of the tomb owners followed by detailed discussions of the tomb architecture and wall decorations, as well as the objects, pottery, and skeletal material found in the area. Thus it is aimed at an audience of professional readers with an interest in funerary archaeology.

This volume focuses on J.H. Insinger (1854/1918) as a collector of Ancient Egyptian art and maecenas of the Leiden Museum of Antiquities.