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Showing 1 - 25 of
120 matches in All Departments
for SATB and piano Mack Wilberg's calming and pensive Meditation is
an adaptation of Charles Gounod's famous Ave Maria which is itself
based on J.S. Bach's Prelude in C Major from the first book of The
Well-Tempered Clavier. The accompaniment is derived from the piano
solo transcription of Gounod's work by Georges Bizet. To the
piano's rising arpeggios and Gounod's melody, Wilberg has added a
gently weaving choral texture, setting the words 'Alleluia, Amen'.
for SATB and piano or orchestra Based on William J. Kirkpatrick's
'Cradle Song', A Christmas Meditation was originally written as
underscoring for a reading of the Biblical account of the Nativity
(Luke 2:1, 3-14). In the tradition of incidental music, this
wordless piece may be used in a variety of ways, including as a
processional, as a transition between other works, or as background
for spoken words and images.
for SATB chorus and organ, or orchestra This uplifting and highly
effective arrangement of the popular Stanford hymn-tune ENGLEBERG,
to words by Fred Pratt Green, was commissioned by the Broadway
Baptist Church (Fort Worth) in Texas, and later recorded for
broadcast by The Tabernacle Choir. The piece is suitable for
regular worship services but most often at special praise services,
choral liturgies, and musical feasts, and for recognizing the work
of church musicians.
for SATB (with divisions) and small orchestra This is a beautiful,
sensitive arrangement of the African-American spiritual and folk
hymn Oh, watch the stars. The text reflects on the beauty of
creation, and alternative verses by David Warner celebrating
Christ's birth have been included for performance during the
Christmas season. Wilberg artfully retains the understated feel and
simplicity of the original spiritual while demonstrating hallmarks
of his unique style, such as rich harmonies, contrasting keys and
textures, and effective obbligato instrumental fills.
for SATB (with divisions) and organ or orchestra This affecting
setting of the well-known poem from George Herbert's The Temple
features rich harmonies and sweeping melodies to create a work of
depth and poignancy. The piece begins with an instrumental
introduction, before the melody is taken up first by upper voices,
then full chorus.
for SATB (with divisions) and piano or orchestra This is a
beautiful, sensitive arrangement of the African-American spiritual
and folk hymn Oh, watch the stars. The text reflects on the beauty
of creation, and alternative verses by David Warner celebrating
Christ's birth have been included for performance during the
Christmas season. Wilberg artfully retains the understated feel and
simplicity of the original spiritual while demonstrating hallmarks
of his unique style, such as rich harmonies, contrasting keys and
textures, and effective obbligato instrumental fills.
for SATB and piano four-hands or chamber orchestra This
effervescent setting of two texts by David Warner - one for
Christmas, one for general worship - was included on the Tabernacle
Choir and Orchestra at Temple Square's release, 'Tree of Life'.
Over a shimmering, festive accompaniment for piano four-hands or
chamber orchestra, the melody is passed between voice parts, and
the dynamic contrasts and detailed articulation enable singers to
present an engaging characterization.
for SATB and organ or orchestra This radiant anthem is an
arrangement of William F. Smith's hymn tune 'Lattimer', frequently
paired with the popular gospel song 'This little light of mine'.
Wilberg gives each section of the choir a presentation of the
melody, beginning with the sopranos, before building towards a
climactic finish with new harmony and texture as light spreads
'across the land'.
for SATB and organ or orchestra This bright and exultant
arrangement of Michael Praetorius's melody 'Puer nobis nascitur' is
presented with two text options: 'O splendor of God's glory bright'
for general worship and 'That Easter day with joy was bright' for
use at Easter. Sparkling organ interludes, characterised by flutes
and piccolos in the orchestral accompaniment, punctuate the lilting
melody, which is given contrasting treatment in each of the verses,
from presentation in unison to rich four-part harmony.
for SATB and piano or orchestra Male voices take the leading role
in this mixed-voice arrangement of the tender and well-loved solo
piece attributed to Caccini (and usually sung to 'Ave Maria'). In
keeping with the cumulative embellishment of the original,
Wilberg's version starts with unison men and gradually adds more
parts, always grounded by the lower voices. Similarly, the
accompaniment's texture thickens as the piece develops, with the
instrumental version starting with strings only, building up to a
full orchestral climax before a gentler coda.
for SATB and piano or orchestra Tree of Life is an expansive
setting of an evocative text by David Warner that depicts the
sacred archetype of the life-giving tree through the cycle of all
four seasons. The lyrics, coupled with simple, memorable melodies,
speak of spiritual planting and growth, nourishment, and an
abundant harvest; each observation is punctuated by an 'Alleluia'
as an expression of praise and gratitude. Wilberg's imaginative
orchestration creates an abundant soundworld, with arching woodwind
phrases, sweeping strings, and a cacophony of handbells that lifts
the closing alleluias skywards in celebration. This is the title
track on the Tabernacle Choir's 2018 CD release.
for SATB and organ or orchestra This is an arrangement of the
19th-century hymn by Philip Bliss, with words written by Horatio
Spafford following several personal tragedies. Despite having lost
his first son to scarlet fever, most of his assets in the Great
Fire of Chicago, and then his four daughters in a shipwreck,
Spafford's enduring faith inspired him to write this hymn, which
speaks of an internal, spiritual calm in the face of life's
difficulties. Wilberg's arrangement of Bliss's tune keeps the first
two verses in unison, first women and then men, before allowing
fuller textures to take over. The choir is accompanied throughout,
and two upward major 3rd modulations lead to a triumphant close.
for SATB unaccompanied This setting of a tune from The Sacred Harp
is strong and march-like, with accented rhythms and percussive
vocal lines contributing to a rousing overall effect. It was
originally published as part of Mack Wilberg Anthems and is also
available in a version for TTBB unaccompanied.
for SATB and piano or orchestra Setting two verses of the Irish
traditional carol, Wilberg's version opens simply with
unaccompanied unison men, before the piano creeps in gently. Upper
voices take over and an imitative section leads to a more dramatic,
thicker-textured section. The carol melody's slightly haunting,
modal qualities are complemented by colourful harmonic touches, and
a final statement of the melody in the piano brings the piece to a
calm close. The Mormon Tabernacle Choir and Orchestra at Temple
Square have recorded this piece with orchestral accompaniment on
the CD Hallelujah! (SKU 5157246).
for SATB and piano four-hands or orchestra This short, energetic
piece sets words by contemporary hymn-writer Mary Louise Bringle.
The text is full of positivity and hope, and Wilberg's use of a 7/8
time signature keeps the verses propelling forward joyously, while
undulating quavers shape the refrains. Several key changes are
supported by a continuously rhythmic accompaniment in the form of
piano duet or large orchestra, and an instrumental interlude
precedes the third and final verse.
for SATB and organ or orchestra Mack Wilberg's arrangement of 'Old
Hundredth', paired with William Kethe's popular hymn of exaltation,
builds from a simple opening to a rich-textured, rousing
conclusion, with a soaring soprano descant for the last verse. An
alternative ending is included, providing the option of finishing
the piece more softly if preferred. An orchestral accompaniment is
available on hire/rental.
for SATB and piano or piano four-hands or orchestra Wilberg's
arrangement of the Christmas favourite Deck the hall is bright and
energetic from beginning to end. After an uplifting introduction
going through several keys, the choir sings the three carol verses
in up to seven parts. The accompaniment provides both a harmonic
underpinning and almost continuous flourishing semiquaver movement.
Further modulations throughout the piece lead to an extended 'fa la
la' section to bring the piece to an exhilarating close.
for SATB and organ or piano or orchestra or brass This anthem
combines original music by Mack Wilberg, words by David Warner, and
the celebrated hymn tune 'Old One Hundredth', which emerges from
heralding voices, cleverly and majestically interwoven. Hymn of
Praise is on the CD 'Glory! Music of Rejoicing' (2012) recorded by
the Mormon Tabernacle Choir and Orchestra on Temple Square.
Orchestral material is available on hire/rental.
for SATB and organ or large orchestra This arrangement of the
well-loved hymn stays true to the jubilation and reverence of
Easter. Wesley's words and the eighteenth-century melody shine
through in a sensitive reharmonization, and a recurring
instrumental passage smoothly connects the verses. Reflecting
common hymn-singing practice, the first verse is in unison, the
second in four-part harmony, and the third returns to unison with a
soprano descant, before closing with a suitably exultant 'Alleluia'
and 'Amen'. Christ the Lord is risen today appears on the Mormon
Tabernacle Choir and Orchestra at Temple Square's latest CD, He is
Risen, which reached No. 1 in both the 'Classical Albums' and
'Traditional Classical Albums' US charts within two weeks of its
release in April 2014.
for SATB and piano or orchestra A setting of the hymn Samanthra,
this piece combines the original tune's simplicity with rich
musical texture and majesty - the hallmarks of Wilberg's style. His
voice as the sound features on the Mormon Tabernacle Choir's CD
'Come Thou Fount of Every Blessing: American Folk Hymns &
Sprituals' (SKU5014332). Orchestral material is available on
hire/rental.
for SATB and piano Celebrating the deeply personal comforts offered
by hope and faith, My Song in the Night is a calm and solemn piece.
Its simple harmonies, supporting piano accompaniment, and
reflective text are suitable for choirs of all levels, and allow
for a moment of quiet reflection during mass or a busy concert
programme.
for SSAA and piano or chamber orchestra This gentle arrangement of
Will L. Thompson's words and melody (1880) is ideal for upper-voice
choirs of all levels of experience. The melody is sympathetically
treated, with simple vocal harmonizations alongside unison singing,
reflecting the humble message of the text: 'Jesus is calling, come
home'. The accompaniment, for piano or small orchestra, creates a
lush bed of sound over which the voices resonate.
for TTBB and piano or orchestra Written for the Mormon Tabernacle
Choir, this new arrangement of the well-known spiritual is
presented in two versions: one for mixed chorus and the other for
men's voices. Each version opens gently with an effective
unaccompanied unison section, and the accompaniment and further
choral parts are gradually added. In classic Wilberg style, the
piece builds up verse by verse with expanding textures, via two
upward modulations, towards a grand and triumphant climax, leaving
no doubt about the joy expressed in the text. The male-voice
version of He's got the whole world in his hands features on the CD
'Men of the Mormon Tabernacle Choir', with the Orchestra at Temple
Square, conducted by Mack Wilberg (SKU 5053126). Orchestral
material is available on hire/rental.
for SATB, C instrument, and keyboard or orchestra This exquisite
arrangement of an American folk hymn will be a universal favourite
with choirs of all ages and levels. The atmospheric tune is
perfectly offset by the floating instrumental counter-melody, while
the keyboard or orchestral accompaniment brings harmonic depth and
gravity to the music. A wonderful addition to the choral repertory.
Orchestral material is available on hire.
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