When New Orleans paramedics and long-time best friends Steve and Dennis are called to a series of bizarre and gruesome accidents, they chalk it up to a mysterious new drug found at the scene.

But after Dennis' oldest daughter disappears, Steve stumbles upon a terrifying truth about the supposed psychedelic that will challenge everything he knows about reality -- and the flow of time itself.

Anthony Wistern is wealthy beyond imagination. Fragrant wife, gaggle of photogenic children, French chateau, Cotswold manor, plethora of mistresses, penchant for cutting moral corners, tick tick tick tick tick tick.

Unfortunately for him, he’s also dead. Suddenly poised to inherit his fortune, each member of the family falls under suspicion.

And that’s when everything comes crashing down…

Anthony Wistern is wealthy beyond imagination. Fragrant wife, gaggle of photogenic children, French chateau, Cotswold manor, plethora of mistresses, penchant for cutting moral corners, tick tick tick tick tick tick.

Unfortunately for him, he’s also dead. Suddenly poised to inherit his fortune, each member of the family falls under suspicion.

And that’s when everything comes crashing down…

THE #1 SUNDAY TIMES BESTSELLER 'I loved this book' RICHARD OSMAN 'Funny, sharp, dark and twisted' JOJO MOYES 'Chilling, but also laugh-out-loud funny. Another corker' SUNDAY TELEGRAPH They say you can't choose your family. But you can kill them. Meet Grace Bernard. Daughter, sister, serial killer... Grace has lost everything. And she will stop at nothing to get revenge. ------------------------------ 'Funny and furious and strangely uplifting. Grace is a bitter and beguiling anti-hero with a keen eye for social analysis - even in her most grisly deeds, you never stop rooting for her' PANDORA SYKES 'Deliciously addictive...brilliantly executed' i PAPER 'Addictive... Grace Bernard is one of the most intriguing and bewitching protagonists I've read in years' EMMA GANNON 'A funny, compulsive read about family dysfunction and the media's obsession with murder' SUNDAY TIMES STYLE 'You'll be gripped... Grace's emotional detachment throughout will give you chills' Rated 5 stars by COSMOPOLITAN 'Hilarious and dark' ELLE 'Ironic twists and caustic commentary on everything from liberal guilt to the consumerist con that is "selfcare" sharpen this debut novel' OBSERVER 'Brilliantly tongue-in-cheek stuff from the Vogue columnist' IRISH INDEPENDENT 'Witty, waspish satire of a murderer with no regrets' GRAZIA 'Original, funny, unique and such a refreshing read' PRIMA 'A deliciously dark debut novel' RED 'One very entertaining read' WOMAN'S WAY How To Kill Your Family was number 1 in the Sunday Times paperback chart on 26/04/2022

The paintings are grouped under various headings to take the reader through specific visual experiences beginning with some of the artist's tools, colour palettes and showing the development of texture. Seascapes and shorelines are the first stop, going through to the moors,hills and beyond.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.