Madame Germaine de Stael is often regarded as the "mistress to an age," or (like England and Russia) one of the three great European "powers" of the nineteenth century. She was in some sense both, but she was also an important and influential writer whose works, astonishingly, have not, until this volume, been translated into English since the early nineteenth century. She absorbed the leading ideas of the Enlightenment on literature, politics, science, and the social order; turned many of them to her own uses and then bequeathed them to the nineteenth century, which adopted much of the Enlightenment through her works.

She had two related aims: by her writings on politics, to guide Europe as it entered the republican era and to help it maintain its cultural legacy and liberty; and to explain all literature by its relation to social institutions (which has had a profound effect on all subsequent studies of comparative literature).

Here, in clear and flowing English prose that conveys both the personality and the style of the original-and that corrects the errors of earlier translations-are selections from Madame Germaine de Stael's major works, including Considerations on the Principal Events of the French Revolution, Literature Considered in Its Relation to Social Institutions, Essay on Fiction, On Germany, and her reflections on Russian and English as well as German national character. They make plain both her amazingly modern approach to such subjects as politics, literature, science, education, and women, and the tremendous repercussions her work has had.

Madame Germaine de Stael is often regarded as the "mistress to an age", or (like England and Russia) one of the three great European "powers" of the 19th century. She was in some sense both, but she was also an important and influential writer whose works, astonishingly, have not, until this volume, been translated into English since the early 19th century. She absorbed the leading ideas of the Enlightenment on literature, politics, science and the social order; turned many of them to her own uses and then bequeathed them to the 19th century, which adopted much of the Enlightenment through her works. She had two related aims: by her writings on politics, to guide Europe as it entered the republican era and to help it maintain its cultural legacy and liberty; and to explain all literature by its relation to social institutions (which has had a profound effect on all subsequent studies of comparative literature). Here, in clear and flowing English prose that conveys both the personality and the style of the original - and that corrects the errors of earlier translations - are selections from Madame Germaine de Stael's major works, including "Considerations on the Principal Events of the French Revolution", "Literature Considered in its Relation to Social Institutions", "Essay on Fiction", "On Germany" and her reflections on Russian and English as well as German national character. They make plain both her amazing modern approach to such subjects as politics, literature, science, education and women, and the tremendous repercussions her work has had.

In 1802 Napoleon decided that there was no room in France for both himself and Madame de Stael, and he therefore sent into exile the woman whose intelligent liberal views were potentially dangerous for him. At first she was banished from Paris, and later, after the suppression of her book on Germany, from France. She began to write her memoirs, and was so carefully watched by Napoleon's agents that she even had to change the names of many people she mentioned, substituting English for French names in the manuscript. She stayed in Switzerland, travelled through Germany and Austria, and later through Poland into Russia. After she had stayed in Kiev, Moscow and St Petersburg, Napoleon began his ill-fated expedition to Russia. She left the country in haste for Sweden, and it was there that much of this book was written. In his introduction to it her eldest son, Auguste, explains how he edited the manuscript and draws attention to the fact that his mother's remarks about Napoleon were extremely bitter because they were written when the author had been suffering most deeply from censorship and exile. The modern reader may be intrigued by other aspects of this book, including Madame de Stael's analysis of Bonaparte's psychological make-up, but most of all perhaps by her description of her stay in Russia, after a long wait for a passport, and by her remarks about the Imperial family and the Russian character in general. The quality of the writing is personal, straightforward and readable, as in all her other books. The reader can almost hear her discussing Napoleon with the Tsar Alexander, and is taken with her on a conducted tour of the Kremlin, the city streets of Moscow and the Russian countryside. Her remarks about Russia are often relevant today: "What characterizes this people, is something gigantic of all kinds: ordinary dimensions are not at all applicable to it". And, at the other end of the scale, "What the English call comforts are hardly to be met with in Russia".

`Look at her, she is the image of our beautiful Italy.' Corinne, or Italy (1807) is both the story of a love affair between Oswald, Lord Nelvil and a beautiful poetess, and an homage to the landscape, literature and art of Italy. On arriving in Italy, Oswald immediately falls under Corinne's magical spell as she is crowned a national genius at the Captitol. Yet, on returning to England, he succumbs to convention and honours his late father's wish by marrying the dutiful English girl, Lucile, despite having learned that Corinne is Lucile's Italian half-sister. Corinne dies of a broken heart and Lord Nelvil is left with a seared conscience. Stael weaves discreet French Revolutionary political allusion and allegory into her romance, and its publication saw her order of exile renewed by Napoleon. Indeed, the novel stands as the birth of modern nationalism, and introduces to French usage the word `nationalitie'. It is also one of the first works to put a woman's creativity centre stage. Sylvia Raphael's new translation preserves the natural character of the French original and the edition is complemented by notes and and introduction which serve to set an extraordinary work of European Romanticism in its historical and political contexts. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.