The Roma is a profoundly personal portrait of a people and their on-going journey, shedding new light on their history and what it means to be Romani in Europe today. It is a history that is not widely known and understood, and that invisibility has created a space where fear and hostility continue to thrive.

Full of fascinating stories and extraordinary individuals, The Roma is a powerful corrective to the stereotyping and prejudices still faced by Romani communities. We meet the Romani artist who chronicled her experiences of the Holocaust in Austria; the boxer who should have become Germany’s light-heavyweight champion only to have his win scratched from the record by the Nazis; and a eighteenth-century Romani woman in London who was accused of kidnapping a girl and sentenced to death only to be exonerated thanks to some detective work by an unconvinced judge.

Throughout, Madeline Potter weaves in her travels though contemporary Romani Europe as well as strands of her own journey as a Romani woman in Romania and now in Britain. Deftly blending explorative history and portraits of a unique and vibrant culture with intimate accounts of racism, The Roma is a celebration of survival – of resilience and resistance in the face of prejudice and persecution.

Twelve Anglicists (from France, America, Poland, and Romania) who met in Bucharest to debate Religion and Spirituality in Literature and the Arts at the ACED Conference in June 2015 join their voices in demonstrating the vitally spiritual power of Christianity in the recently modern world (in twentieth and twenty-first century literature and society). Poetry (by Eliot, Yeats, Heaney, David Jones, Hill, G.M. Brown) and fiction (Henry James, Lodge, Evelyn Waugh, Flannery O'Connor, Rose Macaulay and Ron Hansen), interpreted with (Thomist and more recent) theology (J.H. Newman's, Paul Tillich's, Hans Urs von Balthasar's, De Certeau's) and philosophy (from Plato to Gadamer) in mind, give heartening suggestions for transcending, along Catholic, Anglican, and Orthodox lines, the modern secular ethos.