The chapters in this book were first presented at the Women in French Biennial Conference held in Leeds in May 2004. The twelve essays explore the multifaceted commodification of the female body and provide insights into the mutations of French society and culture. British and French scholars examine the paradoxes and contradictions embodied in various images and discourses related to health and illness from different perspectives, ranging from sociological studies to analyses of working diaries, children's medical encyclopaedias and literary texts. The 'resilient female body' as epitomised by the First World War nurse tends by the end of the twentieth century to be construed as the 'sanitised female body', subjected to mind/body dualities largely controlled by the medical professions. Thus, maternity and related issues such as birth and contraceptive technologies figure as major themes with contributors revealing unresolved ambivalences. Other chapters focus on how women's economic activity can affect their individual health and, potentially, that of others. A further prominent theme shows how, for contemporary women writers, serious illnesses such as cancer and madness in women can be seen as rich metaphors for the ills of a male-dominated society. Duras's alcoholism and Aragon's portrayals of prostitution are also discussed.

This volume is based on papers given at the biennial Women in French conference held in Leeds in May 2011. Drawing on a range of interconnecting disciplines and forms of cultural production, it explores the relationship between French and Francophone women and the material world. Bringing together researchers from the United Kingdom, France and other Francophone countries, the book reflects the engagement of women researchers with contemporary debates. The first section focuses on the female body, examining dance and the performing arts but also the material objectification suffered by rape victims in France. The next highlights the contradictions of the im/materiality of the body, the act of writing and the text, in terms of dichotomies, permeable identities and fluid boundaries. The third section turns its attention to the practicalities of 'the material' in relation to women's engagement with the economy - the gendering of domestic work, women's discourse, the precariousness of women's employment and the alienating impersonality of consumer spaces. The concluding section considers the relationship of the female body to the material object, whether subverting, co-opting or indeed absorbing it. In the final chapters of the book the tactile and the visual converge in explorations of 'the material' in cinematic representations of the female body.

Feminist approaches to questions of women, pleasure and transgression have generally been premised on the assumption that women's pleasures are typically constrained - if not ignored, marginalized or forbidden - in patriarchal cultures. The naming, foregrounding and pursuit of women's pleasures can therefore be deemed potentially transgressive and linked to women's emancipation in other realms. The essays in this volume draw on a range of materials, from travel writing and the novel to film and stand-up comedy, addressing the specificity of French and Francophone approaches to women, pleasure and transgression across a range of historical contexts. The volume is divided into three sections: intellectual and creative pleasures; normative pleasures, that is, pleasures conforming to women's conventionally expected roles and status as well as to accepted views regarding race, national identity and sexuality; and perverse pleasures, that is, pleasures transgressive in their tendency to reject authority and norms, and often controversial in their "excessive" appetite for violence, sex, alcohol or food. In each case, questions are raised about how we approach such pleasures as feminist researchers, motivated in part by a desire to counter the notion of feminism and feminist research as something "dour" or joyless.