Florence, the 1560s. Lucrezia, third daughter of Cosimo de' Medici, is free to wander the palazzo at will, wondering at its treasures and observing its clandestine workings. But when her older sister dies on the eve of marriage to Alfonso d'Este, ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father to accept on her behalf.

Having barely left girlhood, Lucrezia must now make her way in a troubled court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her husband himself, Alfonso. Is he the playful sophisticate her appears before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?

As Lucrezia sits in uncomfortable finery for the painting which is to preserve her image for centuries to come, one thing becomes worryingly clear. In the court's eyes, she has one duty: to provide the heir who will shore up the future of the Ferrarese dynasty. Until then, for all of her rank and nobility, her future hangs entirely in the balance.

WINNER OF THE 2020 WOMEN'S PRIZE FOR FICTION - THE NO. 1 BESTSELLER 2021 'Richly sensuous... something special' The Sunday Times 'A thing of shimmering wonder' David Mitchell TWO EXTRAORDINARY PEOPLE. A LOVE THAT DRAWS THEM TOGETHER. A LOSS THAT THREATENS TO TEAR THEM APART. On a summer's day in 1596, a young girl in Stratford-upon-Avon takes to her bed with a sudden fever. Her twin brother, Hamnet, searches everywhere for help. Why is nobody at home? Their mother, Agnes, is over a mile away, in the garden where she grows medicinal herbs. Their father is working in London. Neither parent knows that Hamnet will not survive the week. Hamnet is a novel inspired by the son of a famous playwright: a boy whose life has been all but forgotten, but whose name was given to one of the most celebrated plays ever written.

Florence, the 1560s. Lucrezia, third daughter of Cosimo de' Medici, is free to wander the palazzo at will, wondering at its treasures and observing its clandestine workings. But when her older sister dies on the eve of marriage to Alfonso d'Este, heir to the Duke of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: Alfonso is quick to request her hand in marriage, and her father to accept on her behalf.

Having barely left girlhood, Lucrezia must now make her way in a troubled court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her husband himself, Alfonso. Is he the playful sophisticate he appears before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?

As Lucrezia sits in uncomfortable finery for the painting which is to preserve her image for centuries to come, one thing becomes worryingly clear. In the court's eyes, she has one duty: to provide the heir who will shore up the future of the Ferrarese dynasty. Until then, for all of her rank and nobility, her future hangs entirely in the balance.

A Reese's Bookclub December Pick An Instant Sunday Times, New York Times and Irish Times Bestseller (August 2022) A Guardian and LitHub Book of the Year (December 2022) 'Every bit as evocative and spellbinding as Hamnet. O'Farrell, thank God, just seems to be getting better and better' i newspaper 'Her narrative enchantment will wrest suspense and surprise out of a death foretold' Financial Times 'Ingenious, inventive, humane, wry, truthful . . . better than her last novel' Scotsman 'Finely written and vividly imagined' Guardian 'In O'Farrell's hands, historical detail comes alive' Spectator Winter, 1561. Lucrezia, Duchess of Ferrara, is taken on an unexpected visit to a country villa by her husband, Alfonso. As they sit down to dinner it occurs to Lucrezia that Alfonso has a sinister purpose in bringing her here. He intends to kill her. Lucrezia is sixteen years old, and has led a sheltered life locked away inside Florence's grandest palazzo. Here, in this remote villa, she is entirely at the mercy of her increasingly erratic husband. What is Lucrezia to do with this sudden knowledge? What chance does she have against Alfonso, ruler of a province, and a trained soldier? How can she ensure her survival. The Marriage Portrait is an unforgettable reimagining of the life of a young woman whose proximity to power places her in mortal danger.

From the bestselling, critically acclaimed author of HAMNET and I AM, I AM, I AM, comes an intense, breathtakingly accomplished story of a woman's life stolen, and reclaimed. 'Unputdownable' Ali Smith Edinburgh in the 1930s. The Lennox family is having trouble with its youngest daughter. Esme is outspoken, unconventional, and repeatedly embarrasses them in polite society. Something will have to be done. Years later, a young woman named Iris Lockhart receives a letter informing her that she has a great-aunt in a psychiatric unit who is about to be released. Iris has never heard of Esme Lennox and the one person who should know more, her grandmother Kitty, seems unable to answer Iris's questions. What could Esme have done to warrant a lifetime in an institution? And how is it possible for a person to be so completely erased from a family's history?

On a cold February afternoon, Stella catches sight of a man she hasn't seen for many years, but she instantly recognises him. Or thinks she does. At the same moment on the other side of the globe, in the middle of a crowd of Chinese New Year revellers, Jake realises that things are becoming dangerous. They know nothing of one another's existence, but both Stella and Jake flee their lives: Jake in search of a place so remote it doesn't appear on any map, and Stella for a destination in Scotland, the significance of which only her sister, Nina, will understand. Gripping, insightful and deft, this is Maggie O'Farrell's finest achievement to date.

AS FEATURED ON DESERT ISLAND DISCS, BIG SCOTTISH BOOK CLUB AND THE ZOE BALL BOOKCLUB, A BOOK OF THE YEAR IN THE SUNDAY TIMES, THE TIMES, GUARDIAN, IRISH TIMES, OBSERVER, RED and THE TELEGRAPH. *SHORTLISTED FOR THE PEN ACKERLEY PRIZE FOR MEMOIR AND AUTOBIOGRAPHY 2018* I AM, I AM, I AM is a memoir with a difference - the unputdownable story of an extraordinary woman's life in near-death experiences. Insightful, inspirational, gorgeously written, it is a book to be read at a sitting, a story you finish newly conscious of life's fragility, determined to make every heartbeat count. A childhood illness she was not expected to survive. A teenage yearning to escape that nearly ended in disaster. A terrifying encounter on a remote path. A mismanaged labour in an understaffed hospital. Shocking, electric, unforgettable, this is the extraordinary memoir from Costa Novel-Award winner and Sunday Timesbestselling author Maggie O'Farrell. It is a book to make you question yourself. What would you do if your life was in danger, and what would you stand to lose?

'I once decided to become friends with someone on the sole basis that she named O Caledonia as her favourite book' Maggie O'Farrell 'A sparky, funny work of genius and one of the best least-known novels of the 20th Century' Ali Smith 'Funny, surprising, exquisitely written and brilliant on the smelly, absurd, harsh business of growing up. The Bronte sisters and Poe via Dodie Smith and Edward Gorey' David Nicholls 'An absolute sumptuous treat of a book' Elizabeth Macneal 'A wonderful oddity - brief, vivid, eccentric, written with ferocious zest and black humour' Penelope Lively 'The words sing in their sentences' The Times 'The reader feels unalloyed joy on every page' Independent Vera was painting the pony's hooves gold in the dining room; Janet said this was bad for him; poison would seep into his bloodstream. At the bottom of a great stone staircase, dressed in her mother's black lace evening dress, twisted in murderous death, lies Janet. So end the sixteen years of Janet's short life. A life spent in a draughty Scottish castle, where roses will not grow, and a jackdaw decides to live in the doll's house. A life peopled by prettier, smoother-haired siblings, a Nanny with a face like the North Sea and the peculiar, whisky-swigging Cousin Lila. A life where Janet is perpetually misunderstood - and must turn from people, to animals, to books, to her own wild and wonderful imagination. WITH AN INTRODUCTION BY MAGGIE O'FARRELL

Lexie Sinclair is plotting an extraordinary life for herself.

Hedged in by her parents' genteel country life, she plans her escape to London. There, she takes up with Innes Kent, a magazine editor who wears duck-egg blue ties and introduces her to the thrilling, underground world of bohemian, post-war Soho. She learns to be a reporter, to know art and artists, to embrace her life fully and with a deep love at the center of it. She creates many lives--all of them unconventional. And when she finds herself pregnant, she doesn't hesitate to have the baby on her own terms.

Later, in present-day London, a young painter named Elina dizzily navigates the first weeks of motherhood. She doesn't recognize herself: she finds herself walking outside with no shoes; she goes to the restaurant for lunch at nine in the morning; she can't recall the small matter of giving birth. But for her boyfriend, Ted, fatherhood is calling up lost memories, with images he cannot place.

As Ted's memories become more disconcerting and more frequent, it seems that something might connect these two stories-- these two women-- something that becomes all the more heartbreaking and beautiful as they all hurtle toward its revelation.

"The Hand That First Held Mine "is a spellbinding novel of two women connected across fifty years by art, love, betrayals, secrets, and motherhood. Like her acclaimed "The Vanishing Act of Esme Lennox," it is a "breathtaking, heart-breaking creation."*And it is a gorgeous inquiry into the ways we make and unmake our lives, who we know ourselves to be, and how even our most accidental legacies connect us.

*The Washington Post Book World

Pretty, unworldly Sophia is twenty-one years old and hastily married to a young painter called Charles. An artist's model with an eccentric collection of pets, she is ill-equipped to cope with the bohemian London of the 1930s, where poverty, babies (however much loved) and husband conspire to torment her. Hoping to add some spice to her life, Sophia takes up with Peregrine, a dismal, ageing critic, and comes to regret her marriage - and her affair. But in this case virtue is more than its own reward, for repentance brings an abrupt end to the cycle of unsold pictures, unpaid bills and unwashed dishes ...

A top-ten bestseller 2016, shortlisted for the Costa Novel Award, THIS MUST BE THE PLACE by Maggie O'Farrell crosses time zones and continents to reveal an extraordinary portrait of a marriage. 'A complex, riveting novel of love and hope that grips at the heart' The Sunday Times A reclusive ex-film star living in the wilds of Ireland, Claudette Wells is a woman whose first instinct, when a stranger approaches her home, is to reach for her shotgun. Why is she so fiercely protective of her family, and what made her walk out of her cinematic career when she had the whole world at her feet? Her husband Daniel, reeling from a discovery about a woman he last saw twenty years ago, is about to make an exit of his own. It is a journey that will send him off-course, far away from the life he and Claudette have made together. Will their love for one another be enough to bring Daniel back home?

When the bohemian, sophisticated Innes Kent turns up by chance on her doorstep, Lexie Sinclair realises she cannot wait any longer for her life to begin, and leaves for London. There, at the heart of the 1950s Soho art scene, she carves out a new life for herself, with Innes at her side.

Have you ever woken up suddenly, in the middle of the night, without knowing why? Best-selling and award-winning author of Hamnet, Maggie O'Farrell weaves an extraordinary and compelling modern fairy tale about the bravery of a little girl and the miracle of a snowy day. Sylvie wakes one night, suddenly, without knowing why. Then she sees the most spectacular sight – a pair of wings, enormous in size, made of the softest snow-white feathers imaginable. An angel in her bedroom … a SNOW angel! He tells her that he is here to look after her, for Sylvie is not as well as she seems... Many months later, as Sylvie recovers from her illness, she longs to see her snow angel again. He saved her life! There is so much she wants to tell him, so much she wants to know! Will he ever come back to her? And how can Sylvie make sure that everyone she loves has their own snow angel, to keep them safe, too?

A story of a dysfunctional but deeply loveable family reunited, set during the legendary summer of 1976, INSTRUCTIONS FOR A HEATWAVE by Maggie O'Farrell was shortlisted for the 2013 Costa Novel Award and was a Sunday Times Top Ten bestseller (2013). It's July 1976. In London, it hasn't rained for months, gardens are filled with aphids, water comes from a standpipe, and Robert Riordan tells his wife Gretta that he's going round the corner to buy a newspaper. He doesn't come back. The search for Robert brings Gretta's children - two estranged sisters and a brother on the brink of divorce - back home, each with different ideas as to where their father might have gone. None of them suspects that their mother might have an explanation that even now she cannot share.

AFTER YOU'D GONE is the groundbreaking debut novel from the Costa-Award winning Maggie O'Farrell, author of HAMNET and I AM, I AM, I AM. It is a stunning, best-selling novel of wrenching love and grief. A distraught young woman boards a train at King's Cross to return to her family in Scotland. Six hours later, she catches sight of something so terrible in a mirror at Waverley Station that she gets on the next train back to London. AFTER YOU'D GONE follows Alice's mental journey through her own past, after a traffic accident has left her in a coma. A love story that is also a story of absence, and of how our choices can reverberate through the generations, it slowly draws us closer to a dark secret at a family's heart.

INTRODUCED BY MAGGIE O'FARRELL 'A great work of literature, the product of a questing, burning intellect' MAGGIE O'FARRELL 'Even if the themes being explored might seem irrelevant . . . this is not the case' GUARDIAN 'I loved the unnerving, sarcastic tone, the creepy ending' PARIS REVIEW Based on the author's own experiences, The Yellow Wallpaper is the chilling tale of a woman driven to the brink of insanity by the 'rest cure' prescribed after the birth of her child. While she is isolated in a crumbling mansion, in a room with bars on the windows, the tortuous pattern of the yellow wallpaper winds its way into the recesses of her mind. Charlotte Perkins Gilman was America's leading feminist intellectual of the early twentieth century and a brilliant writer, editor and speaker. The Yellow Wallpaper is her masterpiece.

The new children's book from multi-award-winning author of Hamnet, Maggie O'Farrell, paired once more with Daniela Terrazzini's stunning illustrations. When Jem and his family move to the countryside, he doesn't like his new home one bit. It's an old cottage on the side of a hill, where strange things keep happening: shoes are filled up with conkers, the stairs become tangled in a woollen maze. Jem's sister Verity is certain it is the work of a "nouka", an ancient creature from local folklore that lives deep down inside the hill. Jem, however, is adamant that there is no such thing. But this small mythical creature, so attuned to the hearts and minds of others, does exist. And, what's more, it is determined, through mischief and mayhem, to help Jem reignite the spark within himself once more.