Examining contemporary films, sculptures, and graphic novels influenced by the Gospel of Mark, Hal Taussig and Maia Kotrosits break new ground in ways of understanding traditional religious texts. The authors avoid traditional dogmatic assumptions, and use the Gospel of Mark as a resource for coping and healing.

The story of Mark is one of trauma and loss, but also one of healing and provisional selfhood. These themes reoccur time and time again throughout modern-day films, sculptures, graphic novels, and electronic media. By examining these contemporary interpretations of this particular early Christian gospel, this book breaks new ground in ways of understanding traditional religious texts. The authors use the Gospel of Mark as a resource enabling traumatized persons or groups to resist capitulation and restore at least partial identity, and do so in a way that avoids traditional theological or dogmatic assumptions. While not claiming the Gospel of Mark as the definitive or complete answer to experiences of pain and loss, this book models new ways of reading it for coping and healing.

Our lives are filled with objects-ones that we carry with us, that define our homes, that serve practical purposes, and that hold sentimental value. When they are broken, lost, left behind, or removed from their context, they can feel alien, take on a different use, or become trash. The lives of objects change when our relationships to them change. Maia Kotrosits offers a fresh perspective on objects, looking beyond physical material to consider how collective imagination shapes the formation of objects and the experience of reality. Bringing a psychoanalytic approach to the analysis of material culture, she examines objects of attachment-relationships, ideas, and beliefs that live on in the psyche-and illustrates how people across time have anchored value systems to the materiality of life. Engaging with classical studies, history, anthropology, and literary, gender, and queer studies, Kotrosits shows how these disciplines address historical knowledge and how an expanded definition of materiality can help us make connections between antiquity and the contemporary world.

Theory is not a set of texts, it is a style of approach. It is to engage in the act of speculation: gestures of abstraction that re-imagine and dramatize the crises of living. This Element is a both a primer for understanding some of the more predominant strands of critical theory in the study of religion in late antiquity, and a history of speculative leaps in the field. It is a history of dilemmas that the field has tried to work out again and again - questions about subjectivity, the body, agency, violence, and power. This Element additionally presses us on the ethical stakes of our uses of theory, and asks how the field's interests in theory help us understand what's going on, half-spoken, in the disciplinary unconscious.

Maia Kotrosits challenges the contemporary notion of "early Christian literature," showing that a number of texts usually so described-including Hebrews, Acts, the Gospel of John, Colossians, 1 Peter, the letters of Ignatius, the Gospel of Truth, and the Secret Revelation of John - are "not particularly interested" in a distinctive Christian identity or self-definition. Rather, by appealing to the categories of trauma studies and diaspora theory and giving careful attention to the dynamics within each of these texts, she shows that this sample of writings offers complex reckonings with chaotic diasporic conditions and the transgenerational trauma of colonial violence. The heart of her study is an inquiry into the significance contemporary readers invest in ancient writings as expressions of a coherent identity, asking, "What do we need and want out of history?" Kotrosits interacts with important recent work on identity and sociality in the Roman world and on the dynamics of desire in contemporary biblical scholarship as well.