In 1925 the artists Edward Bawden and Eric Ravilious moved to the Essex village of Great Bardfield, at first sharing lodgings. Over the course of several years and encouraged by Bawden and Ravilious' work, other artists came to live in the village, forming a community of artists and designers that has continued to the present. Among the first to join them were the Rowntrees, Kenneth and Diana, and Michael Rothenstein and his wife Duffy Ayers. They were followed by John Aldridge, painter and designer of wallpapers (printed, like Bawden's papers, by the Curwen Press); Walter Hoyle, printmaker and also a wallpaper designer; Marianne Straub, textile designer and weaver; illustrators and printmakers Bernard Cheese and his wife Sheila Robinson. Though the careers of Bawden and Ravilious are well-documented, many of the other artists are less well-known but equally talented, such as George Chapman, Stanley Clifford-Smith and Laurence Scarfe.This book tells the story of Great Bardfield and its artists, and their famous 'open house' exhibitions, showing how the village and neighbouring landscape nurtured a distinctive style of art, design and illustration from the 1930s to the 1970s and beyond. '..their shared artistic legacy is immediately obvious from this beautiful book.' --Country Life 16th 23rd December 2015'..Beautifully designed.' --Evening Standard 24th December 2015'..splendidly illustrated' -- The Spectator, 28th November 2015

Mervyn Peake (1911-1968) was a painter, poet, illustrator, dramatist, and most famously the creator of the "Gormenghast "trilogy. Very much his own man, and charmingly so, neither as an artist nor as a painter did he belong to any school or movement; his work was distinctive and peculiar to him. He was not a loner though, his friends included Graham Greene, Augustus John, Dylan Thomas and Walter de la Mare. His marriage to one of his students, Maeve Gilmore was a happy one, too. Parkinson's disease tragically curtailed his life.

Malcolm Yorke's biography was written with the full co-operation of the Peake family who granted him access to letters, photographs and drawings never previously published.

'Yorke, aware of the many interpretations that have been imposed on Peake's trilogy, does not burden the reader with more. He catches, instead, through apt summary, the wide range of opinion on Peake's achievement, as poet, novelist, painter and illustrator.' Frances Spalding, "Times Literary Supplement "

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'But his book goads the reader to search out Peake, and what more could that unique man or his family ask?' John McEwen, "Spectator"

'Most valuably, the book is generously illustrated with examples of the works discussed. There will never be a clearer explication of Peake's progress as a visual artist.' Michael Swanwick, "Washington Post "