Women have consistently been left out of the official writing of Lebanese history, and nowhere is this more obvious than in writing on the Lebanese Civil War. As more and more histories of the war begin to circulate, few include any in-depth discussion of the multiple roles women played in wartime Lebanon. Fewer still address the essential issues of women's work and their creative production, such as literature, performance art, and filmmaking. Developed out of a larger oral history project collecting and archiving the ways in which women narrated their experiences of the Lebanese Civil War, this book focuses on a wide range of subjects, all framed as women telling their "war stories." Each of the six chapters centers on women who worked or created art during the war, revealing, in their own words, the challenges, struggles, and resistance they faced during this tumultuous period of Lebanese history.

The complex history of Lebanese Shi'ites has traditionally been portrayed as rooted in religious and sectarian forces. The Abisaabs uncover a more nuanced account in which colonialism, the modern state, social class, and provincial politics profoundly shaped Shi'i society. The authors trace the sociopolitical, economic, and intellectual transformation of the Shi'ites of Lebanon from 1920 during the French colonial period until the late twentieth century. They shed light on the relationship of contemporary Islamic militancy with traditions of religious modernism and leftism in both Lebanon and Iraq. Analyzing the interaction between sacred and secular features of modern Shi'ite society, the authors clearly follow the group's turn toward religious revolution and away from secular activism. This book transforms our understanding of twentieth-century Lebanese history and demonstrates how the rise of Hizbullah was conditioned by Shi'ites' consistent marginalization and neglect by the Lebanese state.

The complex history of Lebanese Shi'ites has traditionally been portrayed as rooted in religious and sectarian forces. The Abisaabs uncover a more nuanced account in which colonialism, the modern state, social class, and provincial politics profoundly shaped Shi'i society. The authors trace the sociopolitical, economic, and intellectual transformation of the Shi'ites of Lebanon from 1920 during the French colonial period until the late twentieth century. They shed light on the relationship of contemporaryIslamic militancy with traditions of religious modernism and leftism in both Lebanon and Iraq. Analyzing the interaction between sacred and secular features of modern Shi'ite society, the authors clearly follow the group's turn toward religious revolution and away from secular activism. This book transforms our understanding of twentieth-century Lebanese history and demonstrates how the rise of Hizbullah was conditioned by Shi'ites' consistent marginalization and neglect by the Lebanese state.

In ""Militant Women of a Fragile Nation"", Malek Abisaab takes a gendered approach to labor conflicts, anticolonial struggles, and citizenship in modern Lebanon. The author traces the conditions and experiences of women workers at the French Tobacco Monopoly. Challenging the prevailing assumptions about culturally inscribed roles for Middle Eastern women, the book highlights traditions of public activism and militancy among rural women that are in turn adapted to the spaces of the factory. Women employed distinct strategies involving kinship, sectarian, gender, and class ties to enhance their work conditions and social benefits. Drawing on extensive ethnographic data, the author convincingly argues that the condition of women can only be explained by exploring the shifting relationship between culture, societal arrangements, and economic settings. Abisaab's richly detailed work illuminates the impact of class and gender in the transformation of modern Lebanon.

Women have consistently been left out of the official writing of Lebanese history, and nowhere is this more obvious than in writing on the Lebanese Civil War. As more and more histories of the war begin to circulate, few include any in-depth discussion of the multiple roles women played in wartime Lebanon. Fewer still address the essential issues of women's work and their creative production, such as literature, performance art, and filmmaking. Developed out of a larger oral history project collecting and archiving the ways in which women narrated their experiences of the Lebanese Civil War, this book focuses on a wide range of subjects, all framed as women telling their "war stories." Each of the six chapters centers on women who worked or created art during the war, revealing, in their own words, the challenges, struggles, and resistance they faced during this tumultuous period of Lebanese history.