Through the analytic of racialization, the chapters in this book argue that social difference in India is reproduced and buttressed through casteist, racist, colonial, and Hindu nationalist projects that generate tacit or explicit consent for continued violence against racialized others. At the same time, the chapters look transnationally, examining how regional forms of difference marked by caste and tribe, for instance, have long articulated with historical forms of global racial capitalism. Ultimately, this book attends to the narratives and experiences of those living at the margins, who strategically deploy racial and antiracist concepts to build international solidarity movements beyond the narrow confines of the Indian nation-state. In so doing, it hopes to derive insights on the necessity of transnational translations, even as it directs renewed attention to the specificity of regional hierarchies that shape everyday life and death in India. This book is a significant new contribution to addressing fundamental questions of caste, race, and religious politics in India and will be of interest to researchers and advanced students of Sociology, Politics, Geography, History and Anthropology. The chapters in this book were originally published as a special issue of Ethnic and Racial Studies.

Corruption Plots illuminates how corruption is fundamental to global storytelling about how states and elites abuse entrusted power in late capitalism. The millennial city of the global South is a charged setting for allegations of corruption, with skyscrapers, land grabs, and slum evictions invoking outrage at deepening economic polarization. Drawing on ethnography in Bengaluru and Mumbai and a cross-section of literary and cinematic stories from cities around the world, Malini Ranganathan, David L. Pike, and Sapana Doshi pay close attention to the racial, caste, class, and gender locations of the narrators, spaces, and publics imagined to be harmed by corruption. Corruption Plots demonstrates how corruption talk is leveraged to make sense of unequal spatial change and used opportunistically by those who are themselves implicated in wrongdoing. Offering a wide-ranging analysis of urban worlds, the authors reveal the ethical, spatial, and political stakes of storytelling and how vital it is to examine the corruption plot in all its contradictions.

Corruption Plots illuminates how corruption is fundamental to global storytelling about how states and elites abuse entrusted power in late capitalism. The millennial city of the global South is a charged setting for allegations of corruption, with skyscrapers, land grabs, and slum evictions invoking outrage at deepening economic polarization. Drawing on ethnography in Bengaluru and Mumbai and a cross-section of literary and cinematic stories from cities around the world, Malini Ranganathan, David L. Pike, and Sapana Doshi pay close attention to the racial, caste, class, and gender locations of the narrators, spaces, and publics imagined to be harmed by corruption. Corruption Plots demonstrates how corruption talk is leveraged to make sense of unequal spatial change and used opportunistically by those who are themselves implicated in wrongdoing. Offering a wide-ranging analysis of urban worlds, the authors reveal the ethical, spatial, and political stakes of storytelling and how vital it is to examine the corruption plot in all its contradictions.