Once Upon a Time (Bomb) is a charming memoir of a young boy growing up in El Salvador. It tells the story of Alfonso Duque the Thirteenth, a youngster from a poverty-stricken family and a budding poet. Surrounded by hovering women-his mother, aunts, grandmothers, and sisters-little Alfonso still manages to enjoy boyish pranks and endure scraped elbows, knees, and ego while also discovering the pleasures of reading. The womenfolk laughingly describe him on his "throne" atop the trees or back in the outhouse, where he often escapes to read. This work of innocence is set against a darker backdrop of the growing violence in the Salvadoran countryside and the news coming from the fronts of the Second World War. Argueta incorporates many of the best-loved local folktales into the narrative, the Siguanaba, Chinchintora the Snake, Theodora the Coyote, some of them personalized or hilariously adapted by the women to fit their own circumstances. In the book, the author works through memory, re-encounters a nostalgic past, re-creates paradise, and re-acquaints himself with his poetic roots after years of exile from poetry, his homeland, and the luxury of dreaming.

Once Upon a Time (Bomb) is a charming memoir of a young boy growing up in El Salvador. It tells the story of Alfonso Duque the Thirteenth, a youngster from a poverty-stricken family and a budding poet. Surrounded by hovering women-his mother, aunts, grandmothers, and sisters-little Alfonso still manages to enjoy boyish pranks and endure scraped elbows, knees, and ego while also discovering the pleasures of reading. The womenfolk laughingly describe him on his 'throne' atop the trees or back in the outhouse, where he often escapes to read. This work of innocence is set against a darker backdrop of the growing violence in the Salvadoran countryside and the news coming from the fronts of the Second World War. Argueta incorporates many of the best-loved local folktales into the narrative, the Siguanaba, Chinchintora the Snake, Theodora the Coyote, some of them personalized or hilariously adapted by the women to fit their own circumstances. In the book, the author works through memory, re-encounters a nostalgic past, re-creates paradise, and re-acquaints himself with his poetic roots after years of exile from poetry, his homeland, and the luxury of dreaming.

Awesome for the authenticity of its vernacular style and the incandescence of its lyricism, One Day of Life depicts a typical day in the life of a peasant family caught up in the terror and corruption of civil war in El Salvador.

5:30 A.M. in Chalate, a small rural town: Lupe, the grandmother of the Guardado family and the central figure of the novel, is up and about doing her chores. By 5:00 P.M. the plot of the novel has been resolved, with the Civil Guard's search for and interrogation of Lupe's young granddaughter, Adolfina. Told entirely from the perspective of the resilient women of the Guardado family, One Day of Life is not only a disturbing and inspiring evocation of the harsh realities of peasant life in El Salvador after fifty years of military exploitation; it is also a mercilessly accurate dramatization of the relationship of the peasants to both the state and the church.

Translated from the Spanish by Bill Brow