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Of Hairy Kings and Saintly Slaves - An Ethiopian Travelogue (Hardcover): Manuel Joao Ramos Of Hairy Kings and Saintly Slaves - An Ethiopian Travelogue (Hardcover)
Manuel Joao Ramos; Illustrated by Manuel Joao Ramos; Translated by Christopher Tribe
R2,254 Discovery Miles 22 540 Ships in 10 - 15 working days

A lost sketch book on a Portuguese castle rampart left Manuel Joao Ramos bereft, and the impulse to draw deserted him - but his first trip to Ethiopia reawakened this pleasure, so long denied. Drawing obsessively and free from care, his rapidly caught impressions convey the rough edges of the intensely lived experiences that are fundamental to the desire to travel. For the travel sketch is more than a record or register of attendance (`been there, seen that'): it holds invisibly within itself the remnant of a look, the hint of a memory and a trace of an osmosis of feelings between the sketcher and the person or objects sketched. Less intrusive than using a camera, Ramos argues drawing comprises a less imperialist, more benign way of researching: his sketchbook becomes a means of communication between himself and the world in which he travels, rendering him more human to those around him. As he journeys through the Ethiopian Central Highlands, collecting historical legends of the power struggles surrounding the arrival of the first Europeans in the mid-sixteenth century, he is drawn to the Portuguese legacy of castles, palaces and churches, near ruins now, though echoes of their lost splendour are retained in oral accounts. Excerpts from his diary, as well as journalistic pieces, share the conviviality of his encounters with the priests, elders and historians who act as custodians of the Amhara oral tradition. Their tales are interwoven with improvised, yet assured, drawings, and this informality of structure successfully retains the immediacy and pleasure of his discovery of Ethiopia. It also suggests the potential for drawing to play a more active part in anthropological production, as a means of creating new narratives and expositional forms in ethnography, bringing it closer to travel writing or the graphic novel.

Essays in Christian Mythology - The Metamorphoses of Prester John (Paperback): Manuel Joao Ramos Essays in Christian Mythology - The Metamorphoses of Prester John (Paperback)
Manuel Joao Ramos
R1,587 Discovery Miles 15 870 Ships in 10 - 15 working days

Essays in Christian Mythology deals with Christian literature interpreted as myth. The work offers detailed analysis and anthropological interpretation of a body of Christian medieval texts, which confirm the existence of a mythological discourse based on the biblical narratives. Essays in Christian Mythology focuses on Prester John, an imaginary oriental sovereign fabled to have offered to establish an alliance with the West in order to liberate the Holy Land. This intriguing work reviews the symbolic dualism in medieval Christianity and the symbolic relations between Christ as heir of the Heavenly Kingdom and the Devil as the "Prince of this World." In addition, Essays explores the roots of renaissance Iberian discovery travels and their literary expressions in this medieval Christian-mythological discourse.

The Indigenous and the Foreign in Christian Ethiopian Art - On Portuguese-Ethiopian Contacts in the 16th-17th Centuries... The Indigenous and the Foreign in Christian Ethiopian Art - On Portuguese-Ethiopian Contacts in the 16th-17th Centuries (Hardcover, New Ed)
Isabel Boavida; Edited by Manuel Joao Ramos
R4,469 Discovery Miles 44 690 Ships in 10 - 15 working days

In the rural plateaux of northern Ethiopia, one can still find scattered ruins of monumental buildings that are evidently alien to the country's ancient architectural tradition. This little-known and rarely studied architectural heritage is a silent witness to a fascinating if equivocal cultural encounter that took place in the 16th-17th centuries between Catholic Europeans and Orthodox Ethiopians. The Indigenous and the Foreign in Christian Ethiopian Art presents a selection of papers derived from the 5th Conference on the History of Ethiopian Art, which for the first time systematically approached this heritage. The book explores the enduring impact of this encounter on the artistic, religious and political life of Ethiopia, an impact that has not been readily acknowledged, not least because the public conversion of the early 17th-century Emperor SusA-nyus to Catholicism resulted in a bloody civil war shrouded in religious intolerance. Bringing together work by key researchers in the field, these studies open up a particularly rich period in the history of Ethiopia and cast new light on the complexities of cultural and religious (mis)encounters between Africa and Europe.

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