The critical essays in this volume, by leading authorities on D. H. Lawrence, focus on the importance of Italy and England in Lawrence's work and life. They span the years of his creative maturity from 1915 - which witnessed the important visit to Cambridge, the revisions to Twilight in Italy and the banning of The Rainbow - to 1926, the year in which he began research for the pieces that became Etruscan Places .

Apocalypse is D. H. Lawrence's last book, written during the winter of 1929-30 when he was dying. It is a radical criticism of our civilisation and a statement of Lawrence's unwavering belief in man's power to create 'a new heaven and a new earth'. Ranging over the entire system of his thought on God and man, on religion, art, psychology and politics, this book is Lawrence's final attempt to convey his vision of man and the universe. Apocalypse was published after Lawrence's death, and in a highly inaccurate text. This edition is the first to reproduce accurately Lawrence's final corrected text on the basis of a thorough examination of the surviving manuscript and typescript. In the introduction the editor has discussed the writing of Apocalypse and its place in Lawrence's works, its publication and reception, and the significance of Lawrence's other writings on the Book of Revelation.

Written when he was living in Sicily, Sea and Sardinia records Lawrence's journey to Sardinia in 1921. It reveals his delighted response to a new landscape and people and his uncanny ability to transmute the spirit of place into literary art. But, like his other travel writings, it is also a shrewd enquiry into the political and social values of an era that saw the rise of communism and fascism. This edition restores censored passages and corrupt readings to reveal the book Lawrence himself called "a marvel of veracity".

Written when he was living in Sicily, Sea and Sardinia records Lawrence's journey to Sardinia in 1921. It reveals his delighted response to a new landscape and people and his uncanny ability to transmute the spirit of place into literary art. But, like his other travel writings, it is also a shrewd enquiry into the political and social values of an era that saw the rise of communism and fascism. This edition restores censored passages and corrupt readings to reveal the book Lawrence himself called "a marvel of veracity".

The critical essays in this volume, by leading authorities on D. H. Lawrence, focus on the importance of Italy and England in Lawrence's work and life. They span the years of his creative maturity from 1915 - which witnessed the important visit to Cambridge, the revisions to Twilight in Italy and the banning of The Rainbow - to 1926, the year in which he began research for the pieces that became Etruscan Places .

Written in the years following World War I and set in postwar England and Italy, Aaron's Rod questions many of the accepted social and political institutions of Lawrence's generation, and raises issues as valid for our own time as they were for his. The novel's hero is an Everyman who flees the destruction in England and his failing marriage and who, like Lawrence himself, becomes absorbed in discovering and understanding the nature of the political and religious ideologies that shaped western civilization. Aaron's Rod was completed in 1921 and was censored by both Lawrence's American and English publishers. The Cambridge Edition, based on the only authoritative, surviving typescript, restores these cut passages and eliminates the errors and house-styling of previous editions.The volume contains an introduction that describes the novel's genesis, its transmission, publication history, and reception. Extensive explanatory notes and textual apparatus are also included.

The history of the Latvian people begins some four and a half millennia ago with the arrival of the proto-Baltic Indo-Europeans to northern Europe. One branch of these migrants coalesced into a community which evolved a distinctive and remarkably robust culture and language, and which eventually developed into a loose federation of tribal kingdoms that stretched from the shores of the Baltic sea to the upper Dniepr river. But these small independent kingdoms were unable to resist the later invasion of the Teutonic Knights in 1201, an invasion that initiated nearly eight hundred years of helotry for the Latvians in their own domains. In the centuries of domination by successive European powers that followed, the inhabitants nonetheless preserved a powerful sense of identity, fostered by their ancient language, oral literature, songs and customs. These in turn informed and gave impetus to the rise of national consciousness in the nineteenth century and the political activities of the twentieth which brought the modern nation-state of Latvia into being.This book traces the genesis and growth of that nation, its endurance over centuries of conquest and oppression, the process by which it achieved its independence, and its status as a member of the European community in the twenty-first century.

Victory, don't forget, has come out of my innermost self. Victory was the last of Conrad's novels to be set in the Malay Archipelago. Sub-titled 'An Island Tale', it tells the story of Axel Heyst who, damaged by his dead father's nihilistic philosophy, has retreated from the world of commerce and colonial exploration to live alone on the island of Samburan. But Heyst's solitary existence ends when he rescues an English girl from her rapacious patron and takes her off to his retreat. She in turn recalls him to love and life, until the world breaks in on them once more with tragic consequences. In this love story Conrad created two of his psychologically most complex and compelling characters in a narrative of great erotic power. This new edition uses the English first edition text and has a new chronology and bibliography. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

One of the greatest political novels in any language, Nostromo reenacts the establishment of modern capitalism in a remote South American province locked between the Andes and the Pacific. In the harbor town of Sulaco, a vivid cast of characters is caught up in a civil war to decide whether its fabulously wealthy silver mine, funded by American money but owned by a third-generation English immigrant, can be preserved from the hands of venal politicians. Greed and corruption seep into the lives of everyone, and Nostromo, the principled foreman of the mine, is tested to the limit.
Conrad's evocation of Latin America--its grand landscapes, the ferocity of its politics, and the tenacity of individuals swept up in imperial ambitions--has never been bettered. This edition features a new introduction with fresh historical and interpretative perspectives, as well as detailed explanatory notes which pay special attention to the literary, political, historical, and geographical allusions and implications of the novel. A map, a chronology of the narrative, a glossary of foreign terms, and an appendix reprinting the serial ending all complement what is sure to be the definitive edition of this classic work.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Abandoning his wife and children, Aaron Sisson leaves the mining community in pursuit of the 'life single': individual freedom, personal friendship, the 'male power' of passion and art. Playing the flute to pay his way he travels to post-war London, where he mixes with the modern Bohemian set and finds male friendship in Rawdon Lilly. Further travels take him to Milan and Florence ('a town of men') preoccupied with thoughts on the decline of humanity from the Renaissance to the modern age. For Aaron, in his own way, is striving to save civilization. Aaron's Rod was completed in 1921 but was then censored by Lawrence's publishers. This edition of the novel, based on the only authoritative surviving typescript, restores these cut passages and eliminates the errors of previous editions.