This is an extremely wide-ranging and interdisciplinary survey of colonization from its origins to the post-colonial world. Original and lively, it offers the student:
* a wide focus featuring Africa, America, Asia, Australia, Europe, Japan and the USSR
* an interpretation drawn from cultural and social history, with sections on myth, literature, film and philosophy
* constant reference to implications for the present world situation
* a comprehensive synthesis of the background, context and expansion of colonization
* a comparative thematic discussion of the impact of imperialism
* extensive coverage and analysis of decolonization.

Very simply, a key publication for the study of colonization.

This is an extremely wide-ranging and interdisciplinary survey of colonization from its origins to the post-colonial world. Original and lively, it offers the student: * a wide focus featuring Africa, America, Asia, Australia, Europe, Japan and the USSR * an interpretation drawn from cultural and social history, with sections on myth, literature, film and philosophy * constant reference to implications for the present world situation * a comprehensive synthesis of the background, context and expansion of colonization * a comparative thematic discussion of the impact of imperialism * extensive coverage and analysis of decolonization. Very simply, a key publication for the study of colonization.

Use and Abuse of History has become a key text of current historiography; this is a book that poses fundamental and disturbing questions about the use and abuse of history. Engaging and challenging, this book confronts the reader with the many 'histories' that exist and have existed around the world, from the Zulu kingdoms to Communist China. This title has now been extensively revised by Marc Ferro, a well respected historian, and presents the different narratives that constitute the histories of countries as diverse as India, Iran, Trinidad and the United States makes for fascinating reading in their own right. What makes this book so valuable, though, is what these narratives tell us about the societies which create them - how much is history distorted in order to condition the minds of those who are taught it? Use and Abuse of History appeals to anyone with a general interested in history.

This is a book for anyone interested in history, what it is and where it comes from. Engaging and challenging, it confronts us with the many 'histories' that exist and have existed around the world, from the Zulu kingdoms to Communist China. The Use and Abuse of History takes as its starting point the way history is taught to children. The different narratives that constitute the histories of countries as diverse as India, Iran, Trinidad and the United States make for fascinating reading in their own right. What makes this book so valuable, though, is what these narratives tell us about the societies which created them - how much is history distorted in order to condition the minds of those who are taught it? A pioneer in its field that has become a key text of contemporary historiography, this is a book that poses fundamental and disturbing questions about the use and abuse of history.

'Home by Christmas!' That was the confident cry of the young men who marched to the frontlines in 1914. From London, Paris and Berlin they went in their millions, and in their millions they died. Marc Ferro's most famous work, The Great War looks at the realities faced by those men and their families at home. Mapping tensions old and new, he offers an overview to the Great War that is unrivalled in vision or in scope. From detailing the meteoric rise of the bureaucratic classes prior to 1914, to charting the horrors of trench warfare, Ferro travels well beyond the remit of 'historian'. In particular he documents the reactions of the warring countries' socialist and labour organisations to the conflict. By doing so, Ferro has presented us with one of the most significant reappraisals of the Great War ever to be written, one that rightfully takes its place as a Routledge Classic.

In History and Revolution, a group of respected historians confronts the conservative, revisionist trends in historical enquiry that have been dominant in the last twenty years. Ranging from an exploration of the English, French, and Russian revolutions and their treatment by revisionist historiography, to the debates and themes arising from attempts to downplay revolution's role in history, History and Revolution also engages with several prominent revisionist historians, including Orlando Figes, Conrad Russell and Simon Schama. This important book shows the inability of revisionism to explain why millions are moved to act in defence of political causes, and why specific political currents emerge, and is a significant reassertion of the concept of revolution in human development.

One of the world's preeminent historians, Marc Ferro is a leading member of the Annales School of France and a recognized authority on early twentieth-century European history. For well over two decades, in volumes such as The February Revolution of 1917 and October 1917, he has demonstrated an unsurpassed skill in capturing the social and political forces that led to the Russian Revolution. Now Ferro turns his considerable talents to the biography of one of the pivotal figures of that era, Nicholas II, the last Tsar of Russia.

For this important new biography, Ferro has searched extensively in Russian archives to illuminate Nicholas's character. What emerges is a vivid portrait of a reluctant leader, a young man forced by the death of his father into a role for which he was ill-equipped. A conformist and traditionalist, Nicholas admired the order, ritual, and ceremony identified with the intangible grandeur of autocracy, and he hated everything that might shake that autocracy--the intelligentsia, the Jews, the religious sects. His reign, as Ferro documents, was one of continual trouble: a humiliating war with Japan; the 1905 revolution that forced Nicholas to accept a constitutional assembly, the Duma; the international crisis of 1914, leading to World War I; and finally the Revolution of 1917, forcing his abdication. Throughout, we see a Tsar who was utterly opposed to change and to the ferment of ideas that stirred his country, who felt it was his duty to preserve intact the powers God had entrusted in him. Ferro also provides an intimate portrait of Nicholas's personal life: his wife Alexandra; his four daughters, Olga, Tatiana, Maria, and Anastasia, sisters so close they signed letters "OTMA," the initials of their Christian names; his son and heir Alexis, who suffered from hemophilia; and the various figures in the court, most notably Rasputin, whose ability to revive the frequently ailing Alexis made him indispensable to the Tsaritsa. (Ferro recounts that, when Alexandra heard of Rasputin's murder, she collapsed in anguish, certain her son was lost; but when Nicholas heard the news while with the army, he simply walked off whistling cheerfully.) Perhaps most intriguing is Ferro's chapter on the fate of the Tsar and his family, examining all the rumors and contradictory testimony that swirl around this still cloudy event. Ferro concludes that Alexandra and her daughters may have survived the revolution, and the woman who later surfaced in Europe claiming to be Anastasia may well have been so.

This authoritative biography by one of the world's great historians shines a bright light on an ordinary man raised to an extraordinary station, who carried an unwanted burden, which crushed him.

Marc Ferro argues that film is an "agent and source of history" and offers a comprehensive survey of the conceptual interrelations between cinema and history. In developing his arguments, he provides some dozen models, each focusing on a single film or set of films.