The Outcast Majority invites policymakers, practitioners, academics, students, and others to think about three commanding contemporary issues-war, development, and youth-in new ways. The starting point is the following irony: while Africanyouth are demographically dominant, many act as if they are members of an outcast minority. The irony directly informs young people's lives in war-affected Africa, where differences separating the priorities of youth and those of international agencies are especially prominent. Drawing on interviews with development experts and young people, Marc Sommers shines a light on this gap and offers guidance on how to close it. He begins with a comprehensive consideration of forces that shape and propel the lives of African youth today, particularly those experiencing or emerging from war. They are contrasted with forces that influence and constrain the international development aid enterprise. The book concludes with a framework for making development policies and practices significantly more relevant and effective for youth in areas affected by African wars and other places where vast and vibrant youth populations reside.

Young people are transforming the global landscape. As the human popu-lation today is younger and more urban than ever before, prospects for achieving adulthood dwindle while urban migration soars. Devastated by genocide, hailed as a spectacular success, and critiqued for its human rights record, the Central African nation of Rwanda provides a compelling setting for grasping new challenges to the world's youth.

Spotlighting failed masculinity, urban desperation, and forceful governance, Marc Sommers tells the dramatic story of young Rwandans who are "stuck," striving against near-impossible odds to become adults. In Rwandan culture, female youth must wait, often in vain, for male youth to build a house before they can marry. Only then can male and female youth gain acceptance as adults. However, Rwanda's severe housing crisis means that most male youth are on a treadmill toward failure, unable to build their house yet having no choice but to try. What follows is too often tragic. Rural youth face a future as failed adults, while many who migrate to the capital fail to secure a stable life and turn fatalistic about contracting HIV/AIDS.

Featuring insightful interviews with youth, adults, and government officials, "Stuck" tells the story of an ambitious, controlling government trying to gov-ern an exceptionally young and poor population in a densely populated and rapidly urbanizing country. This pioneering book sheds new light on the struggle to come of age and suggests new pathways toward the attainment of security, development, and coexistence in Africa and beyond.

Published in association with the United States Institute of Peace

We the Young Fighters is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible. When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship. Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.

Spurred by wars and a drive to urbanize, Africans are crossing borders and overwhelming cities in unprecedented numbers. At the center of this development are young refugee men who migrate to urban areas. This volume, the first full-length study of urban refugees in hiding, tells the story of Burundi refugee youth who escaped from remote camps in central Tanzania to work in one of Africa's fastest-growing cities, Dar es Salaam. This steamy, rundown capital would seem uninviting to many, particularly for second generation survivors of genocide whose lives are ridden with fear. But these young men nonetheless join migrants in "Bongoland" (meaning "Brainland") where, as the nickname suggests, only the shrewdest and most cunning can survive. Mixing lyrics from church hymns and street vernacular, descriptions of city living in cartoons and popular novels and original photographs, this book creates an ethnographic portrait of urban refugee life, where survival strategies spring from street smarts and pastors' warnings of urban sin, and mastery of popular youth culture is highly valued. Pentecostalism and a secret rift within the seemingly impenetrable Hutu ethnic group are part of the rich texture of this contemporary African story. Written in accessible prose, this book offers an intimate picture of how Africa is changing and how refugee youth are helping to drive that change.

Spurred by wars and a drive to urbanize, Africans are crossing borders and overwhelming cities in unprecedented numbers. At the center of this development are young refugee men who migrate to urban areas. This volume, the first full-length study of urban refugees in hiding, tells the story of Burundi refugee youth who escaped from remote camps in central Tanzania to work in one of Africa's fastest-growing cities, Dar es Salaam. This steamy, rundown capital would seem uninviting to many, particularly for second generation survivors of genocide whose lives are ridden with fear. But these young men nonetheless join migrants in "Bongoland" (meaning "Brainland") where, as the nickname suggests, only the shrewdest and most cunning can survive. Mixing lyrics from church hymns and street vernacular, descriptions of city living in cartoons and popular novels and original photographs, this book creates an ethnographic portrait of urban refugee life, where survival strategies spring from street smarts and pastors' warnings of urban sin, and mastery of popular youth culture is highly valued. Pentecostalism and a secret rift within the seemingly impenetrable Hutu ethnic group are part of the rich texture of this contemporary African story. Written in accessible prose, this book offers an intimate picture of how Africa is changing and how refugee youth are helping to drive that change.

We the Young Fighters is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible. When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship. Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.