Classic war-time drama which has been mis-quoted for decades. During World War II former lovers Rick Blaine (Humphrey Bogart) and Ilse (Ingrid Bergman) are reunited by chance in Casablanca, where he runs a nightclub and she, with her husband (Paul Henreid), is working for the French Resistance. Recriminations, rekindled desires and patriotic duty battle for primacy as Ilse's husband tries to outwit the local Nazis and escape from Morocco, whilst Rick and Ilse re-kindle their love and decide to run away together...

1950s musical comedy starring Marilyn Monroe and Jane Russell. Accompanied by her stage partner and best friend, Dorothy Shaw (Russell), showgirl Lorelei Lee (Monroe) sets sail for Paris, where she plans to meet up with and marry her wealthy beau, Gus Esmond Jr. (Tommy Noonan). However, Lorelei's love of diamonds threatens to get both girls into a jam as Ernie Malone (Elliott Reid), the private detective hired by Mr Esmund Sr. (Taylor Holmes) to keep a close eye on his son's bride-to-be, joins them on the ship.

Classic war-time drama which has been mis-quoted for decades. During World War II former lovers Rick Blaine (Humphrey Bogart) and Ilse (Ingrid Bergman) are reunited by chance in Casablanca, where he runs a nightclub and she, with her husband (Paul Henreid), is working for the French Resistance. Recriminations, rekindled desires and patriotic duty battle for primacy as Ilse's husband tries to outwit the local Nazis and escape from Morocco, whilst Rick and Ilse re-kindle their love and decide to run away together...

Jean Renoir's classic (and almost lost) portrayal of the French Bourgeoisie of the 1930's ridicules the class notions of love and honour. A young man Amore, who has just made an historic transatlantic flight, goes, with his friend Octave (director Jean Renoir), to a shooting weekend presided over by the husband of the woman he is in love with. But the manners and 'rules of the game' of the group of people in the party begin to crumble.

Box-set collection of five of Audrey Hepburn's most famous films. In her Hollywood debut 'Roman Holiday' (1953), Hepburn won an Academy Award as Princess Anne, the bored royal who absconds from her duties and meets up with Gregory Peck's American ex-pat journalist. Billy Wilder directs her in 'Sabrina Fair' (1954) as the shy daughter of a wealthy family's chauffeur, who returns from two years in Paris as a sophisticated young woman. The musical romantic comedy 'Funny Face' (1957) sees Hepburn playing alongside Fred Astaire to the music of Gershwin as a young bookshop clerk transformed into an international fashion model. Adapted from the Truman Capote novella, 'Breakfast at Tiffany's' (1961) sees Hepburn in her archetypal role as dizzy call-girl Holly Golightly, trying not to fall for George Peppard's failed writer in New York. In 'Paris When it Sizzles' (1964), Hepburn plays a secretary hired to help alcoholic writer Richard Benson (William Holden) finish up a screenplay for a Hollywood producer, with only two days until the end of his deadline.

Romantic comedy starring Audrey Hepburn and Humphrey Bogart. Sabrina Fairchild (Hepburn) is the impressionable daughter of the chauffeur to the wealthy Larabee family. Her childhood crush on David Larabee (William Holden), the playboy younger brother, goes unnoticed until she returns a woman from finishing school in Paris. When David's dalliance with Sabrina places a lucrative business deal at risk, hard-headed elder brother Linus (Bogart) steps in and decides to woo her himself.

Jean Renoir's classic prison escape movie, often seen as a humane and pacifist indictment of war, offers an ambiguous perspective on class differences. In a WWI German prisoner-of-war camp, three French soldiers, working-class Lieutenant Marechal (Jean Gabin), middle-class Jew Rosenthal (Marcel Dalio) and aristocratic senior officer Captain de Boieldieu (Pierre Fresnay), are held prisoner by Commandant Von Rauffenstein (Erich von Stroheim). The film shows how a bond of sympathy exists more between the German Commandant and the senior French officer than between the three Frenchman of different classes. Even though de Boieldieu sacrifices himself for the two others to escape, the film makes no attempt to conceal what they are returning to once their role as war heroes is over.