Uncover tales of ancient beasts, in this beautiful anthology of mythologies This book introduces children to the thrilling mythological beasts from ancient civilisations. Discover 23 stories accompanied by beautiful, colourful illustrations. Through the incredible storytelling you can learn about fantastic creatures such as the Japanese baku, which had the power to devour nightmares, the wise Egyptian Sphinx, and the fearsome Minotaur who went head-to-head with Theseus in Greek mythology. Featured pages highlight amazing real-life photos of objects, showing how each beast was represented in art. A perfect, global introduction to the most fascinating stories about legendary creatures from ancient history.

Uncover the stories of gods and goddesses from around the world, in this dynamic anthology of ancient myths. Discover 23 captivating stories of gods and goddesses from civilisations around the world in this book that introduces children to ancient cultures with colourful illustrations and incredible storytelling. Young readers will delight in myths that explain the beginning of the world, the way gods helped humans, the divine's power over weather and other natural phenomena, and much more. Gods of the Ancient World is a perfect global introduction to the most fascinating stories about gods and goddesses from ancient history. Further featuring: - The incredible myths and legends behind each god or goddess with real-world art references. - Illustrations bring each god and goddess to life for a young audience. - Fact boxes call out key information to draw the reader in. - A gobal look at mythologies, with Maya, Japanese and Yoruba deities as well as Ancient Greek and Roman gods Authored by Classics expert Marchella Ward, a researcher at the University of Oxford, this beautifully illustrated treasury of ancient mythologies is perfect for children age 9-12, with amazing real-life photos of ancient objects which show how people worshipped the gods through art.

The use of disability as a metaphor is ubiquitous in popular culture – nowhere more so than in the myths, stereotypes and tropes around blindness. To be 'blind' has never referred solely to the inability to see. Instead blindness has been used as shorthand for, among other things, a lack of understanding, immorality, closeness to death, special insight or second sight. Although these 'meanings' attached to blindness were established as early as antiquity, readers, receivers and spectators into the present have been implicated in the stereotypes, which persist because audiences can be relied on to perpetuate them. This book argues for a new way of seeing – and of understanding classical reception - by offering assemblage-thinking as an alternative to the presumed passivity of classical influence. And the theatre, which has been (incorrectly) assumed to be principally a visual medium, is the ideal space in which to investigate new ways of seeing.