Private Investigator Sharon McCone goes undercover to investigate the murders of two Indigenous women in remote Northern California in this gripping, atmospheric mystery in the New York Times bestselling series. When the bodies of two Indigenous women are found in the wilderness of northern California, it is only the latest horrific development in a string of similar crimes in the area. Despite all evidence to the contrary, officials rule the deaths isolated incidents, which soon join the ranks of countless other unsolved cases quickly dismissed by law enforcement. In a town where too many injustices are tolerated or brushed under the rug, only a few people remain who refuse to let a killer walk free. But Private Investigator Sharon McCone is one of those few. She is hired by an organization called Crimes against Indigenous Sisters to go undercover in Meruk County--a community rife with secrets, lies, and corruption--to expose the truth. In an isolated cabin in the freezing, treacherous woods, McCone must work quickly to unravel a mystery that is rooted in profound evil--before she becomes the killer's next target.

When the bodies of two Indigenous women are found in the wilderness of northern California, it is only the latest horrific development in a string of similar crimes in the area. Despite all evidence to the contrary, officials rule the deaths isolated incidents, which soon join the ranks of countless other unsolved cases quickly dismissed by law enforcement. In a town where too many injustices are tolerated or brushed under the rug, only a few people remain who refuse to let a killer walk free. But Private Investigator Sharon McCone is one of those few. She is hired by an organization called Crimes against Indigenous Sisters to go undercover in Meruk County-a community rife with secrets, lies, and corruption-to expose the truth. In an isolated cabin in the freezing, treacherous woods, McCone must work quickly to unravel a mystery that is rooted in profound evil-before she becomes the killer's next target.

A knock on the door in the middle of the night. It can only be bad news, and it is: Sharon's father Elwood has been the victim of a vicious, racially-motivated attack. A nationally recognized Shoshone Indian artist, he'd been visiting Sharon for the holidays, browsing for gifts in San Francisco's exclusive Marina district when he was set upon by a mob of angry young men. Now, Elwood lies in a coma, hovering between life and death. With little progress on the investigation from the overworked, short-handed police, Sharon resolves to track down Elwood's attackers and bring them to justice herself. But when Sharon starts receiving hate-filled, racist threats, it's clear that Elwood's attackers aren't planning to come quietly...

In Locked In, San Francisco private eye Sharon McCone was shot in the head and suffered from locked-in syndrome: almost total paralysis but an alert, conscious mind. Now, in COMING BACK, Sharon struggles to regain control over her body. Impatient with her progress, Sharon wants everything to go back to normal, although she suspects that it won't be possible to return to her old life. Meanwhile, Sharon's relationships are suffering. Her husband Hy Ripinsky is impatient with her refusal to accept help and some of her colleagues doubt her abilities after the accident. But when Sharon's friend from physical therapy goes missing, she must call upon those closest to her to find out the truth behind the disappearance. The investigation soon points to issues of national security and finally forces Sharon to confront her greatest fears

Private investigator Sharon McCone returns in New York Times bestselling author Marcia Muller's latest page-turning mystery! "[Marcia Muller's] stories crackle like few others on the mystery landscape." -San Francisco Examiner & Chronicle "Muller undoubtedly remains one of today's best mystery writers." -Associated Press

New York Times bestselling author Marcia Muller is at her page-turning best in THE BREAKERS, as she digs into a particularly disturbing corner of San Francisco's history--one that Sharon McCone may not escape alive... Sharon gets a request from her former neighbors the Curleys. Their usually dependable daughter, Chelle, hasn't answered their calls in over a week. Would Sharon check on her? Chelle, a house flipper, has been living at her latest rehab project: a Prohibition-era nightclub known as the Breakers, formerly a favored watering hole for San Francisco's elite, now converted into a run-down apartment building. There's something sinister about the quirky space, and Sharon quickly discovers why. Lurking in a secret room between two floors is a ghastly art gallery: photos and drawings of mass murderers, long ago and recent. Jack the Ripper. The Zodiac and Zebra killers. Charles Manson. What, an alarmed Sharon wonders, was Chelle doing in this chamber of horrors? And as Sharon begins to suspect that the ghoulish collage may be more than just a leftover relic of the Breakers' checkered history, her search for Chelle becomes a desperate race against the clock before a killer strikes again.

Finally settled into their new home after losing their house in a fire, and fully established in their new shared offices, private investigator Sharon McCone and her business partner husband Hy are starting to feel comfortable. That calm is shattered when Hy's former colleague Gage Renshaw--a shady troublemaker who they had presumed dead--reappears, and it's unclear what he wants from his prosperous former associate. Meanwhile, Sharon has a new client with a desire to rid a derelict house he's just bought in the city's notorious Western Addition neighborhood from intruders, drug users, and thugs. However, the abandoned house holds its share of secrets, and soon Sharon is contending with more than a simple eyesore as she searches for the individual who is obsessed with destroying her life....

In New York Times bestselling author Marcia Muller's captivating new mystery, private detective Sharon McCone's investigation hits closer to home than ever before... When a knock on the door in the middle of the night wakes Sharon, she's wholly unprepared for the horrifying news: her father has been the victim of a vicious, racially-motivated attack. A nationally recognized Shoshone artist, Elwood had been visiting Sharon for the holidays, browsing for gifts in San Francisco's exclusive Marina district when he was set upon by a mob of angry young men. Now he lies in a coma, hovering between life and death. With little progress on the investigation from the overworked, short-handed police, Sharon resolves to track down Elwood's attackers herself. But when Sharon begins receiving hate-filled, racist threats from a shadowy group, it becomes clear that her pursuit of justice may be putting her own life in jeopardy...

In 1895 San Francisco, young debutantes don't commit suicide at festive parties, particularly not under the eye of Sabina Carpenter. But Virginia St. Ives evidently did, leaping from a foggy parapet in a shimmer of ghostly light. The seemingly impossible disappearance of her body creates an even more serious problem for the firm of Carpenter and Quincannon, Professional Detective Services.

Sabina hadn't wanted to take the assignment, but her partner John Quincannon insisted it would serve as entree to the city's ultra-rich and powerful. That means money, and Quincannon loves the almighty dollar. Which is why he is hunting the bandit who robbed the Wells, Fargo office of $35,000.

Working their separate cases (while Sabina holds John off with one light hand), the detectives give readers a tour of The City the way it was. From the infamous Barbary Coast to the expensive Tenderloin gaming houses and brothels frequented by wealthy men, Quincannon follows a danger-laden trail to unmask the murderous perpetrators of the Wells, Fargo robbery. Meanwhile, Sabina works her wiles on friends and relatives of the vanished debutante until the pieces of her puzzle start falling into place. But it's an oddly disguised gent appearing out of nowhere who provides the final clue to both cases--the shrewd "crackbrain" who believes himself to be Sherlock Holmes.

A collection of short stories ranging from the straight-forward detective to the off-beat mystery. Includes Sharon McCone and Elena Oliverez stories as well as an original introduction by the author. Marcia Muller, author of the Elena Oliverez mysteries, is the creator of sleuth Sharon McCone, widely considered to be the first of the new breed of female private eyes.

Things seem to be going smoothly for Joanna Stark; she is beginning to get over the fear that has haunted her since her near-fatal encounter (in There Hangs the Knife) with Antony Parducci, former lover, art forger, thief. But arriving home after lunch at her son's winery-to-be in their town of Sonoma, Joanna finds her house broken into and a painting-one of no value but of great significance to Joanna-has been stolen. The painting has been taken, and other subtle clues left, she knows, on purpose in order to frighten her. She is convinced that Parducci, whom she had left for dead in England, has been there, has come to kill her. Joanna is alone with her fear. Her stepson, E.J., convinced the man is certainly dead, will urge her to put him out of her mind; it's unhealthy, he's told her, to dwell on past fears. Moved to confide in a woman friend, Joanna is drawn into another mystery-the provenance and ownership of two very valuable paintings that no one had known about. Oddly, mysteries and anomalies begin to match, one with the other; and, like a giant spider, Parducci seems to be at the center of it all. This final novel in Muller's three-part work about her interesting character, Joanna Stark, brings the strongly independent woman to a final confrontation with the man who hates her for betraying him, and provides an exciting climax both to the novel and the series.

The world's first two-author, husband-and-wife short story collection. Marcia Muller and Bill Pronzini are two of the world's most popular and respected mystery authors. Their new collection demonstrates why this team has so many fans. Here you'll find Muller's famous Sharon McCone searching for the dark truth in "Somewhere in the City." Pronzini's long-heralded private eye Nameless is tracking down a clever killer in "Home is the Place Where." McCone and Nameless team up in the wry "Cache and Carry." Fourteen great stories in all.

"Sweet Cactus Wine," in which a benign saguaro cactus commits mayhem, was Muller's first Western story. Each tale, including "The Cyaniders" written especially for this collection, is a miniature masterpiece of storytelling, realistic characters, and vivid settings. Even Sharon McCone makes her appearance in two of the stories, "The Lost Coast" and "Knives at Midnight," the latter collected here for the first time. Also included is her only collaboration with her husband, Bill Pronzini, on a Western story. "Caves of Ice" was inspired by a visit to an ice cave in Montana. "Forbidden Things" is an imperishable story of a woman who finds out who she really is when she returns to Camel Rock. There are elements of horror and imagination not only in "Time of the Wolves" but also in "The Indian Witch." Time of the Wolves is an extraordinary collection of Western stories by a truly outstanding author, stories that can and will be read and reread with sustaining enjoyment

Joanna Stark can't seem to forgive and forget: what happened twenty years ago still plagues her. She knows the only way it can be resolved is if she gets her revenge. So she devises an intricately-plotted plan to entrap and expose Anthony Parducci, an art thief who also happens to be her worst enemy and a man who once, a long time ago, she truly cared about. Knowing that two paintings from Pieter Bruegel's Proverb Series have already been stolen, and most certainly by Parducci, she has a friend order and then show a "copy" of a Bruegel in his London gallery in order to lure Parducci in. When the painting is stolen, Joanna is thrilled that her plan has been set in motion. But she soon realizes that someone double-crossed her and took the Bruegel before Parducci could get to it. Now both Parducci and Joanna are out to get the painting.

Ciro Sisneros seems the most harmless of men-a Chicano historian immersed in writing a book about the Great Depression and the Mexican-American agricultural workers of that era. Then why, when he dies of a fall at pool-side in Leisure Village Mobile Home Park, a senior citizens' community near Santa Barbara, does Gabriel a Oliverez insist that he has been murdered? True, Ciro had been warned by an anony-mous caller to stop work on his book-something he had no intention of doing. Gabriela wants her daughter, Elena, to put aside the urgent demands of her job as curator of the Museum of Mexican Art and find out why the book was a threat-and to whom. Hadn't Elena solved the murder of her predecessor (in Muller's The Tree of Death)? That's not an easy thing for Elena to do. The museum is understaffed. Fiesta time is upon them. One of the museum's volunteer workers suddenly disappears. There are countless other demands on the young curator's time. And the chairman of the museum board, Carlos Bautista, is courting her. Although she likes him well enough, she does not welcome the attentions of a man twenty-six years her senior, and she feels uncomfortable among his rich Anglo friends. But how to avoid him without antagonizing him? However, as Police Lieutenant Dave Kirk (whose attentions Elena would welcome) says of her, she is "incurably nosy." Her nosiness, in fact, causes more than one attempt on her life. Only by going far back into the past-and making a visit to "Abuela" (Grandmother) Felicia, who had been active in the agricultural workers' struggles of the thirties-does Elena learn the truth behind the legend of the slain soldiers and how it ties in with the very recent death of Ciro Sisneros.

Joanna Stark thought she had finally left her troubled past behind: After the death of her husband, she quit the San Francisco art security firm where she was a partner and retreated to the small California wine country town of Sonoma. But unexpectedly, in one rainy week before Thanksgiving, her carefully constructed world collapses. A Frans Hals painting, The Cavalier in White, is stolen from the M.H. de Young Museum, and the strange circumstances surrounding its disappearance prompt her former business partner to ask her to return to the city and investigate the theft. Joanna knows she must go back-as much for her own protection as for the sake of the museum. Her investigation takes her from the hushed corridors of the de Young to a seedy waterfront tavern; from a Seacliff mansion to a vandalized shack on the shores of the Bay; to galleries, museum openings-and the scene of a murder. By the time she confronts the killer, the careful order of her life is nearly destroyed and she finds that the past is not only inescapable, but also more complex and frightening than she had previously imagined.

The Museum of Mexican Arts in Santa Barbara has the usual problems-chronic budget deficits and wealthy patrons who like to meddle. When Isabel Cunningham, descendant of one of the oldest Spanish land-grant families, donates a garish Tree of Life, the museum's greedy director accepts at once. Frank De Palma knows how to curry favor and raise funds, but in matters of taste, Elena Oliverez recognizes his limitations. The young curator despises the huge ceramic object and considers it an eyesore, while Frank views it as the key to future donations from a very rich patron. In addition, Frank's pompous, vain manner is as offensive as his lack of respect for good art. On the eve of the opening of the museum's new quarters, Frank is found crushed beneath the monstrosity he acquired. Elena Oliverez is every one's suspect. The continual feuding between Elena and her boss was public knowledge, and everyone had heard her threats when Frank forced the unpopular tree into the museum's permanent collection. Despite Frank's murder, the museum's opening proceeds as scheduled. Later, when Elena is made acting director, she's even more a key suspect. So the art historian turns sleuth, poking through Frank's files and puzzling over a long string of clues. All too soon she's convinced that the murderer is close by... and ready to strike again Now Elena's problem is to convince a skeptical police department that her deductions are valid. Lt. Kirk disregards key clues: several suspects have a history of suffering at Frank De Palma's hands and may have scores to settle; a museum employee has been taking a number of mysterious trips of late. The Tree of Death is rich in Southern California lore and features an inside look at what happens behind the scenes in the world of fine arts. It also introduces us to a clever young Mexican-American heroine, whose lively curiosity and love for Spanish art and history make for a memorable amateur sleuth.

The bestselling author of "The McCone Files" teams up with the creator of the "Nameless Detective" for a collaborative mystery that bridges the San Franciscos of 1894 and 1986. Muller and Pronzini masterfully parallel the investigations of turn-of-the-century detective Quincannon and Chicana amateur sleuth Elena Oliverez.

The "Nameless Detective" and Sharon McCone join forces at a San Diego private detective convention in a posh seaside hotel to investigate a case involving multiple murder, a crime ring dealing in smuggled fugitives, and bizarre, kinky lifestyles. For Sharon it's a chance to catch up with old friends-all except for the one who fell four stories from one of the hotel spires. Now, Sharon is determined to find out why her friend died.

A DOUBLE NIGHTMAR94E
With her agency going great guns, Sharon McCone is known as one of the best detectives in the business...until her reputation is threatened by an impostor. The woman's resemblance to McCone is uncanny. Her knowledge of McCone's life is chilling. And with lover Hy Ripinsky away on business, McCone is alone as the double insidiously sabotages McCone's career, invades her home, and leads her into a deadly game of cat and mouse through San Francisco's underworld. Now, with professional detachment giving way to blinding rage, McCone is fighting for her life. But her very essence is also at stake...as a hunger for personal justice overrides her fiercely held ethics and lets loose a primeval urge for revenge.

Hot-tempered curator Elena Oliverez threatens to kill her boss, Frank DePalma, when he orders her to put a particularly hideous piece of sculpture--donated by a wealthy patron of the new Museum of Mexican Arts--on display for the museum opening. So when someone kills Frank with the sculpture, Elena must conduct her own investigation to clear her name--or die trying.

Finally settled into their new home after losing their house in a fire, and fully established in their new shared offices, private investigator Sharon McCone and her business partner husband Hy are starting to feel comfortable. That calm is shattered when Hy's former colleague Gage Renshaw--a shady troublemaker who they had presumed dead - reappears, and it's unclear what he wants from his prosperous former associate. Meanwhile, Sharon has a new client with a desire to rid a derelict house he's just bought in the city's notorious Western Addition neighborhood from intruders, drug users, and thugs. However, the abandoned house holds its share of secrets, and soon Sharon is contending with more than a simple eyesore as she searches for the individual who is obsessed with destroying her life....

Three years ago, Caro Warrick was acquitted for the murder of her best friend Amelia Bettencourt but the lingering doubts of everyone around Caro is affecting her life. Sharon McCone is confident that she can succeed where other detectives have failed (though at times it's hard to shake her own misgivings about what happened) but when Caro is brutally beaten right at Sharon's doorstep, the investigation takes on a whole new course. How many more people remain at risk until Amelia's murderer is finally caught?