Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of "Loss" explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, and philosophical concerns. Whether focusing on ancient texts by Zhuangzi or Ovid, renaissance drama, folktales collected by the Brothers Grimm, novels or silent film, the chapters in this volume highlight the dialectics of "loss" and "gain" in narratives of amputation to encourage critical dialogue and forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.

Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of "Loss" explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, and philosophical concerns. Whether focusing on ancient texts by Zhuangzi or Ovid, renaissance drama, folktales collected by the Brothers Grimm, novels or silent film, the chapters in this volume highlight the dialectics of "loss" and "gain" in narratives of amputation to encourage critical dialogue and forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.

Der Band ist ein erstes UEbersichtswerk zu vorzeitig abgesetzten oder langerfristig unterbrochenen Fernsehserien. Er analysiert diese im Hinblick auf ihren Fragmentstatus und erprobt Ansatze, wie mit diesem umgegangen werden kann: Das Spektrum reicht von essayistischen Perspektiven bis zu Beobachtungen aus der ethnologischen Feldforschung; Fan Studies, Serialitatsstudien, philosophische Betrachtungen kommen ebenso zum Tragen wie Analysen, die Fragmenttheorien aus der Architektur und Fotografie hinzuziehen. Der Begriff und der Eigenwert des Fragments werden damit erstmals im Kontext der Fernsehserie anhand zahlreicher Beispiele diskutiert.

The Bloomsbury Handbook to Philip Roth provides a comprehensive, must-have survey of interdisciplinary scholarship on one of the major American novelists of the 20th and 21st centuries. The Bloomsbury Handbook to Philip Roth presents state-of-the-art scholarship on new research methods, current debates, and future directions in Philip Roth studies. It illuminates how Roth, one of the most influential American writers of the 20th and 21st centuries, not only reflected American history and culture in his important novels but uncannily anticipated our American future. Divided into six main sections, this Handbook considers such topics: - The full range of Roth’s writing, from his novels and short stories to essays and life writing - Major interdisciplinary scholarly perspectives across literary studies, politics, gender studies, critical race theory, and ecocriticism - Roth’s literary legacy across contemporary fiction, Jewish literature, the arts, and culture studies - Key contexts including American political movements since the 1950s, the American Jewish experience, and intertextual relationships Uniting scholars and artists who have built the field of Philip Roth studies from the ground up along with emergent scholars from around the world, this Handbook includes chapter summaries, study questions, and an author biography and timeline that includes key dates in Roth’s life and publication history. It also contains a bibliography of secondary sources for further reading as well as an overview of film and television adaptations.

Why are psychoanalysts fascinated with literature and other arts? And why do so many novels, plays, films, and television series feature therapy sessions? Transferences investigates the interdisciplinary attraction between psychoanalysis and the arts by exploring the therapeutic relationship as a recurring figure in psychoanalytic discourse, literature, theater, and television. In addition to close readings of psychoanalytic and critical texts, the book presents a new approach to examining psychoanalytic themes and formal devices in texts like Philip Roth's Portnoy's Complaint, J. M. Coetzee's Life & Times of Michael K, Margaret Atwood's Alias Grace, Peter Shaffer's Equus, and the HBO series In Treatment. Transferences argues that psychoanalysts as well as writers and other artists are fascinated by the therapeutic relationship because it provides a unique site to negotiate the narrative and artistic underpinnings of psychoanalysis and reflect and reinvent the aesthetic and poetic potentiality of art.

Why are psychoanalysts fascinated with literature and other arts? And why do so many novels, plays, films, and television series feature therapy sessions? Transferences investigates the interdisciplinary attraction between psychoanalysis and the arts by exploring the therapeutic relationship as a recurring figure in psychoanalytic discourse, literature, theater, and television. In addition to close readings of psychoanalytic and critical texts, the book presents a new approach to examining psychoanalytic themes and formal devices in texts like Philip Roth's Portnoy's Complaint, J. M. Coetzee's Life & Times of Michael K, Margaret Atwood's Alias Grace, Peter Shaffer's Equus, and the HBO series In Treatment. Transferences argues that psychoanalysts as well as writers and other artists are fascinated by the therapeutic relationship because it provides a unique site to negotiate the narrative and artistic underpinnings of psychoanalysis and reflect and reinvent the aesthetic and poetic potentiality of art.

ENTANGLEMENTS: ENVISIONING WORLD LITERATURE FROM THE GLOBAL SOUTH scrutinises current debates to bring historical and contemporary South-South entanglements to the fore and to develop a new understanding of world literature in a multipolar world of globalized modernity. The volume challenges established ideas of world literature by rethinking the concept along the notion of entanglements: as a field of variously criss-crossing relations of literary activity beyond the confines of literary canons, cultural containers, or national borders. The collection presents individual case studies from a variety of language traditions that focus on particular literary relationships and practices across Africa, the Americas, Asia, and Europe as well as new fictional, poetical, and theoretical conceptions of world literature in order to broaden our understanding of the multilateral entanglements within a widening communicative network that shape our globalised world.