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Showing 1 - 25 of 138 matches in All Departments
Set in a New York apartment building, Fourteen Days is an irresistibly propulsive novel with an unusual twist: each character in this diverse, eccentric cast of neighbours has been secretly written by a different, major literary voice - from Margaret Atwood and John Grisham to Emma Donoghue and Celeste Ng. One week into lockdown, the tenants of a run-down apartment building in Manhattan have begun to gather on the rooftop each evening and tell stories. With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned pails. Gradually the tenants – some of whom have barely spoken to each other before now – become real neighbours. A dazzling, heartwarming and ultimately surprising narrative, Fourteen Days is an ode to the power of storytelling and human connection. Includes writing from: Charlie Jane Anders, Margaret Atwood, Jennine Capo Crucet, Pat Cummings, Joseph Cassara, Angie Cruz, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Doug Preston, Alice Randall, Caroline Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, DeShawn Charles Winslow, Meg Wolitzer
In this electrifying sequel to The Handmaid's Tale, Margaret Atwood answers the question that has tantalised readers for decades: What happened to Offred? The Republic of Gilead is beginning to rot from within. At this crucial moment, two girls with radically different experiences of the regime come face to face with the legendary, ruthless Aunt Lydia. But how far will each go for what she believes? Now with additional material: book club discussion points and an interview with Margaret Atwood about the real-life events that inspired The Testaments and The Handmaid's Tale.
How does the greatest writer of our time tell her own story? Immerse
yourself in the creative universe of Margaret Atwood for a riot of
life, art and everything in between
Ten days after the war ended, my sister Laura drove a car off a bridge.' Thus begins THE BLIND ASSASSIN, Margaret Atwood's stunning new novel. Laura Chase's older sister Iris, married at eighteen to a politically prominent Industrialist but now poor and eighty-two, is living in Port Ticonderoga, a town dominated by their once-prosperous family before the First War. While coping with her unreliable body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death. Chief among these was the publication of THE BLIND ASSASSIN, a novel which earned the dead Laura Chase not only notoriety but also a devoted cult following: as Iris says, she herself lives 'in the long shadow cast by Laura'. Sexually explicit for its time, THE BLIND ASSASSIN describes a risky affair in the turbulent thirties between a wealthy young woman and a man on the run. During their secret meetings in rented rooms, the lovers concoct a pulp fantasy set on the Planet Zycron. As the invented story twists through love and sacrifice and betrayal, so does the real one, as events in both move closer to war and catastrophe. By turns lyrical, outrageous, formidable, compelling and funny, this is a novel filled with deep humour and dark drama. It is Margaret Atwood at her breathtaking best.
The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of twenty-first century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.
Set in a New York apartment building, Fourteen Days is an irresistibly propulsive novel with an unusual twist: each character in this diverse, eccentric cast of neighbours has been secretly written by a different, major literary voice - from Margaret Atwood and John Grisham to Emma Donoghue and Celeste Ng. One week into lockdown, the tenants of a run-down apartment building in Manhattan have begun to gather on the rooftop each evening and tell stories. With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned pails. Gradually the tenants - some of whom have barely spoken to each other before now - become real neighbours. A dazzling, heartwarming and ultimately surprising narrative, Fourteen Days is an ode to the power of storytelling and human connection. Includes writing from: Charlie Jane Anders, Margaret Atwood, Jennine Capo Crucet, Pat Cummings, Joseph Cassara, Angie Cruz, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Doug Preston, Alice Randall, Caroline Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, DeShawn Charles Winslow, Meg Wolitzer
** THE SUNDAY TIMES NO. 1 BESTSELLER ** Discover the dystopian novel that started a phenomenon before you read the Booker Prize-winning sequel The Testaments. NOW AN AWARD-WINNING TV SERIES STARRING ELISABETH MOSS Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs. Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction. 'A fantastic, chilling story. And so powerfully feminist' Bernadine Evaristo, author of GIRL, WOMAN, OTHER 'This novel seems ever more vital in the present day' Observer READ THE TESTAMENTS, THE BOOKER PRIZE-WINNING SEQUEL TO THE HANDMAID'S TALE, TODAY
Mary Swann is the story of four individuals who become entwined in the life of Mary Swann, a rural Canadian poet whose authentic and unique voice is discovered only hours before her husband brutally murders her. Who is Mary Swann? And how could she have produced these works of genius in almost complete isolation? Mysteriously, all traces of Swann's existence - her notebook, the first draft of her work, even her photograph - gradually vanish in this engrossing novel exploring the surprising afterlife of a murdered poet.
The Republic of Gilead allows Offred only one function: to breed. If she deviates, she will, like all dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire – neither Offred’s nor that of the two men on which her future hangs… Brilliantly conceived and executed, this powerful evocation of 21st century America gives full reign to Margaret Atwood’s devastating irony, wit and astute perception.
By the author of The Handmaid's Tale and Alias Grace * The trick was to disappear without a trace, leaving behind me the shadow of a corpse, a shadow everyone would mistake for solid reality. At first I thought I'd managed it. Fat girl, thin girl. Red hair, brown hair. Polish aristocrat, radical husband. Joan Foster has dozens of different identities, and she's utterly confused by them all. After a life spent running away from difficult situations, she decides to escape to a hill town in Italy to take stock of her life. But first she must carefully arrange her own death. * 'A mistress of controlled hysteria' - Time 'If you feel safe only with "nine to five" reality, you'll probably not enjoy her books. But if you'd like to lift off, try her' - Cosmopolitan
Widely regarded as a modern classic, The Stone Diaries is the story of one woman's life; that of Daisy Goodwill Flett, a seemingly ordinary woman born in Canada in 1905. Beautifully written and deeply compassionate, it follows Daisy's life through marriage, widowhood, motherhood, and old age, as she charts her own path alongside that of an unsettled century. A subtle but affective portrait of an everywoman reflecting on an unconventional life, this multi-award-winning story deals with everyday issues of existence with an extraordinary vibrancy and irresistible flair.
Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for forty years. 'Not since Graham Greene has a novelist captured so forcefully the relationship between school bully and victim...Atwood's games are played, exquisitely, by little girls' LISTENER An exceptional novel from the winner of the 2000 Booker Prize
The Sea Around Us is one of the most influential books ever written about the natural world. In it Rachel Carson tells the history of our oceans, combining scientific insight and poetic prose as only she can, to take us from the creation of the oceans, through their role in shaping life on Earth, to what the future holds. It was prophetic at the time it was written, alerting the world to a crisis in the climate, and it speaks to the fragility and centrality of the oceans and the life that abounds within them.
The Republic of Gilead is beginning to rot from within. At this crucial moment, two girls with radically different experiences of the regime come face to face with the legendary, ruthless Aunt Lydia. But how far will each go for what she believes? Now with additional material: book club discussion points and an interview with Margaret Atwood about the real-life events that inspired The Testaments and The Handmaid's Tale.
The 'riotous, insanely readable' (Observer) retelling of The Tempest from the 2019 Booker Prize-winning author of THE TESTAMENTS. 'Riotous, insanely readable and just the best fun...'Observer Felix is at the top of his game as Artistic Director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other. It will boost his reputation. It will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. Also brewing revenge. After twelve years, revenge finally arrives in the shape of a theatre course at a nearby prison. Here, Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It's magic! But will it remake Felix as his enemies fall? **LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2017**
Penelope. Immortalised in legend and myth as the devoted wife of the glorious Odysseus, silently weaving and unpicking and weaving again as she waits for her husband's return. Now Penelope wanders the underworld, spinning a different kind of thread: her own side of the story - a tale of lust, greed and murder. The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.
Celebrated as a major novelist throughout the English-speaking world, Atwood has also written eleven volumes of poetry. Houghton Mifflin is proud to have published SELECTED POEMS, 1965-1975, a volume of selections from Atwood's poetry of that decade.
Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility.
By the author of The Handmaid's Tale Now a major NETFLIX series Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery. 'Brilliant... Atwood's prose is searching. So intimate it seems to be written on the skin' Hilary Mantel 'The outstanding novelist of our age' Sunday Times 'A sensuous, perplexing book, at once sinister and dignified, grubby and gorgeous, panoramic yet specific...I don't think I have ever been so thrilled' Julie Myerson, Independent on Sunday |
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