A fun and fearless anthology of feminist tales, by fifteen bestselling, award-winning writers:

Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeymi, Rachel Seiffert, Kamila Shamsie and Ali Smith - introduced by Sandi Toksvig.

DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO.

For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story.

In this blazing cauldron of a book, fifteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time.

Set in a New York apartment building, Fourteen Days is an irresistibly propulsive novel with an unusual twist: each character in this diverse, eccentric cast of neighbours has been secretly written by a different, major literary voice - from Margaret Atwood and John Grisham to Emma Donoghue and Celeste Ng.

One week into lockdown, the tenants of a run-down apartment building in Manhattan have begun to gather on the rooftop each evening and tell stories. With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned pails. Gradually the tenants – some of whom have barely spoken to each other before now – become real neighbours.

A dazzling, heartwarming and ultimately surprising narrative, Fourteen Days is an ode to the power of storytelling and human connection.

Includes writing from: Charlie Jane Anders, Margaret Atwood, Jennine Capo Crucet, Pat Cummings, Joseph Cassara, Angie Cruz, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Doug Preston, Alice Randall, Caroline Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, DeShawn Charles Winslow, Meg Wolitzer

Joint-2019 Booker Prize Winner, along with Girl, Woman, Other by Bernardine Evaristo.

In this electrifying sequel to The Handmaid's Tale, Margaret Atwood answers the question that has tantalised readers for decades: What happened to Offred? When the van door slammed on Offred’s future at the end of The Handmaid's Tale, readers had no way of telling what lay ahead. With The Testaments, the wait is over.

Margaret Atwood’s sequel picks up the story 15 years after Offred stepped into the unknown, with the explosive testaments of three female narrators from Gilead.

The new collection from the legendary Atwood is led by the story of a married couple as they travel the road together, the moments big and small that make up a long life of love -- and what comes after

My heart is broken, Nell thinks. But in our family we don’t say, ‘My heart is broken.’ We say, ‘Are there any cookies?’

In this dazzling collection of stories we meet beloved cats, George Orwell, a daughter whose mother may or may not be a witch, a cabal of elderly female academics, and an alien tasked with retelling human fairy tales. And we meet and re-meet Nell and Tig, a long-married couple, and see the moments big and small that make up a life of love – and what comes after.

Set in a New York apartment building, Fourteen Days is an irresistibly propulsive novel with an unusual twist: each character in this diverse, eccentric cast of neighbours has been secretly written by a different, major literary voice - from Margaret Atwood and John Grisham to Emma Donoghue and Celeste Ng. One week into lockdown, the tenants of a run-down apartment building in Manhattan have begun to gather on the rooftop each evening and tell stories. With each passing night, more and more neighbours gather, bringing chairs and milk crates and overturned pails. Gradually the tenants - some of whom have barely spoken to each other before now - become real neighbours. A dazzling, heartwarming and ultimately surprising narrative, Fourteen Days is an ode to the power of storytelling and human connection. Includes writing from: Charlie Jane Anders, Margaret Atwood, Jennine Capo Crucet, Pat Cummings, Joseph Cassara, Angie Cruz, Sylvia Day, Emma Donoghue, Dave Eggers, Diana Gabaldon, Tess Gerritsen, John Grisham, Maria Hinojosa, Mira Jacob, Erica Jong, CJ Lyons, Celeste Ng, Tommy Orange, Mary Pope Osborne, Doug Preston, Alice Randall, Caroline Randall, Ishmael Reed, Roxana Robinson, Nelly Rosario, James Shapiro, Hampton Sides, R.L. Stine, Nafissa Thompson-Spires, Monique Truong, Scott Turow, Luis Alberto Urrea, Rachel Vail, Weike Wang, DeShawn Charles Winslow, Meg Wolitzer

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs.

Brilliantly conceived and executed, this powerful evocation of twenty-first century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

From cultural icon Margaret Atwood comes a brilliant collection of essays -- funny, erudite, endlessly curious, uncannily prescient -- which seek answers to Burning Questions such as: Why do people everywhere, in all cultures, tell stories? How can we live on our planet? What do zombies have to do with authoritarianism? In Burning Questions Atwood aims her prodigious intellect and impish humour at our world, and reports back to us on what she finds. The roller-coaster period covered in the collection brought an end to the end of history, a financial crash, the rise of Trump and a pandemic. From debt to tech, the climate crisis to freedom; from when to dispense advice to the young (answer: only when asked) to how to define granola, we have no better questioner of the many and varied mysteries of our human universe. INCLUDES NEW ESSAYS FOR PAPERBACK 'Brilliant and funny' Joan Didion 'She's taken our times and made us wise to them' Ali Smith 'Lights a fire from the fears of our age . . . Miraculously balances humor, outrage, and beauty' New York Times Book Review 'All over the reading world, the history books are being opened to the next blank page and Atwood's name is written at the top of it' Anne Enright, Guardian 'The outstanding novelist of our age' Sunday Times

DRAGON. TIGRESS. SHE-DEVIL. For centuries past, and all across the world. HUSSY. SIREN. WENCH. There are words that have defined and decried us. HARRIDAN. MUCKRAKER. SPITFIRE. Words that raise our hackles, fire up our blood. FURY. WARRIOR. VIRAGO. Words that tell a story. In this blazing cauldron of a book, the boldest writers of our day take up these words and take up their pen, celebrating fifty years of Virago.

Penelope. Immortalised in legend and myth as the devoted wife of the glorious Odysseus, silently weaving and unpicking and weaving again as she waits for her husband's return. Now Penelope wanders the underworld, spinning a different kind of thread: her own side of the story - a tale of lust, greed and murder. The Myths series brings together some of the world's finest writers, each of whom has retold a myth in a contemporary and memorable way. Authors in the series include Karen Armstrong, Margaret Atwood, A.S. Byatt, David Grossman, Natsuo Kirino, Alexander McCall Smith, Philip Pullman, Ali Smith and Jeanette Winterson.

The One State is the perfect society, ruled over by the enlightened Benefactor. It is a city made almost entirely of glass, where surveillance is universal and life runs according to algorithmic rules to ensure perfect happiness. And D-503, the Builder, is the ideal citizen, at least until he meets I-330, who opens his eyes to new ideas of love, sex and freedom. A foundational work of dystopian fiction, inspiration for both Orwell's Nineteen Eighty-Four and Huxley's Brave New World, WE is a book of radical imaginings - of control and rebellion, surveillance and power, machine intelligence and human inventiveness, sexuality and desire. In this brilliant new translation, it is both a warning and a hope for a better world.

Go back to where it all began with the dystopian novel behind the award-winning TV series.

Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire.

As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.

Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction.

'Wonderful ... all killer, no filler' Red Magazine 'Dazzling stories, as inventive as they are inspiring' Daily Mirror 'Where power and feminist rage meet' Stylist ______________________________ A fun and fearless anthology of feminist tales, by fifteen bestselling, award-winning writers: Margaret Atwood, Susie Boyt, Eleanor Crewes, Emma Donoghue, Stella Duffy, Linda Grant, Claire Kohda, CN Lester, Kirsty Logan, Caroline O'Donoghue, Chibundu Onuzo, Helen Oyeymi, Rachel Seiffert, Kamila Shamsie and Ali Smith - introduced by Sandi Toksvig. DRAGON. TYGRESS. SHE-DEVIL. HUSSY. SIREN. WENCH. HARRIDAN. MUCKRAKER. SPITFIRE. VITUPERATOR. CHURAIL. TERMAGANT. FURY. WARRIOR. VIRAGO. For centuries past, and all across the world, there are words that have defined and decried us. Words that raise our hackles, fire up our blood; words that tell a story. In this blazing cauldron of a book, fifteen bestselling, award-winning writers have taken up their pens and reclaimed these words, creating an entertaining and irresistible collection of feminist tales for our time. 'A slick collection of clever tales, with something for bluestockings and banshees alike' Guardian 'Delightful, thought-provoking' Louisa Young, Perspectives

** THE SUNDAY TIMES NO. 1 BESTSELLER ** Discover the dystopian novel that started a phenomenon before you read the Booker Prize-winning sequel The Testaments NOW AN AWARD-WINNING TV SERIES STARRING ELISABETH MOSS Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs. Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction. 'A fantastic, chilling story. And so powerfully feminist' Bernadine Evaristo, author of GIRL, WOMAN, OTHER 'This novel seems ever more vital in the present day' Observer Includes exclusive content: In The 'Backstory' you can read Margaret Atwood's account of how she came to write this landmark dystopian novel.

** THE SUNDAY TIMES NO. 1 BESTSELLER ** Discover the dystopian novel that started a phenomenon before you read the Booker Prize-winning sequel The Testaments. NOW AN AWARD-WINNING TV SERIES STARRING ELISABETH MOSS Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford - her assigned name, Offred, means 'of Fred'. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs. Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction. 'A fantastic, chilling story. And so powerfully feminist' Bernadine Evaristo, author of GIRL, WOMAN, OTHER 'This novel seems ever more vital in the present day' Observer READ THE TESTAMENTS, THE BOOKER PRIZE-WINNING SEQUEL TO THE HANDMAID'S TALE, TODAY

The Sea Around Us is one of the most influential books ever written about the natural world. In it Rachel Carson tells the history of our oceans, combining scientific insight and poetic prose as only she can, to take us from the creation of the oceans, through their role in shaping life on Earth, to what the future holds. It was prophetic at the time it was written, alerting the world to a crisis in the climate, and it speaks to the fragility and centrality of the oceans and the life that abounds within them.

The Republic of Gilead allows Offred only one function: to breed. If she deviates, she will, like all dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire – neither Offred’s nor that of the two men on which her future hangs…

Brilliantly conceived and executed, this powerful evocation of 21st century America gives full reign to Margaret Atwood’s devastating irony, wit and astute perception.

In the world of the near future, who will control women's bodies?

Offred is a Handmaid in the Republic of Gilead. She may leave the home of the Commander and his wife once a day to walk to food markets whose signs are now pictures instead of words because women are no longer allowed to read. She must lie on her back once a month and pray that the Commander makes her pregnant, because in an age of declining births, Offred and the other Handmaids are only valued if their ovaries are viable.

Offred can remember the days before, when she lived and made love with her husband Luke; when she played with and protected her daughter; when she had a job, money of her own, and access to knowledge. But all of that is gone now....

Funny, unexpected, horrifying, and altogether convincing, The Handmaid's Tale is at once scathing satire, dire warning, and tour de force.

Pigs might not fly but they are strangely altered. So, for that matter, are wolves and racoons. A man, once named Jimmy, lives in a tree, wrapped in old bedsheets, now calls himself Snowman. The voice of Oryx, the woman he loved, teasingly haunts him. And the green-eyed Children of Crake are, for some reason, his responsibility.