Acclaimed author and Catholic thinker Flannery O'Connor (1925--1964) penned two novels, two collections of short stories, various essays, and numerous book reviews over the course of her life. Her work continues to fascinate, perplex, and inspire new generations of readers and poses important questions about human nature, ethics, social change, equality, and justice. Although political philosophy was not O'Connor's pursuit, her writings frequently address themes that are not only crucial to American life and culture, but also offer valuable insight into the interplay between fiction and politics. A Political Companion to Flannery O'Connor explores the author's fiction, prose, and correspondence to reveal her central ideas about political thought in America. The contributors address topics such as O'Connor's affinity with writers and philosophers including Eric Voegelin, Edith Stein, Russell Kirk, and the Agrarians; her attitudes toward the civil rights movement; and her thoughts on controversies over eugenics. Other essays in the volume focus on O'Connor's influences, the principles underlying her fiction, and the value of her work for understanding contemporary intellectual life and culture. Examining the political context of O'Connor's life and her responses to the critical events and controversies of her time, this collection offers meaningful interpretations of the political significance of this influential writer's work.

Manners, mystery, and maniacs in O'Connor's unforgettable fiction

Describing Flannery O'Connor's fiction as "violent, grotesque, and horribly funny, with a twist", Margaret Earley Whitt explores the canon of the Georgia writer whose work has long haunted and harassed its readers. In a comprehensive survey that encompasses O'Connor's short stories, novels, essays, and letters, as well as the body of criticism that has proliferated since her death in 1964, Whitt illumines the religious themes and bizarre characters that make O'Connor's prose so strikingly different from that of other American writers.

Whitt discusses the components that drive the writer's work: her southernness and her Roman Catholicism. The blend of these two enabled her to deliver orthodox Christian themes through the code of southern etiquette.

During the civil rights era, masses of people marched in the streets, boycotted stores, and registered to vote. Others challenged racism in ways more solitary but no less life changing. These twenty-three stories give a voice to the nameless, ordinary citizens without whom the movement would have failed. From bloody melees at public lunch counters to anxious musings at the family dinner table, the diverse experiences depicted in this anthology make the civil rights movement as real and immediate as the best histories and memoirs. Each story focuses on a particular, sometimes private, moment in the historic struggle for social justice in America. Events have a permanent effect on characters, like the white girl in ""Spring Is Now"" who must sort through her feelings about the only black boy in her school, or the black preacher in ""The Convert"" who tells a friend, ""This thing of being a man...The Supreme Court can't make you a man. The NAACP can't do it. God Almighty can do a lot, but even He can't do it. Ain't nobody can do it but you."" If a character survives - and some do not - the event can become a turning point, a vision for a better world. The sections into which the stories are grouped parallel the news headlines of the day: School Desegregation (1954 on), Sit-ins (1960 on), Marches and Demonstrations (1963 on), and Acts of Violence. In the last section, Retrospective, characters look back on their personal involvement with the movement. Twenty writers - eleven black and nine white - are represented in the collection. Ten stories were written during the 1960s. That the others were written long after the movement's heyday suggests the potency of that time as a continuing source of creative inspiration.