A monumental accomplishment from the age of Enlightenment, the string quartets of Joseph Haydn hold a central place not only in the composer's oeuvre, but also in our modern conception of form, style, and expression in the instrumental music of his day. Here, renowned music historians Floyd and Margaret Grave present a fresh perspective on a comprehensive survey of the works. This thorough and unique analysis offers new insights into the creation of the quartets, the wealth of musical customs and conventions on which they draw, the scope of their innovations, and their significance as reflections of Haydn's artistic personality. Each set of quartets is characterized in terms of its particular mix of structural conventions and novelties, stylistic allusions, and its special points of connection with other opus groups in the series. Throughout the book, the authors draw attention to the boundless supply of compositional strategies by which Haydn appears to be continually rethinking, reevaluating, and refining the quartet's potentials. They also lucidly describe Haydn's famous penchant for wit, humor, and compositional artifice, illuminating the unexpected connections he draws between seemingly unrelated ideas, his irony, and his lightning bolts of surprise and thwarted expectation. Approaching the quartets from a variety of vantage points, the authors correct many prevailing assumptions about convention, innovation, and developing compositional technique in the music of Haydn and his contemporaries.
Going beyond traditional modes of study, The String Quartets of Joseph Haydn blends historical analysis and factual information with critical appraisal in a way that will engage all Haydnenthusiasts.

A monumental accomplishment from the age of Enlightenment, the string quartets of Joseph Haydn hold a central place not only in the composer's oeuvre, but also in our modern conception of form, style, and expression in the instrumental music of his day. Here, renowned music historians Floyd and Margaret Grave present a fresh perspective on a comprehensive survey of the works. This thorough and unique analysis offers new insights into the creation of the quartets, the wealth of musical customs and conventions on which they draw, the scope of their innovations, and their significance as reflections of Haydn's artistic personality. Each set of quartets is characterized in terms of its particular mix of structural conventions and novelties, stylistic allusions, and its special points of connection with other opus groups in the series. Throughout the book, the authors draw attention to the boundless supply of compositional strategies by which Haydn appears to be continually rethinking, reevaluating, and refining the quartet's potentials. They also lucidly describe Haydn's famous penchant for wit, humor, and compositional artifice, illuminating the unexpected connections he draws between seemingly unrelated ideas, his irony, and his lightning bolts of surprise and thwarted expectation. Approaching the quartets from a variety of vantage points, the authors correct many prevailing assumptions about convention, innovation, and developing compositional technique in the music of Haydn and his contemporaries.
Going beyond traditional modes of study, The String Quartets of Joseph Haydn blends historical analysis and factual information with critical appraisal in a way that will engage all Haydn enthusiasts.

Contents: Introduction (Robert Hillenbrand); I. METALWORK AND TEXTILES: The Freer Canteen: Jerusalem or Jazira? (Teresa Fitzherbert); Mamluk Textiles (Maria Sardi); The Captivating Power of Textiles (Miriam Ali-de-Unzaga); II. CERAMICS: Unravelling the Enigmatic Fourteenth-Century Mamluk and Mongol Fine Wares: How to Solve the Problem (Rosalind A. Wade Haddon); Crossing Borders: Mudejar Ceramics in Paterna (Anna McSweeney); The Aesthetics of Simulation: Architectural Mimicry on Medieval Ceramic Tabourets (Margaret S. Graves); III. THE BUILT ENVIRONMENT: A Symbolic Khassakiyya: Representations of the Palace Guard in Murals and Stucco Sculpture (Melanie Gibson); The Notion of Time and the Image of Place: Reflections on Islamic Gardens (Saeid Khaghani);The Public Realm in Central Damascus: 'Where Old and New Meet' (Rema Haddad); IV. ARTS OF THE BOOK: The Earliest Qur'anic Scripts (Marcus Fraser); The Influence of Oral Narrating Traditions on a Frequently Illustrated Thirteenth-Century Manuscript (Filiz Adiguzel Toprak); Exile and Adventure: Hassan Massoudy and Sindbad the Sailor (Sarah Sandow).

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This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Mom lit meets chick lit in The Mommy Tree, an entertaining debut by Margaret Graves. Disarmingly tender, this perfectly pitched novel proves to be as funny as it is wise as it delves into the lives of four very different mothers who meet under an oak tree as they wait for their children after school. There's Missy who has recently become a stay at home mom after a rewarding career in the military-and for once, she feels like a total mess. There's Gina, strong and brave; she juggles with the constant demands of motherhood against her physical limitations after being diagnosed with Multiple Sclerosis, and Ana, a driven immigrant who loathes her thickening mid-section and is willing to try anything to curve her appetite and her belly. Rounding off the motley crew is Tammy, a single mother who works as a waitress in a casino and insists on looking for love in all the wrong places. They prove that no one's life is perfect, and that together their strength is immeasurable.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.