This Norton Critical Edition includes: • The American edition of the novel, first published by Harcourt Brace in 1927, introduced and annotated by Margaret Homans. • A 1924-28 chronology of To the Lighthouse’s composition, revision, publication and reception. • A rich selection of background materials, thematically organized for ease of reference. Topics include: “Autobiographical Writings,� “Family and Other Contemporary Contexts and Sources,� “Essays by Virginia Woolf,� and “Literary Sources.� • Nine critical assessments of To the Lighthouse, from publication to the present day, by Arthur Sydney McDowell, Louis Kronenberger, Mary Colum, Francis Brown, Erich Auerbach, Adrienne Rich, Rachel Bowlby, Pamela L. Caughie, and Urmila Seshagiri. • A chronology and a selected bibliography

Queen Victoria's central importance to the era defined by her reign is self-evident, and yet it has been surprisingly overlooked in the study of Victorian culture. This collection of essays by noted scholars in literature, cultural studies, art history, and women's studies goes beyond biography and official history to explore the diverse and sometimes conflicting meanings this complex and fascinating figure held for her subjects around the world and even for those outside her empire.

Queen Victoria's central importance to the era defined by her reign is self-evident, and yet it has been surprisingly overlooked in the study of Victorian culture. This collection of essays by noted scholars in literature, cultural studies, art history, and women's studies goes beyond biography and official history to explore the diverse and sometimes conflicting meanings this complex and fascinating figure held for her subjects around the world and even for those outside her empire.

How does the consciousness of being a woman affect the workings of the poetic imagination? With this question Margaret Homans introduces her study of three nineteenth-century women poets and their response to a literary tradition that defines the poet as male. Her answer suggests why there were so few great women poets in an age when most of the great novelists were women. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

How does the consciousness of being a woman affect the workings of the poetic imagination? With this question Margaret Homans introduces her study of three nineteenth-century women poets and their response to a literary tradition that defines the poet as male. Her answer suggests why there were so few great women poets in an age when most of the great novelists were women.

Originally published in 1987.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Queen Victoria was one of the most complex cultural productions of her age. In "Royal Representations," Margaret Homans investigates the meanings Victoria held for her times, Victoria's own contributions to Victorian writing and art, and the cultural mechanisms through which her influence was felt.
Arguing that being, seeming, and appearing were crucial to Victoria's "rule," Homans explores the variability of Victoria's agency and of its representations using a wide array of literary, historical, and visual sources. Along the way she shows how Victoria provided a deeply equivocal model for women's powers in and out of marriage, how Victoria's dramatic public withdrawal after Albert's death helped to ease the monarchy's transition to an entirely symbolic role, and how Victoria's literary self-representations influenced debates over political self-representation.
Homans considers versions of Victoria in the work of Elizabeth Barrett Browning, George Eliot, John Ruskin, Margaret Oliphant, Lewis Carroll, Alfred Lord Tennyson, and Julia Margaret Cameron.